Who can tell me the meaning of the ancient poem Late Spring?

Late Spring is an interesting sketch of Korean poetry, which is rarely omitted in the anthology. However, the understanding of poetry is different.

The first topic is "Traveling south of the city in late spring", which shows that the poem describes an outing visible to the naked eye. At first glance, it is just a picture of a hundred flowers blooming: spring is about to pass. It seems that all herbs and woody plants ("grass trees") have found this news, and they all want to keep her and try their best to compete for beauty. Ironically, catkins and elm pods, which were originally full of color and flavor, were unwilling to be lonely. They joined in the fun, danced with the wind and became snow flies (the word "Huayang" is a preference for "Huayang"). Just a few strokes give readers an impression of eyeful scenery.

Furthermore, it is not difficult to find that the vivid effect of this poem is closely related to personification. Grass tree is a heartless thing, but it can know, understand and fight. In particular, there are differences in talent and thinking, and the wonder of thinking is rare in the previous poems. The strangest thing is that the word "no talent" caused the last two sentences to be chewed. If it can be solved, it will cause different views. Some people think that it is to persuade people to cherish time and study hard, so that they will not achieve nothing like "Huayang fishing pods"; Some people see humor in it and think it is a deliberate mockery of "Huayang Jade Pod" without beautiful red and purple flowers, just as people can't write a literary chapter without talent; Others simply suspect: "The poet seems to be sarcastic after playing three or four sentences, but I don't know what he means." No matter how poetic each statement is, you can see that this poem is really strange just by explaining the differences.

Zhu Yizun of A Qing Dynasty said, "What do you mean? However, this is just the case. " Although this statement is self-defeating, there is no lack of insight. The inspiration of the author's poetry writing is directly triggered by the scenery in late spring, so "the scenery is just like this". However, he not only saw the beauty of this "scene", but if he realized it, he just made this strange word "no talent", which should have stopped.

"Huayang Jade Pod" is less fragrant, far less than "all kinds of red and purple". Laughing at it "just to solve the problem of flying snow" is really a bit ridiculous. However, don't you think it's a pity to erase this little white from this late spring picture? Even as a foil of "red and purple", "snow" seems to be indispensable. Moreover, Xie Daowen's singing of snow has been called beauty since ancient times because of the wind. The author also has a sentence: "Snow is too late for spring, and wearing a courtyard tree is a flying flower." (Chun Xue) Beautiful as snow, but beautiful as snow, isn't it? More importantly, this snow-white Yang Shuhua is one of the special scenery in late spring. Without it, the reason why late spring is late spring will be lost. It can be seen that the poet's "Huayang Yu pod" is not necessarily just a ridicule, which should have pity. In particular, it should be noted that "Huayang Fishing Pod" is not ignorant because of "lack of talent", nor is it afraid of the ridicule of "teaching others to teach others to play axes", avoiding shortcomings and using strengths, contending for flying, adding a lot of color to "late spring". It is "Liu Cong Fang Fei Chang, regardless of the peach floating with Li Fei" (Dai Yu's "Dream of Red Mansions" funeral lyrics). Isn't this courage lovely?

If poetry has a moral, it should be the philosophy of life contained in it. As far as Han Yu is concerned, he is not only the main commander of the "decline of eight generations of literature", but also the pioneer of the strange and dangerous poetry school, full of courage. He can appreciate the courage of "Huayang Yuyue" for no reason. Apart from being unique in Yuanhe poems, he also highly praised Meng Jiao and Jia Dao, who were neglected at that time. Their eccentric and thin poetic style was also a different tune in poetry at that time, which was not among the "flowers". It can be seen that Han Yu is not necessarily unsympathetic or sarcastic about the "flower pod" image he created. It can even be said that the poet encourages "uninspired" people to dare to create. Although the two interpretations of the poem quoted above have their own insights, they have been ignored in this respect. I don't know that the poet loves "Huayang Yuyue" and knows its ugliness, so it is also harmonious to ridicule half-truths and half-truths. He didn't mean to be sarcastic. He just watched Yang Huafei dance and suddenly touched it, bringing a little humorous interest. The beauty of poetry is also here.