If Deyun Society really goes out of business, will it have any impact on the music industry?

Don't say that a Deyun club means that the national cross talk has closed down. I will feel very happy and clean, because I hate cross talk. I can't help it, but I don't like it Maybe it's because I've been through it I always feel that the crosstalk jokes of old artists used to be like sweet wine, but now the crosstalk is like boiled water.

It's hard to say whether Deyun Society can close down. I dare not draw a conclusion. However, there is a fact that Degang Guo and his Deyun Society really revived cross talk.

As we all know, the cross talk of that year did show some signs of decline under the run of sketches. Niu abandoned cross talk and went into politics, even Feng Gong turned to sketch. At this time, only Deyun Society in Degang Guo carried the banner of cross talk and brought laughter and happiness to the audience. It can be said that Degang Guo contributed a lot to the revival of cross talk.

The art of cross talk emphasizes speaking, learning, teasing and singing, and Degang Guo is proficient in everything. Stage performances pay attention to hands, eyes, body, methods and steps. And Degang Guo on the stage, can be said to be between gestures.

Some people say that the cross talk of Deyun Society is vulgar, but it is actually an unreasonable attack and slander. It should be noted that if chin beauties can be accepted and affirmed by the people, in time, they will become classics, that is, Chun Xue. More importantly, the traditional crosstalk with high artistry and skill is currently performed only by Degang Guo. As for Jiang Kun, he talked about cross talk all his life, but because of his natural weakness, he never made people understand, and he still learned to sing out of tune. It can be said that the era of cultural and artistic depression created Jiang Kun. There is no denying Jiang Kun's contribution to cross talk. However, when Jiang Kun later served as the chairman of the Music Association, he did not support the development of cross talk, but played with sketches. It's really a bit of dereliction of duty. He almost ruined the cross talk career.

On the other hand, if Deyun Society really goes out of business, it should be said that it is a great loss to the cross talk business and will really have a great impact on the cross talk business.

If Deyun Society really goes out of business, it will have no impact on the music industry. What will really be affected will only refer to the entertainment capital of Deyun Society, the powder heads that cut leeks in the powder circle, and the water army and the media that eat Deyun Society's traffic.

Degang Guo's popularity is only his personal success, not the revival of cross talk. Since the revival of the small theater in 2000, cross talk has entered the niche market and has been moving closer to the entertainment circle. Degang Guo is the most successful one who takes the entertainment line. He is also the first traffic star in the history of cross talk in China, with a pink circle operation mode comparable to that of top stars.

Degang Guo's personal design catered to the times and matched the internet public opinion environment at that time. During the rise of Degang Guo, the Internet was in a state of barbaric growth, and the public opinion environment was almost crazy against public knowledge and the Constitution. At that time, as long as the online swearing family was in good health, it would be sought after by thousands of people, and Degang Guo just catered to this trend.

Different from the ordinary keyboard big V, Degang Guo also framed a very pleasing label for himself-traditional culture. Tradition and retro only have their own attributes of anti-trend and anti-current affairs, so when Degang Guo describes the pastoral of traditional culture for fans, the wisdom of ancestors kills all beings, he is the inheritor of ancestral wisdom, and a superhero-like saint in costume comes.

Degang Guo divided crosstalk performers into mainstream and non-mainstream camps, creating artificial industry opposition. The mainstream is a vegetarian official, and the non-mainstream is the guardian of traditional culture represented by him. In order to strengthen this opposition, Degang Guo also broke into the ranks of "destroying cross talk" occupied by all mainstream cross talk actors, such as TV cross talk. Degang Guo almost spared no effort to belittle and trample on it, thinking that cross talk on TV is just memorizing words and obliterating the real charm of cross talk. Only the small theater interaction is the original crosstalk, and the audience who has been to the small theater to listen to crosstalk is the "real crosstalk audience".

Degang Guo's business talk is regarded as a standard by fans, and with the crazy praise of the media water army, TV crosstalk has become a scourge that destroys crosstalk. However, denying the decline and rigidity of mass media and blindly promoting the flexibility and freedom of small theaters is actually a cross talk that has changed from a form of national entertainment to a niche hobby for the rich and leisure class. Besides, Degang Guo was not the first pioneer of small theater. In the 1990s, Tianjin Small Theater, and after 2000, Jiang Kun advocated the return of cross talk to small theater, all of which were one step ahead of Degang Guo. It's just that they ignored the public opinion position of the internet and created momentum for themselves through the water army and the marketing number.

Degang Guo firmly grasped the original stock of crosstalk on the Internet, created a god for himself, solidified the aesthetics of his audience, turned the original audience of crosstalk into idolized powder, turned himself into crosstalk itself, and became the supreme existence of definition standards. Therefore, no matter what Degang Guo says, it is an imperial edict for the fans.

However, the narrow and closed operation mode of Pink Circle will eventually lock the guests it attracts in the small circle of Degang Guo and Deyun Society.

This group of die-hard fans who are crazy about Degang Guo will look for new idols as spiritual sustenance after Degang Guo and Deyun Society leave, and will not have any thoughts on cross talk.

Therefore, for the crosstalk industry itself, Degang Guo's popularity only makes him inexplicably add a group of criticisms and some "ancestral rules" that pop up inexplicably, such as Taiping's lyrics can't be less than 25 yuan. In addition, many young people who flood into the cross talk industry are striving to be stars and idols, and cross talk has been simplified into a big coat and a gray mouth.

Many years later, when people review the history of cross talk, Degang Guo should have a chapter that belongs to him, but the name of that chapter is "The Collision between Cross Talk and Idolated Culture".

What was the whole phonological world like before Degang Guo became popular twenty years ago? Apart from listening to crosstalk in the Spring Festival Evening, I basically don't listen to crosstalk at other times.

In 2005, Deyun Society became famous and the audience began to return to the small garden. However, what about other gardens? Still as bleak.

Degang Guo said that the prosperity of Deyun Society does not mean that cross talk will flourish. Deyun Society is a boat in the sea. In other words, crosstalk is not prosperous now, but it is also declining.

Look at the present situation of Beijing opera and you will know the present situation of cross talk. Peking Opera is still the quintessence of China culture, right? What about the local folk art groups?

If Deyun Society goes out of business, it is estimated that in less than ten years, cross talk will be as good as or even worse than drama theaters all over the world.

Now the right to speak is still in the hands of the mainstream. What does the mainstream do all day? Even if they have a performance at the meeting, they will send tickets and eggs. If one day the country does not support these mainstreams, can these mainstreams be like Shang Yan of Deyun Society? The possibility is slim, because they have long been unable to sell tickets.

A Deyun Society went bankrupt? That is, ten Deyun clubs have closed down! Lao Wang is still surnamed Wang, the sun is still rising in the east, the epidemic is still raging in the earth, the United States is still trying to be brave and hegemonic, and China is still rising and reviving.

In fact, cross talk is no longer called cross talk, but only to raise a group of people to eat and make some people developed. Seriously, it's not funny yet.

Everything has its ups and downs, so does cross talk, and it can't escape this rule. Now there is no material for cross talk, and it is no exaggeration to say that it is the end of the road. Cinnabar is not as expensive as natural red soil, but a sack filled with straw.

The closure of Deyun Society has no effect on crosstalk. To put it bluntly, there is no cross talk, and the food is delicious. Now the news media is so developed that after going to bed after work, you can turn on your computer and mobile phone, and you still have time to listen to cross talk.

I haven't listened to cross talk for several years, and I'm not at ease. The days without cross talk are really relaxed and happy. Just like abstaining from alcohol addiction, smoking addiction and drug addiction, it is refreshing, as if from the palace to the mountains, from prosperity to innocence.

Finally, I advise you to try a life without cross talk. It's really beautiful.

Which nationality is the cross talk? What's his last name? Who is Deyun Society? Is it a man or a woman? Is he seeing anyone? Who is the company?

If Deyun goes out of business, what impact will it have on the music industry?

Friend, without Deyun Society, where would there be a phonograph world?

This statement is not empty.

Think about what cross talk we listened to before Deyun Society.

Once every ten minutes, the kind with its own abridged version.

Actors in small red-billed suits all stand on the stage like wedding emcees, just like their peers in the evening paper. Is that a cross talk?

Maybe some time ago, when all of us didn't understand, you could say it was a cross talk.

After all, I'm hungry, and eating corn smells good.

But what age is it now? The country became rich and strong, cultural exchanges took place, and the people of China stood up.

With the rapid development of the Internet, what have we never heard of or seen?

It is natural to be able to distinguish good from bad, so we really can't accept the past cross talk now.

Compared with the jokes of Deyun Society, regardless of the old gentleman, what are the mainstream immortals? Everyone should know fairly well.

There is a saying that money beats handmaiden's hand and art beats pedestrian.

These goods are incompetent and want to earn as much as others, so they have been shouting down Deyun Society.

I don't know, even if Deyun Society really collapses, they can't sell tickets.

Ability is displayed. Nobody is blind, right?

Therefore, if one day Deyun Society goes out of business, crosstalk will basically get cold.

Qin people have to mourn for themselves, and then others mourn for them, and later people mourn for them without learning the lesson, which also makes future generations mourn for them again.

Metabolism, Qian Fan by the shipwreck, another village. Without anyone, the earth will still run as usual, and there will always be new people and new things. There is a new situation in the cross talk of Deyun Society, but the times are advancing and the society is progressing. Crosstalk should also keep pace with the times, bring forth the new and serve the broad masses of workers, peasants and soldiers.

If Deyun Society really goes out of business, it won't have any impact on the music industry.

There are two reasons. First, the heads of Deyun Society are all big fools, and most of their eldest sons have multiplied in circles without any great achievements; Secondly, there are many excellent people outside the circle, but they have no money, no power and no flattery. If a stage gives them some sunshine, they will soon surpass them, just like Zhu Zhiwen and Phoenix Legend.

It can't have much impact, because for hundreds of years, talents have come forth in large numbers, and it is the law of historical development to bring forth the old and bring forth the new. Besides, what you lose is what you get.

If Deyun Society really goes out of business, it will definitely be a great happy event for the "phonograph world". Since then, no one has laughed at their inability to speak cross talk. Master Jiang can finally dominate the world, and from then on, the fairy fortune will be enjoyed forever, and life will be natural.

For the art of cross talk, losing Deyun Society is a great loss. The turnaround of the comic dialogue "Salted Fish" was facilitated by Degang Guo and Deyun Society. Now that the birds are gone, I'm afraid the art of cross talk will return to the point where grandma doesn't love her uncle.

Some people have been entangled in who put forward the mainstream and non-mainstream crosstalk, but no matter who put forward it, personally, I think this distinction method is very accurate. Holding the national salary, enjoying the treatment of first-class actors, often going to large-scale parties, called the mainstream. They are very comfortable.

But once the mainstream actors ruin the cross talk, they just gnash their teeth. So they are not against the mainstream name, but against taking responsibility. In fact, whether there is Deyun Society or not, their work efficiency in rescuing cross talk can be scored as 100. Of course, the perfect score is 10 thousand.

As for the art of cross talk, without Deyun Society and Degang Guo, it would not attract a large number of young audiences into the theater. Imagine that the death of an extremely aging art form is almost at hand.

But this is also what the mainstream audio industry hates most about Degang Guo. Why do you send eggs yourself? Nobody wants them. Deyun Society sells tickets for 2000 yuan, but it is always "two ashes". In fact, it is not sad that they can't sell tickets. They are obsessed with the remnants, and their real sorrow is that they have not kept pace with the times.

Every art form needs a star in this industry. Music, drama, dance, film and television are mostly like this. But it is not because there are superstars that other colleagues can't eat.

At that time, the Beatles' records sold very well, but later the Rolling Stones became popular in Europe and America. Chen's acting is first-class, but many people also watch TV dramas in which he does not participate.

It is because of the superstars like Degang Guo and Deyun Society that the traditional cross talk art can be revived. Why is there a monopoly of Deyun Society? The fault lies not in Deyun Society, but in the strength of peers. They still have a long way to go.

Of course, this does not include the mainstream audio industry. No matter from subjective initiative or objective personal strength, it has already gone out.

Once bad money drives out good money, Deyun Society closes and Degang Guo lives in seclusion, people will completely lose confidence in the art of cross talk, and the audience who finally gathered will once again stay away from this sad place. From then on, crosstalk will become a real legacy.

Of course, the collapse of Deyun Society is not necessarily a bad thing. For example, in CCTV's golden comedy class, Teacher Jiang is sitting next to him, and many people can get positive education from the teacher's comments. From then on, completely change the shortcomings of defecation everywhere.

The summoner in Crosstalk with Newcomers will also be replaced by Master Jiang and He. Crosstalk newcomers can not only be inspired by crosstalk skills, but also learn the practical version of the application book of "supporting wives and children", killing two birds with one stone, which is really good.