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Looking for a Gun is a film directed by Lu Chuan. This is a suspense movie. I'm more interested in his film skills.

Like a surreal way. For example, Mashan asked a friend that a red table appeared between two people. For example, after Mashan lost his gun, he imagined that the gun was in the safe. And Annabel Lee's soft cry, and finally Mashan laughed after his death. These technologies are very surreal. Why? Why did Lu Chuan use this technique?

Also, Lu Chuan's dialogue is humorous, which is even more comedic in Guizhou dialect. Why do you want to add this comedy element to a suspense film? Is it the unconscious of creation? Or is it a kind of irony? Because although they are humorous, they never laugh. Just like when a policeman loses his gun and everyone is in danger, joking is an exaggeration. Then why do you exaggerate?

So I think this is to show people. The surreal technique is to show Mashan's mental state. He is very neurotic. At that time, Mashan was already worried about the illusion of the brain. He doesn't even believe in himself. For example, he will ask his wife if she hasn't slept for a while. Why is he so nervous? Is it because he is a responsible policeman? Not really, because he lost all his purpose in the process of looking for a gun because of his bad feelings. He didn't know whether it was for himself or for his own responsibility. He just wants a gun. He won't laugh until he finds it. The director's dialogue is like a cold joke. But these humors seem to be a trace of the busy and unsmiling Mashan. From now on, we can know that Mashan's inner burden is very heavy, almost unbearable.

Lu Chuan has been showing a person's mental state and burden, an ordinary policeman. This kind of burden is his own, a mixture of police officer's responsibility and social pressure. And this kind of pressure often makes people get lost, and getting lost seems to be an inevitable process for everyone. This is the behavior unconsciousness of people as members of society under the influence of society. In other words, society devours individuals. And the psychological struggle when individuals find themselves. So I think Lu Chuan wants to show a story that a person with social responsibility has lost himself and found himself again.

A beautiful war movie, an extraordinary miracle in the history of Oscar.

Classic epic, the pinnacle of historical palace films

It has great tension of the times and contains incomparable sacred and profound mysterious power.

A breakthrough record in Oscar history.

The costume epic films that were popular in Hollywood in 1950s 10 were large-scale, large-scale and large-scale, and the filmmakers' commercial intentions of quick success and instant benefit were unobstructed. The film "Xu Ben" from 65438 to 0959 can be regarded as the pinnacle of this blockbuster craze, and also declared the end of this blockbuster era.

Since the silent film era, the novel The Story of Xu Ben-Christ has been put on the screen several times. The film Ben Xu, funded by MGM and directed by william wyler, has a grand scene. Its excellent dialogue, colorful exoticism and Heston's bold lines complement each other and are regarded as one of the most successful films. At the 32nd Academy Awards, the film * * * won 1 1 awards, setting a record for the Academy Awards.

Because of winning the prize, Xu Ben's value soared, and many other countries in the world demanded to show it one after another. Organizations such as the American Producers Association have also posted advertising posters of "this film is excellent and unprecedented", and hundreds of cinemas that survived the "bankruptcy crisis" have gained vitality.

The unprecedented screening income of "Xu Ben" has not only become the pride of MGM Film Company, but also brought the company back to life in financial difficulties. At the same time, its success also prompted MGM to adjust their business philosophy, and they tried their best to expand their achievements in a wider field. For example, in publicity, they also vigorously promoted the value of Charlton Heston, the winner of the Best Actor Award and hugh griffiith, the winner of the Best Supporting Actor Award in Ben Xu.

In the forties and fifties of last century, it was the rising period of mass consumer goods such as television. Due to the influence of TV, Hollywood movies have been depressed several times. 1959, only 160 films were produced by American companies. Later, it was precisely because of the appearance of Xu Ben that it once again attracted the attention of thousands of viewers, and the film industry became active again.

"Life is nothing else, it is just a kind of existence, a kind of static, a kind of like nothing. What is carried and interpreted with life gives life new meaning. " After watching the film "Chrysanthemum Tea" directed by Jin Chen, a faint fragrance of life still lingers in my mind, but this aftertaste is by no means the glitz in life, nor the vicissitudes of people after intrigue, nor is it the mediocrity after everything goes with the flow. It is a true feeling that has always existed in the world after countless difficulties and obstacles, and it is a treasure and love for life.

The film Chrysanthemum Tea is another masterpiece of director Chen Jin following the first novel Love in the Internet Age, which won seven awards at home and abroad. Although the different styles of these two films are quite a challenge for a director who is under 30 years old, Jin Chen once again overcame himself and captured the hearts of the audience.

"Chrysanthemum Tea" tells the true and touching story of Ma Jianxin, a railway worker who had experienced emotional setbacks and frozen himself, and Li Weihua, a young female teacher with congenital heart disease, from acquaintance to acquaintance, from acquaintance to love, and then to marriage. Under the background of the western winter and the warmth of people's hearts, the film once again discusses the deep meaning of life and death, love and sex, and interprets the value of life at a deeper level.

The protagonist of the film, Li Weihua, 27, is a young woman with congenital heart disease, but she is pure and beautiful, and she is as eager for life as ordinary people. She was rescued from death again and again, and her longing for life made the audience feel sad and sorry again and again, which is also the gripping fate of the film. Ma Jianxin, a simple and stupid railway worker, with his unique gentleness and persistence, made people appreciate the warmth of the world in his repeated shocks and selfless dedication to the heroine's heart, which further sublimated the audience's admiration for a nobody. If Li Weihua is the key figure in the film, then Ma Jianxin is the one who makes the whole film shine. Everything he says and does has a certain humorous element, which adds new interest to a film that was originally a major topic of life and death and enlivens the atmosphere of the film.

The film is novel in structure and rhythm. At the beginning of the film, the story of the hero and heroine going to bed honestly and politely on their wedding night forms suspense, using flashbacks and interludes. The heroine Li Weihua likes "solar terms". The film uses astronomy to explain the solar terms of the lunar calendar, uses ink animation to segment the story, and highlights the state of the environment and the fate of the characters in various progressive tenses, which is closely related to the fate development of the characters, and enhances the artistic atmosphere of the whole film through the ancient culture of "solar terms". At the same time, the film's music and the combination of cold and warm lens style also reflect the originality and originality of the film. The contrast between the piano and strings representing the hero and heroine respectively and the cold on the Qinghai-Tibet Plateau and the warmth of the characters' hearts gives the audience a very strong auditory and visual impact, but this contrast is not abrupt.

Chrysanthemum tea, as its name implies, is fresh and meaningful. Please wait for the moment when the cinema "drinks tea".

The dragging lights, the beating notes and the mood of wanting to say goodbye constitute the picture of being in the mood for love.

& lt While In the Mood for Love brought many honors to Wong Kar-wai, the Cannes Film Festival in Yang Wei opened a new climax of Wang's works.

This is still a cooperation with Du Kefeng and Zhang Shuping. After the running-in of the previous departments, I became more familiar with it, just like a whole.

Some people criticize that Wang's works are not limited by the script, and too many scenes make the plot slightly fragmented.

& lt In the Mood for Love avoids this defect, and there are not many characters. The main characters are Yunhe.

Maggie Cheung's interpretation of Su Lizhen has a distinctive style, always wearing gorgeous cheongsam and walking slowly with the beat of music.

Off-topic, the same image, Sammi Cheng is very cold, and it is not easy to do every job well.

Seemingly casual, Su Lizhen arranged everything in perfect order, including one detail.

At that time, there were not many office ladies, and those who could enter this line must be comparable to the current "Bai Gujing" (white-collar elite)

Work and family are the same, the leaders attach importance to it, and the family does not delay, but the husband is also busy at work.

When you are alone, eat a bowl of hot Wonton Noodles, the air is filled, and the loneliness in your heart is dispelled.

Walking and meeting a cloud, Tony Leung Chiu Wai doesn't look old either. Now he is the same as a few years ago, only a little more mature and vicissitudes.

In the 1960s, Hong Kong was a little addicted to the old Shanghai beach, with mixed colors, mainly gloomy.

Background music is also a blues melody with this feature, some are soft, some are rendered, and the rest give people room for reverie.

With the waltz music played when the characters appeared, they not only enjoyed it visually, but also listened to a music feast.

Let me miss you hard, let me laugh at your ruthlessness, and I won't even avoid a desire.

Tony Leung Chiu Wai is very suitable for this image, with shiny hair, a straight suit and tie.

It seems a bit cynical, but you can penetrate everything. That's what men should do.

Tell yourself over and over again that you can't crush your dreams like them.

He asked, if there are any extra tickets, will you go with me?

She replied, if there is still one ticket, will you take me away?

Unfortunately, they can't hear each other's answers. In this emotion of love, there is excitement and beauty.

There are unforgettable memories, the story is shrouded in an ambiguous atmosphere, but there is no cheating scene.

Finally, in that strange country, Yun spoke his mind, but no one agreed with him.

Perhaps this is the best ending, without any harm, adults always have reservations about their feelings.

As long as there is a little frivolous when I was young, the ending may change and I will wander around the world together.

But the surrounding environment, in order to avoid the gossip of the same social circle, isolation came into being at this time.

I left the room in 2046, returned to the track of life, and walked along the doomed road, but I didn't have the courage.

Through such a congenial love, there is aftertaste and shallow sadness, as if the air is full of ambiguity.

Thinking of making every effort to make up for it, I can't get out of the cage of fate, so I can only stay where I am and touch the sweet hole.

Respondent: Danny _ SP- manager level 4 7-2 0 1:37