Brief introduction and analysis of Qinhuai River in Zhu Ziqing's "Paddle Shadows and Lights Shadows"?

Qinhuai River under the Shadows of Lights is a lyrical prose about scenery. Starting with the "Seven Plates" tour of Qinhuai River shared by the author and friends, the article skillfully takes "the sound of oars and light" as the writing clue, and presents a complete tour from Lishe Bridge to the outside of Dazhong Bridge and from sunset to the moon, forming an obvious time-space sequence.

At the same time, it runs through the emotional clues of the author. At the beginning of the tour, the author's mood is calm, easy to taste and pleasing to the eye, intoxicated by the night view of Qinhuai River. While describing lights, watercolors and moonlight, I poured my deep feelings. Then the prostitute boat in Qinhuai River made Zhu Ziqing "encounter a difficult dispute", and the article took a big turn. The author's mood has changed, from being intoxicated with the beautiful scenery to falling into reality. In the second half of the article, when the author expresses his disillusionment, he creates a space for readers to remember and imagine. Another outstanding feature of this essay structure is that the author closely follows the characteristics of Qinhuai River in summer night, taking moonlight, lights, water colors and other scenery as the description object, focusing on lights, which not only describes the changes of lights, rivers and the moon in different waters in different periods, but also shows the unique artistic conception of China lanterns pouring water, lights and the moon setting each other off, so that readers can also taste it.

"Why is the sky thick on the Qinhuai River" and "Why is the sky thick on us" have many new and different flavors.

Appreciation of Yu Pingbo's Qinhuai River in the Shadow of Paddle Lights

Appreciation of this work, written in Beijing on August 22nd 1923, is selected from Children of Miscellaneous Family. Many years ago, Yu Pingbo and Zhu Ziqing toured the Qinhuai River together, and each wrote an essay of the same name, Qinhuai River in the Shadow of Paddle Lights, with different styles and strong points, which was handed down from generation to generation and became a much-told story in the history of modern literature.

Qinhuai River in Nanjing, with its charming scenery, especially contains historical relics of the rise and fall of past dynasties, and has always been a place where many poets and poets sing and mourn. "Bo Qinhuai" by Du Mu, a famous poet in Tang Dynasty, is one of the most famous works. There is a cloud in the poem: "The smoke cage is full of sand in the cold moon, and the night is near Qinhuai Restaurant. Strong women in business do not know how to hate the country, but also sing backyard flowers across the river. " Combine the description of the beautiful scenery of Qinhuai with the deep affection for the current situation. In Qing Dynasty, Confucius wrote the legendary Peach Blossom Fan, especially describing the prosperous weather of Qinhuai River and the tragic scene of national ruin and death. So people are fascinated by Qinhuai River, as Zhu Ziqing said in his article, no

Because of its beautiful scenery in Ling Bo, there are many historical images.

These two articles were written three or four years after the May 4th Revolution. At that time, with the deepening of the revolution, the United front of the May 4th New Culture Movement was further divided, and "some rose, some retreated and some advanced". Compared with the May 4th Movement, the whole cultural field was relatively neglected. As the new revolutionary climax has not yet arrived, some intellectuals feel promising, as Mao Dun pointed out: "On the eve of May 30th, the air of depression and confusion dominated the whole literary world. Although the cold smile and the desire for pleasure and anesthesia are different in appearance, they are the same in heart. At that time, the literary world at the crossroads only lingered at the crossroads. " These two essays on the same topic should prove this point. We can easily see from the article that both Yu Pingbo and Zhu Ziqing are trapped in the narrow world of intellectuals, and it is impossible to dig out more positive thoughts from the history and present situation of Qinhuai River. They also have dissatisfaction and pursuit, but they feel very confused, so there is a sense of disappointment in the article. They don't hide their mental pain. Zhu Ziqing wrote: "This is really because our hearts have been dry for a long time and become fragile; Therefore, once in a while, you will be crazy and unable to be independent. " Yu Pingbo wrote: "In fact, I am immersed in the traditional interest in tinea." They all have a spiritual yearning, and want to use the Qinhuai trip to moisten the withered soul and comfort the lonely soul. There was still a little voice of personality liberation during the May 4th Movement, although it was so slight. However, after all, the pleasure of scenery and music can't relieve their mental depression, and they can't be as bohemian as some ancient literati. Therefore, on the Qinhuai River, which is full of lights, the moon and the night, everything is stiff and seems to be out of harmony with the environment. The result is naturally a whim and disappointment.

But in roughly the same ideological field, we can see their differences. In the picturesque scenery, Zhu Ziqing expressed a state of mind that was difficult to digest or endure. He has a keen attachment to pleasant scenery and rough singing, and his feelings are relatively strong. All this is so straightforward and unpretentious, which shows the author's simple and sincere character. Some people say that Zhu Ziqing is a "scholar". His "elegance comes from simplicity, humor comes from loyalty, and massiness comes from dullness" is a very pertinent comment. Yu Pingbo's composition, on the other hand, likes to explain the so-called "philosophical thinking of the subject" in lyrical style, and he sells golden holes in Qinhuai River, the so-called "golden powder of the Six Dynasties". Although he was intoxicated with this "elegance of dizzy night", what he felt was "not a joy, not a comfort; I only feel a strange and strange ambiguity. " "We can't make people believe that it exists, and we don't believe that it doesn't exist. Philosophically speaking, it is in or close to what Buddhism calls' emptiness'. " Compared with Zhu Ziqing's ardent attachment, Yu Pingbo is calm and rational. He tried his best to create an ethereal and hazy artistic conception in his article, like a moon in the water and a flower in the mirror, which makes people unpredictable. Therefore, some paragraphs in the article not only have a faint bitterness, but also make readers feel a little mysterious.

People often say that real life is rich and colorful, so the theme of literary works should be diversified, so as to reflect the true face of life and let literature and art blossom. These are naturally right. However, if we go deeper, we will find that even the same theme, written by talented writers, will have a variety of expressions because of different styles and genres, even different personalities and temperament, so that works with the same theme will present different styles and characteristics. The same lamp, the same moon shadow, the same song, the same boat, but in the works of Zhu Ziqing and Yu Pingbo, they are all brilliant. Yu Pingbo came to Qinhuai River for the first time, and Zhu Ziqing revisited his old haunt. Therefore, at the beginning of the article, it was very different. "We can endure the light and shadow on the Qinhuai River, and we can also endure the midsummer night when the full moon is still bright." These two unexpected words suddenly outlined the new couple's joy and slightly surprised mood. "The Visitor", at the beginning of the article, only uses a relatively straightforward sentence to explain: "1One night in August, 923, Boping and I swam across the Qinhuai River; Ping Bo was the first Pan, and I started again. "Zhu Ziqing is good at expressing his true feelings through simple narration, and his pen is concise, simple and cordial. Yu Pingbo pursues a "unique style" in his prose creation. In terms of diction and sentence-making, he absorbed some advantages of Ming Dynasty prose, which was concise and clear. In the whole pattern, he likes to insert some philosophical analysis into delicate and gentle descriptions, so his prose has the combination of emotion and thinking, heat and cold. Although some places seem complicated, there are humorous and sentimental descriptions, such as "the boat is carrying us, squeezing, next to and rubbing in the cracks of the big ship. It forgets that tonight is also a star lamp on the river." "This kind of" squeezing ","next to "and" rubbing "is very realistic and writes a noisy scene on the Qinhuai River. In particular, "it forgets that it is also a star lamp on the river tonight" is more philosophical. Nothing exists in isolation, and there is a tangible or intangible connection between them. Sitting on the boat watching the scenery, I didn't know that the boat itself was also the scenery on the river. Everyone who enjoys the lights and plays with water has become an integral part of the scenery of Qinhuai River. Here, feelings and thoughts are organically integrated. Zhu Ziqing wrote that the ship left Dazhong Bridge and came to the most prosperous place on Qinhuai River. In Yu Pingbo's works, it is a strange peak: "The boats are strung through three magnificent culverts, and the summer night of youth suddenly shakes off like a huge painting. Oh! Harsh and complicated strings, trembling and astringent sounds, scared laughter, the sound of beating bamboo cards, and even the lanterns on the boat can be drawn, showing bright and warm flames. "The color seems to be stronger, highlighting the surprise and joy of the newcomers.

Yu Pingbo is familiar with classical novels and lyrics, so his skill in this field can be seen everywhere in this essay. He combined these literary words together, which did not seem abrupt or messy, but added vitality and style to the article. For example, "Tonight, I chatted silently and relaxed my mood. Let's learn for a while, let's learn from their silly jokes that we usually think are in a drunken dream. " This passage is quite like a sentence pattern of classical lyrics, but it is also natural and interesting to use here. A small boat is busy paddling in the dense light and shadow from time to time. The calm and lonely oil lamp reflects the long-lost painting boat (? ) on the head, the beautiful makeup of Qinhuai River girls. Jasmine fragrance, white orchid fragrance, pink fragrance, gauze fragrance, clothes fragrance ... The microwave overflows with sweet fragrance, swaying with their ships, with our ships, and with all ships, big and small. Some people laugh at each other, some people are silent, and some people sing loudly on the Hu Qin. One, three, two, five, six, seven, sitting side by side on both sides of the bow, just added some faint shadows to our hearts-they have gone too far and disappeared from our eyelids. But they are all women. Which face can you recognize? Everyone is so busy paddling, and everyone rushes into the dense flow of light and shadow; What's more, they have been sinking for a long time, and we are used to drifting. At that time, I was drunk, but now I am empty; Honestly, that's all we can think about. Don't tell me and don't even think about it! This is just lightning in a dream, this is just an illusion of ignorance, and this is just a sporadic fire at the root of great desire. We are all dressed up, but we are busy every day, and everyone is busy. Look! Scare! Just after the boat carrying the girl passed, didn't vendor Dan's boat come again? A small kerosene lamp, a room full of things, he is as busy as a bell in his hand, so he plays. "This whole passage is not only catchy to read, but also has a poetic beauty. Judging from its sentence pattern and rhythm, this passage is no different from a Sanqu. It can be seen that the author deliberately operates in these places, but it does not make people feel uncoordinated. On the contrary, it adds a lot of elegance to the article and a lot of interest to the readers. It should be said that these places are all due to the author's profound classical literature accomplishment.

Qinhuai River, which was obsessed with paper and gold powder in the Six Dynasties, gradually lost its former charm with the flowing of the long river of history. Zhu Ziqing's "Qinhuai River in the Shadow of Paddle Lights" painted it with rich colors, once again showing the elegance of Qinhuai River. Zhu Ziqing's masterpiece "Qinhuai River under the Shadow of Paddle Lights" describes the experience and feelings of boating on Qinhuai River in summer night. Accompanied by sound and light, the author keenly captures the graceful charm of Qinhuai River in different times and situations, and introduces the feeling of nostalgia for the past. The most striking feature of the article is poetic and picturesque. The Qinhuai River described by the author is picturesque and dreamlike. The strange "seven-board" ship is enough to make people think; Gentle and fragrant green water seems to be condensed by the gold powder of the Six Dynasties; The ethereal song sounds like the whisper of breeze and river ... it is magical in the realm of plain, meaningful, poetic and painting. As the saying goes, there are pictures in the text and words in the painting. The author's brushwork is nuanced. When describing the scenery of Qinhuai River, he did not seek to be bold and unrestrained, but described the beauty and comfort of Qinhuai River in detail, which fully reflected the author's meticulous description technique. Ships, green water, lights, moonlight, large and medium-sized bridges, songs ... all kinds of scenery, the author grasps its light, shape, color and taste, and describes it carefully, but it is not carved in bright and beautiful, elegant but not tacky, which makes Qinhuai River shine in water, lights and moon. History is the nourishment of Qinhuai River. It can be said that history has made the Qinhuai River, and the Qinhuai River has lost all its meaning without history. The author walks into historical memory from reality and awakens Qinhuai River from two aspects: form and way. "Under the roof in front of the hut, there are lights hanging; The quantity, brightness, fineness and brightness of lights are different. But at least I will always give you a lantern. " This lantern is really the most attractive thing: "in this thin mist and tiny ripples, who can listen to the leisurely and intermittent paddle sound without being introduced into his dream?" Too many dreams. How can these boats, large and small, be affordable? At this time, we are vaguely talking about the colorful traces of Qinhuai River in the late Ming Dynasty, such as Peach Blossom Fan and Banqiao Miscellanies. We are really fascinated. We seem to have seen with our own eyes the scene where the lights are reflected on the water and the ship is painted in Ling Bo. So our ship became the burden of history. "The author began to fall into history from the lamp, vaguely and vaguely. This is really caused by many historical images: walking boats and seeing flowers in the fog are all floating and hazy; The ethereal singing sounds like fantasy as well as reality ... With the help of the memory of historical images, the author makes the Qinhuai River vague and illusory, intoxicating and fascinating. The author focuses on the natural landscape of Qinhuai River, but downplays nature and his aesthetic taste with the appearance of geisha. The author deeply analyzed his ambivalence at that time, that is, he wanted to listen to music, but he was bound by moral laws, and he wanted to transcend reality, but he couldn't forget it. It is true and concrete, but it gives readers great attraction and profound meaning. Paved the way for the dream to return to reality. Generally speaking, the article "Qinhuai River in the Shadow of Paddles and Lights" clearly embodies the cautious and meticulous characteristics of Zhu Ziqing's prose. When describing the scenery of Qinhuai River, Zhu Ziqing combines natural scenery, historical images and realistic feelings, and is filled with sincere, deep and delicate feelings, giving people a feeling of nostalgia and yearning. Qinhuai River under the shadow of paddle lamp shows an unforgettable image of Qinhuai River under the shadow of paddle lamp.

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