Compared with the financial support, where is the gap in Sun Yue and how big is it?

Yu Qian and Sun Yue are both excellent actors. It is not so much a difference as a difference.

Yu Qian often plays the role of a loyal elder. After all these years in Degang Guo's speech, everything seems pale and powerless. In addition, when he is old, some of his baggage is slowly removed, but he has the characteristic of "never stopping talking". In addition, Guo Yu is traditional, and Guo often talks about things at home. On the stage, the actual scene is mostly the teacher, and the person who controls the rhythm relies on the teacher's reaction to set off all the jokes. For example, Mrs. Sister-in-law corresponds to the sentence "Nothing like that", which makes him a well-deserved master of rhythm.

In traditional cross talk, "three points teasing and seven points holding" has become "seven points teasing and three points holding" in Yue Yue, which refers not to the stage role, but to the control of the scene and rhythm of the characters.

Yun-peng Yue's crosstalk is not to say, but to act. The rhythm control on the stage is mostly guided by his performance, which reduces Sun Yue's sense of existence and makes Mr. Sun seem to be standing on the stage listening to cross talk.

Comparing the accident version and the compressed version of Travel Theory in a considerable time span, it is obvious that Yue Yue's performance has deviated from the tradition. Teacher Sun no longer just plays the role of a joke, but becomes a bridge with the audience. In addition to praising teacher Yue, he also praised the audience. For the first time, he used body language instead of traditional speech, which made Yun-peng Yue more brilliant.

There is no difference between a tradition and an innovation, but the path of artistic creation is different.