Reviews of the movie version of "One Hundred Thousand Jokes"

A review of the movie version of "A Bad Joke".

Movie review one: Ten Cold, not cold at all!

?Ten Cold? Make full use of the innate advantages of animated movies and spread the wings of imagination, It has achieved visual effects that many live-action movies cannot match. For example, the suspended rotating Rubik's Cube, is there an enhanced version of "Maze Runner"? When the male pig's feet, the young man, and his good chicken friend, the time chicken, break through the level together, they perform "Lingbo Weibu" between the pillars. ?, while playing refreshing music, they also created colorful moments like the opening ceremony of the Beijing Olympics. Although these scenes are not as direct and heart-shaking as Hollywood blockbusters, the exquisite pictures leave a small lasting impression in my heart. There is still some touching and small beauty!

At the same time, it is very down-to-earth. Although I didn’t take the legend of “Shi Leng” seriously before, and I haven’t read the relevant comics and animations. Many of the laughs include the characters. I didn’t understand it thoroughly, but the plot line is very clear. The fairy tale thinking and the theme of saving the earth are all familiar and often encountered jokes. You will feel very familiar, especially in this commotion, mixed, and cross-border situation. In the age of the world, those lines seemed to flow directly from our hearts, and what the protagonist said was also what we wanted to express. Moreover, in "Ten Cold", the characters of Young Man, Time Chicken, Muscular Nezha, Snow White, Pinocchio, and Li Jing, who is always picked up with nothing, are all very distinctive, with lots of laughs, and unexpected and reasonable burdens. , anyway, when I was watching, the whole audience kept laughing, especially the young people, who laughed so hard. All in all, one word: "Ten cold" makes you laugh, you laugh very comfortably and refreshingly, and you feel a little superior in IQ and are pleasantly surprised!

And, Pinocchio and Snow White? In order to fulfill the purpose Would You Rather Sacrifice Myself?'s Qiong Yao-style love, the father-son relationship between Muscular Nezha and his serious dad, the friendship between the young man and the Time Chicken who never leave each other and encourage each other, and the inspirational theme of cherishing time and living in the present. They are closer to the lives of Chinese people than many Hollywood blockbusters, and they also have more reference significance and social value.

Movie evaluation two: poor creativity, lack of standardization of market operations, and marketing strategies that need to be improved

In 1997, the 40-year-old Russian animator Alexander Petro Alexander Petrov overcame various difficulties caused by the environment and technology, and used his ingenuity to bring Hemingway's masterpiece "The Old Man and the Sea" to the screen, making it a shocking and tortuous movie. Film. The charm of the cartoon "The Old Man and the Sea" lies not only in the story itself, but also in the expression style of its oil painting. Alexander Petrov completed this masterpiece with his fingers on the glass. The transparency and brilliance of the paintings and glass are breathtaking. This internationally renowned animator not only has a unique vision, but the oil painting method he uses in film production is also unique to him.

If Alexander Petrov’s painting method is unique to him, then in his creation, his painting method is even more unique to him. He uses his fingertips to paint Oil paint is animated on the surface of a glass plate. He believes that painting with fingers is easier and faster, and you can paint whatever you want. Fingers are a shortcut and the most direct way to connect the soul with painting.

Alexander Petrov uses different layers of glass for production. When shooting the same shot, he often creates characters on one layer and the background on another layer. , after the light passed through the glass layer by layer to shoot the first frame, he then adjusted the wet oil paint on the glass to shoot the next frame.

He said that it was extremely difficult to condense Hemingway's works into a 22-minute animated film. The long and arduous creative life of two and a half years was always due to the touching story of "The Old Man and the Sea". It attracted him deeply.

In terms of comedy, this film also inherits the essence of nonsensical films, but there is no breakthrough development to create its own style. If there is an improvement in this film, it can only be said that it is in terms of style. The film did not explore Zhou's unreasonable description of the ugliness of human nature. Instead, it expressed pessimism and warmth, reflecting and amplifying the warmth and warmth of human society in the world from a mother and son. and miserable life, focusing on the realistic and freehand brushwork of the stories of small people, hoping to get the attention and support of different classes. Isn’t this creative appeal the epitome and portrayal of the reality of regional culture?

Obviously this is Based on the general direction of the series, from the perspective of creative prototype and character creation, Xie Liwen is more like McDull's father, while Mai Jiabi tends to be McDull's mother, Mrs. Mai, although Mai Jiabi has repeatedly stated that she has no Mai Tai is a shadow, but the essence, energy and spirit attached to the animated image are inseparable from the author. In reality, Mak Ka-pi is an image who doesn’t like to go out much, but has good intentions. In the movie, Mrs. Mak is portrayed as a mother who is persistent and persistent in life. She goes to the mainland to make a living in order to make a living. She has the comfort of being a small rich. There is also the pain of traveling and hard work, and the strong regional culture and local characteristics are undoubtedly evident in her. It can be said that she reveals the life trajectory of the lower class people in Hong Kong. Yes, that's it. Xu Anhua's "Days and Nights in Tin Shui Wai" also showed the deep love between mother and child. The kind of family affection and friendship between neighbors born out of ordinary life is a slice of lower-class life. The McDull series is also a similar slice of lower-class life, but they are not taken from the same living tissue.

This film is also quite popular with the audience for its screen production and outstanding visual processing. The colorful opening scene of "Along the River During the Qingming Festival" is eye-catching, and its freehand landscapes are meant to use traditional Chinese style. ? Catering to improve the quality of domestic animation, but the Hong Kong-style scenes that appeared later changed the style of the film. This mixture of well-intentioned creation and rigidity allows us to see the difficult situation of Hong Kong movies and the hesitation in the integration of East and West. Compared with "Kung Fu Panda", which has a Chinese style from beginning to end and the panda Po who is trying to learn Kung Fu, "McDull" is inevitably suspected of being a reference. However, this film still reflects the inclusiveness of Hong Kong movies and the promotion of local styles. , but this kind of development is too restrained and causes too many fragments in the film. The traditional Hong Kong flavor in the film has been weakened in the new story, and the mainland dialect dubbing did not give people a sense of freshness. Instead, it became a target of public criticism among Hong Kong fans. The sloppy dubbing diluted the jokes and flavor of the film. The dubbing of the Hong Kong version is still the royal dubbing of the first three films, Anthony Wong and Sandra Ng. In comparison, the dubbing of the Hong Kong version is more exciting for the audience.

The object we are talking about is not only "animation", but also "animated movies". As a movie animation, its broadcast media, transmission channels, and reception environment are all different from TV cartoons. The pampering of children by Chinese families is likely to allow a young child to control the channel selection of the TV remote control at home. However, for animated movies, appreciation and consumption do not occur in front of the TV in the home. , but it must be realized through direct payment behaviors such as purchasing tickets to enter the cinema or purchasing DVDs.

Obviously, in the special communication medium of animated movies, the extended audience plays a decisive role, because the success of the acceptance behavior of the core audience directly depends on the willingness to pay of the extended audience and their appreciation of the animated film text. Likes, Dislikes and Judgments. Therefore, they not only have the status of "potential audience", but also have the nature of "paying audience", which makes them even more important and cannot be given up.