Lao Guo's stand-up comedy can't get into the top three?

As we all know, cross talk can be divided into stand-up cross talk, mouth-to-mouth cross talk and group cross talk according to the number of performers, among which stand-up cross talk is the most difficult to perform and requires the actors to have a deep foundation.

Because stand-up crosstalk is performed by only one person, right or wrong, good or bad depends on one person with one mouth, and no one else will beat around the bush.

Stand-up crosstalk is similar to storytelling, and master Liu Baorui knows the difference very well. He said,' There is no essential difference between stand-up crosstalk and storytelling, but I want to make the audience laugh, and the storyteller doesn't need to make the audience laugh.'

Fifth place: Degang Guo, the king of digging holes.

Speaking of Lao Guo, I'm afraid there is no need to introduce it again. Those who like him and those who don't like him know a little about his past. Lao Guo is good at lip-synching, but he prefers stand-up comedy. His explanation is that he has studied storytelling since he was a child and has many years of experience in storytelling. He often calls himself a storyteller. Almost every year, he finds a few days to hold stand-up crosstalk performances, and almost every year, he digs countless pits, which is called the pit king of stand-up crosstalk.

In fact, whether Lao Guo's long stand-up comic dialogue is a story or a comic dialogue is unclear to him. His explanation is that' storytelling is very similar to stand-up comedy, and it is told by one person, with stories and comments. Maybe because I'm a crosstalk performer, the book I'm talking about is called stand-up crosstalk. If it were Mr. Yuan Kuocheng, the storyteller, he said that stand-up crosstalk would also be called a storyteller by the audience.

No matter whether Lao Guo is talking about storytelling or cross talk, he has made great contributions to stand-up cross talk. He discovered many endangered traditional stand-up crosstalk, re-edited and integrated it, and re-presented it on the stage. For example, in Zhang Shuangxi monster hunt, Lao Guo searched for famous artists from south to north, and finally got the surviving copy of this traditional "Bagua Palm" program from the late crosstalk elder Mr. Zheng Wenxi, which made him escape the fate of being lost.

Lao Guo's stand-up comedy lies not only in its inheritance, but also in its creation. For example, Lao Guo has been talking about the long stand-up comedy Biography of Qi Huangong for several years. From the beginning, she said that "Nine Crossing the Yellow Lady" only arrived in Toure today, which made people gnash their teeth and dragged on more than English drama. The author is afraid to listen to Lao Guo's monologue now, and every time he listens, he is haunted by countless new pits. It's really' life is limited, digging a hole is not enough'! I'm really afraid that one day Guo will forget all the holes he dug, which may be what many viewers are most afraid to see.

Fourth place: cross talk generalist-Zhao Peiru

Nowadays, when it comes to Mr. Zhao Peiru, many young people don't know his name, but one of his close disciples is the hottest figure in the phonograph field. That's right! Mr. Wang is a teacher and learns from Mr. Hou.

Mr. Zhao Peiru was born in 19 14 and studied under Mr. Jiao Shouhai. He is the earliest apprentice of the sixth generation of Bao Gong crosstalk performers, the head of this generation, and one of the most outstanding figures. He is good at holding and teasing, and knows his stand-up crosstalk, mouth-to-mouth crosstalk and group crosstalk like the back of his hand, which is full of charm. He is a generation of' ghosts'. His program is solid, extensive, accurate and meticulous, and has been praised by many masters such as Chang, Ma and others, as well as many predecessors such as Chang and others. 195 1 year, Mr. Wang and Mr. Chang went to perform in the Korean battlefield and had an accident. Mr Zhao Peiru was gloriously wounded and Mr Chang Bao Kun died heroically.

After that, Mr. Zhao Peiru gave priority to stand-up crosstalk and storytelling, and the performance effect was not difficult compared with counterpart crosstalk. Master Ma Ma Zhiming once praised Mr. Zhao Peiru as' the first crosstalk performer since ancient times', and he was really an anonymous low-key crosstalk master in history.

The author has heard several versions of Stripping the Jacket, among which the highest artistic achievement is Ma's Stripping the Jacket. Mr. Zhao's skill can be seen from two master actors. Before the "Cultural Revolution", Mr. Wang partnered with Master Ma and recorded a large number of traditional cross talks, leaving precious materials for later actors.

What's more worth mentioning is that Mr. Zhao Peiru is full of peaches and plums, with as many as 33 apprentices in his life. In addition to Mr. Hou, there are also famous crosstalk actors such as Chang Guitian, Zhang Guitian, Zhang Guitian, Zhang Guitian, Zhang Yingren.

1973, Mr. Zhao Peiru, a generation of crosstalk' ghosts', died in Tianjin at the age of 59.

Third place: a great master-Zhang Shouchen.

Zhang Shouchen, a cross talk master, was born in 1899. At the age of twelve, I studied under my predecessor, Mr. Jiao Dehai. He is the leader of the fifth generation of crosstalk performers and the artist with the highest achievement, reputation and level in this generation.

Mr Zhang Shouchen is good at lip-synching, especially stand-up crosstalk. At that time, he was called the king of jokes and the master of humor. His stand-up comic dialogues such as Little Fairy, Three Myopia and Eating Watermelon are outstanding masterpieces of traditional stand-up comic dialogues. From 65438 to 0958, Mr. Zhang Shouchen recorded stand-up comic dialogue "Thief Talk", which is the only video material that Mr. has survived.

Mr. Zhang Shouchen was the first actor to bring cross talk out of Beijing and Tianjin, and also created a precedent for young actors to say stand-up cross talk. During the Republic of China, Zhang Shouchen's name represented crosstalk, and his performance in the teahouse was the penultimate appearance, which was the highest achievement of crosstalk performers at that time. It was not until the appearance of the post-master that the crosstalk performers were able to save their performances.

After the founding of People's Republic of China (PRC), Mr. Wang actively devoted himself to cultural construction and trained many crosstalk masters such as Chang, Zhang, Zhang and Zhang.

During the Cultural Revolution, Mr. Zhang Shouchen, who had the deepest and oldest qualifications in the phonograph circle at that time, was the first to be criticized. Finally, in 1970, Mr. Zhang Shouchen died of poverty and illness at the age of 72.

Mr. Zhang Shouchen is very famous in the music industry, and people inside and outside the industry are deeply impressed by him. His cross talk is elegant with humor and smart with wisdom. He is very good at stand-up crosstalk, mouth-to-mouth crosstalk and Taiping lyrics. He is recognized as a master of cross talk.

Second place: cross talk master-Ma.

Ma is a famous crosstalk master. 19 14 was born in a folk art family. His grandfather Enxu, his father Ma Delu and his eldest brother Ma Guiyuan are all outstanding crosstalk predecessors. When I was a child, I learned one of the eight virtues of symphony from Zhou Deshan. I am the fifth generation crosstalk performer, and the last crosstalk performer of this generation passed away.

Mr. Ma was very good at teasing in his early years, such as "opening a porridge factory", "Bai" and "Kwai Fu". Gradually formed his "Ma's Crosstalk", which is mainly "infiltration", tepid, unhurried, unhurried and unique in style.

After the Cultural Revolution, Mr. Ma partnered with Mr. Wang and often performed cross talk with Wen Zhuang. For the first time, he put many excellent traditional programs on the screen, such as "Xijiang Moon", "Eating Yuanxiao" and "Articles Meeting", leaving precious materials. From this. There is a saying in the phonograph world that' everyone lives in a horse'.

After the death of Mr. old partner, no one in the phonograph circle can hold Mr. Ma. Therefore, Mr. Ma Lisan changed his name to Mr. Stand-up Crosstalk, and his achievements were even higher. Most of the stand-up comic works he used were created by himself, such as practicing qigong, chasing and looking for candy. His works are closely related to the lives of ordinary people, and the more you listen to them, the more interesting it becomes, until the appearance of his most outstanding masterpiece "Teasing You", which pushed Ma Pai crosstalk to another peak.

Some people say that horse cross talk is not funny, because you don't understand. After listening to his cross talk, you can outline all the characters in your mind. This is the charm of cross talk, and the baggage finally shaken out will definitely make the spectators smile.

200165438+On February 8th, 87-year-old Master Ma bid farewell to the stage. He said in "The Battlefield of the Party", "Farewell to the stage does not mean farewell to cross talk, and I will study cross talk hard in the future".

On February, 2003, Master Ma passed away at the age of 89. As the oldest crosstalk master in China at that time, the audience was very sad to hear this.

First place: Liu Baorui, the king of stand-up comedy.

Liu Baorui, known as the king of stand-up comedy, was born in 19 15. He is a disciple of crosstalk master Zhang Shouchen and one of the most outstanding representatives of the sixth generation crosstalk performers.

Mr. Liu Baorui had a rough life and a poor childhood, so he had to devote himself to Quyi. 13 years old, as a teacher, said crosstalk; 14 began to perform in Tianqiao and other places; 17 years old, and at that time, 18-year-old Mr. Ma began to perform "Running the Wharf"; 1949 went to Hong Kong alone and became the first person to bring cross talk to Hong Kong.

Because he was born with a strange voice, he was not optimistic at first. However, with his superb understanding and diligent exploration, he was unique in the field of stand-up crosstalk and eventually became a master. His stand-up comic dialogue draws on the artistic skills of southern monologue and storytelling, as well as the expression techniques of movies and dramas. Through long-term performance practice, it has gradually formed a unique artistic style that is meticulous, solid, elegant, implicit and harmonious, inclusive of emotion and spirit. Therefore, he won the reputation of "stand-up comedian" and "cold-faced comedian".

His representative works of stand-up crosstalk include Three Stages in a Row, Zhuyu Yutang, Three Dangers in the Sun, Jia Xingjia and so on. , are all traditional jokes, but after he finished, no one in the comic industry dared to challenge again, because as we all know, no matter what you say, you can't surpass Liu Baorui's version. This is a warning for directors and producers who often dare to remake classics now.

Although Liu Baorui has always been regarded as the king of stand-up comic dialogue, he has actually made great achievements in his peers and group members. Talking with Master Hou about the emperor, talking with Mr. Guo Baoquan about what to do, and looking for a court with Mr. Ma Ji are all textbooks handed down from generation to generation, leaving a lot of precious records for future generations. It's a pity that Mr. Liu Baorui didn't leave any video materials of crosstalk. The only short video was a guest appearance in the movie "Dream in the Garden" for less than 30 seconds, which made future generations appreciate the elegance of the master.

During the Cultural Revolution, Mr. Liu Baorui suffered inhuman persecution and torture, and finally died on June 6, 1968 at the age of 53. The cause of death of Liu Baorui, a great master, is still unknown, which is a big unsolved case in phonology. Today, there are only clothes in Liu Baorui's grave, and the whereabouts of his bones are unknown.