Joke Collection Website - Cold jokes - Compared with Degang Guo, who has a higher level of cross talk in Feng Gong?
Compared with Degang Guo, who has a higher level of cross talk in Feng Gong?
Crosstalk emphasizes inheritance and family status. He studied under Hou, who is the son of the crosstalk master Hou.
Hou is a master in the history of cross talk!
As we all know, the biggest contradiction between Feng Gong and Degang Guo is the dispute between Jiang Kun and Degang Guo. Even Jiang Kun's master, Mr. Ma Ji, was helpless.
Feng Gong is Jiang Kun's younger brother. Being sandwiched between his brother Jiang Kun and his cousin Degang Guo makes him uncomfortable. He can't help anyone, nor can he scold anyone. So it's hard to find a photo of Feng Gong and Degang Guo!
In the early years, it was reported that Guo Feng was not harmonious. Actually, it's fake. Prior to this, Feng Gong also promoted the bad film "Just for Fun" by Deyun Society. Even Feng Gong's apprentice Wang Tong participated in the performance of this film.
In addition, Degang Guo, including his disciples, had good relations with Feng Gong's disciples Jia Ling, Pan Binlong, Bai Kainan and Wang Tong. There are frequent interactions between "Tonight's Play" and "Happy Comedian", including the 20th anniversary performance of Deyun Society, in which Jia Ling and Pan Da also became guests, which shattered the false news of Guo Feng's discord.
Comparison of crosstalk level between Feng Gong and Ma Ji. Malik Ji, he is also a new crosstalk master. We can hardly hear traditional jokes in their cross talk. They always make up many cross talk jokes according to the background of the times, which are in line with people's lives at present.
This feature also makes the cross talk of Maji School significantly different from the traditional cross talk, while Hou's son, Hou, attaches great importance to the study of traditional basic skills, which is why it is a treasure when he meets it.
When we listen to Degang Guo, we will find that although many of his cross talk themes look fresh, his jokes are still extracted from traditional jokes.
In fact, before Degang Guo, the mainstream performance form in the field of phonology was the new cross talk headed by Ma Ji.
Although Hou and others actively inherit the tradition, these traditional crosstalk actors cannot represent the development direction of crosstalk. Feng Gong is the most prominent representative among the new cross talk schools in Maji. Especially the cooperation between Feng Gong and Niu Niu, who was the most successful crosstalk group before Degang Guo.
When we listen to Feng Gong's cross talk, we will find that many of his burdens are based on the real life mode, such as Idea Company. Look at this two fathers. Feng Gong brings joy to the audience through the details of life in a sarcastic way, and at the same time injects insight into life into the audience. However, Degang Guo's crosstalk works are not complicated. In Degang Guo's words, he said crosstalk to amuse the audience.
Judging from the purpose of cross talk creation, Feng Gong's new cross talk is very different from Degang Guo's traditional cross talk. Feng Gong's cross talk "making the audience laugh" is just a means for him to present his works. By making the audience laugh, Feng Gong also hopes to convey some positive values in line with the times to the audience.
Compared with Feng Gong's new cross talk, Degang Guo's cross talk is much more direct. The core purpose of Degang Guo crosstalk is to entertain the audience, and by making the audience laugh, Degang Guo also hopes to convey an optimistic attitude towards life to the audience. But beyond that, Degang Guo is in no hurry to add too many elements to cross talk. In Degang Guo's view, crosstalk itself is an entertainment program, so there is no need to make it too complicated.
Because of the different purposes of cross talk, Feng Gong and Degang Guo have different considerations when choosing creative materials. In order to be closer to the audience's life, so as to better achieve the ironic effect of cross talk, many life scenes in Feng Gong's cross talk works are based on real life scenes. So we can always feel a sense of intimacy when listening to Feng Gong's cross talk. However, Degang Guo didn't consider too many factors when he created cross talk, and his only goal was how to make the audience like cross talk more.
Degang Guo's crosstalk is also very limited. Because there is no educational significance and the guidance of positive energy, Degang Guo is only willing to make the audience happy. Therefore, many cross talks in Degang Guo do not strive for coherence, which naturally has little influence on cross talks.
However, when Degang Guo tried to become a film director, his cross talk thought could not form an effective chemical reaction with the film art. Because of this, when Degang Guo transformed into a director, we would find that he was still trying to be funny, so the story of the film was very poor.
On the contrary, Feng Gong can wander in all kinds of comedy themes. Besides performing cross talk, he is also an excellent cross talk actor. In addition, Feng Gong also participated in many films. Because of its long history, many audiences are not familiar with Feng Gong's films, but the quality of Feng Gong's films is obviously superior to that of Degang Guo.
Because of this, Feng Gong's apprentice, Jia Ling, created a miracle in the history of domestic films after his transformation as a director. This comedy movie called Hi Mom not only gives the audience laughter, but also gives the audience a lot of inspiration about family and life. In the fierce Spring Festival, "Hi, Mom" not only made a dazzling box office, but also won a good reputation from the audience.
Although Degang Guo and Feng Gong come from the same school, their understanding of cross talk and comedy is different. Art is not high or low, as long as it can achieve the expected goal, each of them is good, and they are also crosstalk masters!
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