Gravitational film review

Film criticism is to analyze and comment on the director, actors, lens, photography, plot, clues, environment, color, light, audio-visual language, props, transitions and editing of a film. The following is the relevant content I have compiled for you, for reference only, and I hope it will help you!

Gravitational film reviews 1 science fiction films have always been the favorite themes of American directors, from the famous Star Wars Trilogy, World War II and Dreadwind to Avatar, Skyscraper, Transformers, Battle of Los Angeles, Alien Battlefield and Super Battleship.

The film Gravity, which was also made by Americans, did the opposite. This paper mainly tells the story that when astronauts Matt and Dr. Ryan went out to repair the Hubble telescope, satellite debris fell into the space station, and the two floating in outer space tried their best to return to Earth.

This sci-fi film is close to real life, with simple plot, no tortuous narrative, no aliens, no space war, no human love and simple character design. Most of the scenes are completed by only one actor, which is not suitable for some domestic audiences and does not meet the viewing tastes of mainstream sci-fi audiences. But according to the news, the cumulative box office in China reached more than 200 million in a week. Why?

In my opinion, apart from the outstanding performance of the film in the technical level and the pioneering significance in the audio-visual effect of 3D technology, the emergence of a large number of cultural elements in China is one of the most important reasons.

Have you noticed that the heroine of the film must finally go to China's space station "Tiangong-1" and return to Earth by shenzhou spaceship? In the cabin of Tiangong No.1, we saw ancient copper coins, table tennis bats, Maitreya Buddha, pull back shoes, and Chinese characters on the dashboard of Shenzhou, which made China audience feel cordial and proud. In this sci-fi film, the China spacecraft became the savior of the Americans who have been king in outer space, and finally saved their lives by relying on China's technology.

In recent years, with the rapid development of China's economy, China's film industry is also developing rapidly. It is reported that China has become the third largest film producer in the world after 20 10, and the total box office of 20 12 has surpassed Japan to become the second largest film market in the world, and the national box office of 20 13 is striding towards 20 billion. These gratifying changes have made the global film industry pay unprecedented attention to China.

Therefore, in recent years, science fiction films made in the United States have also involved China actors, and Iron Man has squeezed into "Chinese Face"; "Avatar" and "Transformers 4" were filmed in China, and the cultural elements of China became more and more important.

After thousands of years of historical evolution, China's cultural elements have long eliminated the dross of backward civilization achievements, and what remains is the essence of China culture, which will have a great impact on today and tomorrow. For example: calligraphy, Chinese painting, facial makeup, Beijing opera, seals, paper-cutting, shadow play, drama, sculpture; Forbidden City, Great Wall, Dunhuang, Potala Palace and Suzhou Gardens; Tang suit, cheongsam, Zhongshan suit, etc. All these can provide a kind of creativity and thinking for future science fiction movies.

China cultural elements are the essence of China culture, with a wide range of subjects, rich connotations, various forms and a long history. They all play the role of inheriting national culture, both now and in the future. In the treasure house of world art and culture, unique oriental cultural charm shines.

No matter at home or abroad, excellent film works should be beautiful, novel, appreciative, thought-provoking and touching. Good design is a breakthrough, leading the trend, connecting the past and the future, and has far-reaching influence. We should endow China cultural elements with the flavor of the times. Because the times are developing, science and technology are progressing, and human thinking is changing. In addition, China cultural elements and modern design must find a point of convergence, which is a topic that our new generation of cultural workers and designers should pay attention to.

The author believes that in today's international integration, the integration of inheritance and innovation is not a simple visual totem control, but a gift and implication of civilized spirit. Looking forward to the future, if you want to make China's own sci-fi blockbuster, you should base yourself on your own culture and absorb the essence from abroad. Only after deep dissolution and absorption, can culture and film design blend naturally, and the elements of China truly become made in China.

The film review 2 of Gravity begins with a distant voice, which is a dialogue between the ground command center and the astronauts. They talked about their work while joking, and the atmosphere seemed relaxed. These dialogues also indirectly introduce the background of the protagonist's identity and why he is here. In order to create an immersive feeling, the lens almost rotates and bumps from beginning to end, and with the effect of imax, the whole movie looks a little upside down. The visual experience created by the film is amazing.

Every result of the film has its own reasons, and every crisis is not abrupt. I saw some comments on movies before watching movies, and then I saw some comments after watching movies, including scientific comments, but I think movies are entertainment, and some scientific things don't need to be taken too seriously. The background of the story serves the spirit that the story wants to express, and the whole movie expresses the change of the female host's psychological state in great detail. I think the gravity of the topic is not physical gravity, but the gravity of the remaining spirit to people. The vast universe, the misty starry sky and the dreamy earth are all beautiful, but what is even better is to live on our earth and see and hear others, whether they are relatives or strangers.

Clooney's role in the film is very plain, but his personality is very great. He is calm in the face of death, and can also guide the heroine to the earth on the way to death.

The road for a woman to escape alone is full of difficulties, but when she decided to die, her subconscious desire for survival completely changed her, not only at that time, but also in the future. The sentence "Stop Desperate" expresses her psychological change of accepting her past misfortune and actively moving towards the future. Nowadays, many movies can't escape from love. I feel that there is no story without you, which may be the need of the story background or the ideological advance of American movies compared with domestic movies. The respect for life among astronauts is more sad and touching than any so-called love kiss. When the woman returns to her mother as a little human, the sand in her hand is the most precious gift, and the woman who feels gravity again will be very happy.

After watching the movie, I feel that the astronauts are really great. Whether the film is exaggerated or untrue, I believe that every astronaut's lift-off is a life-and-death journey. Maybe death is not terrible, but dying alone is terrible. No matter how tired and troublesome we complain about life, the subconscious desire for life may be true. Only when we are on the verge of life and death can we understand. Although there are many negative comments on the film, from my point of view, the launch of Shenzhou Tiangong has not made me care so much about the space industry and this knowledge. At least in my opinion, this film is a success, which has aroused my thinking about life and death, my respect for astronauts, my love for the earth and my desire for this knowledge.

The film review of Gravity ended at the end of March, and various films have sprung up like mushrooms after rain, but so far there are not many excellent works. Gravity is definitely an outstanding shot in the arm, which makes people hooked up. A mode of watching movies for the first time, RealD6FL is like making the viewer immersive, and the realistic effect once made people feel immersive. In the field of sci-fi blockbusters, wearing such a cool and explosive way of watching movies is absolutely perfect, and the final result is also beautiful.

Get to the point, boasting about the special effects of gravity. What I want to say is the positive energy transmitted by the film, which is a kind of outlook on life I want to express. In other words, the heroine's longing for life is deeply moved by the sky. In the vast universe, human beings are so small, just like a boat in the sea. Therefore, as long as a little wind and waves can capsize, space survival is even more awe-inspiring.

In the face of unimaginable loneliness, the biggest challenge in life, immediate death, repeated mistakes and leaving people forever, all the difficulties push the heroine to the brink of death. But despite the dangers, after the disorder, I sorted out my thoughts, redeemed myself in an impossible way, and returned to the earth, which was touching. In the whole process, you have to wonder how strong the instinct of human survival is. () I have seen survival movies such as Journey to the Center of the Earth, and I will sincerely praise the success of the final protagonists every time. In all kinds of difficulties in life, it is not easy to maintain a positive energy, which is beyond our power.

In fact, apart from admiring the heroine's longing for life in Gravity, the death in the film is even more touching. When astronaut Feng Tai's optimism suddenly came to his death, he did not hesitate to let go and let himself float in space, giving his companions room to live, but he finally lost his bones.

What kind of courage and determination is this? At that moment, at the moment when the most important decision needed to be made, Font had almost no consideration. He used his own death to ignite the heroine's desire for survival and reached the commanding height of the humanistic feelings that the film wanted to render. In our real life, many things require us to make decisive decisions, but we tend to be hesitant, indecisive, miss the best opportunity, and fleeting.

But Font in the film has to be admired for his free and easy spirit. In such a short time, he has a calm and optimistic life spirit. Even if death is coming, he can calmly deal with it and easily decide his own death. As an experienced astronaut, he knew that he was a drag in that situation and decided to give up.

The story of gravity is simple, and so are the characters. But from the two extremes of life and death, it shows human desire. In order to survive, we must have the will to die. In other words, not everyone has hope for life, but in times of crisis, maybe your free and easy will become the antidote to his life.

The film review of Gravity 4 Although the hot sci-fi blockbusters such as the sci-fi masterpiece Interstellar and the light comedy Mars Rescue have developed the space theme to another height of space science fiction, it can't shake the status of Gravity, which has seven Oscar awards. Gravity leads the trend of space science fiction, which is groundbreaking and exemplary.

In story design, the film tells a survival story without complicated plot and complicated character relationship in the simplest linear narrative way, and can guess the ending from the beginning. The story is simple, but the climax is repeated. In the vast universe, life is so small that temperature, air, weightlessness, water and space can crush life without moving a finger. A person, in this boundless space, should seize the straws and live independently. This is the only thing we did with the protagonist in these 90 minutes. Therefore, Gravity strives to create miracles in vision, skillfully uses montage in hearing, and has made enough impact in psychology. The sunset on the horizon, the aurora burning quietly and the huge floating clouds on the ocean all bring visual freshness from different angles. Floating Si Tong is like an umbilical cord, forming a wonderful uterus in the space capsule, which is a wonderful design. In the lonely and magnificent space, teammates die one after another, and a person's survival process is the most obvious and simple drama suspense.

It is not difficult to see that the film has Hollywood-style carving in lines and character setting, and its creativity is not satisfactory, but it can echo the plot smoothly. Si Tong lost his daughter, and teammate Matt loved joking and rambling, so he designed the illusion of the heroine and Matt's unfinished jokes to arouse regret, and naturally developed the plot that the heroine gave up waiting for death and decided the last battle.

The film's scheduling on the screen is also brilliant enough. From the film review, use the lens of 12 minutes to appreciate the wonderful wonders of space, introduce the characters, places and time and space of the story, and completely record the cause and effect of the first conflict. In the following time, the director seldom used montage for splicing, tried to create an organic space by making shots, and even completed the seamless connection between the third perspective and the first-person perspective.

Although gravity is not mentioned in the whole article, it is everywhere. For 90 minutes, the heroine Si Tong has been pursuing invisible gravity. The yearning for her daughter led her to live, her teammates asked her to live, and the instinct to survive inspired her to live.

However, we have to say that there is an inadequate narrative in Gravity. The director tried his best to show how lonely life is here with some shots, but the tense and suspenseful plot made the audience's attention unable to shift from the protagonist's predicament, thus making loneliness not fully expressed. The only thing that can relieve tension is the screen design. Who used the "space uterus" again? In addition, the single-line plot structure can effectively supplement the expression of loneliness, but it will make the audience feel dissatisfied. Fortunately, Interstellar and "Mars Rescue" supplemented these two shortcomings appropriately: Interstellar used exquisite visual stunts, designed grand vision many times in the relaxation of the plot, adopted the symphonic music technique of gravity and exerted it to the extreme, alternately using it with silence, perfectly presenting the loneliness of life and the silence and grandeur of the universe; Relying on the double-line plot of the original novel, Mars Rescue narrates and observes from Mars and the earth, which enriches the plot, fills in the commercial elements of the box office and shows the humanitarian feelings like Saving Private Ryan.

Gravitation, the film review 5, is a typical fusion of science fiction and disaster types. However, unlike the doomsday genre of sci-fi disaster films common in the 20th century, the disaster in Gravity is not a natural disaster in The Son of Man, Depression or Perfect Feeling, but a man-made disaster caused by garbage in low earth orbit, and this disaster does not point to the destruction of mankind. But Gravity is still a work full of postmodernism in theme: it still points to the denial of anthropocentrism created by modernism. In the film, the destruction of the space station has set back the pace of human exploration of the universe for more than ten years, and the space junk that surrounds the earth like a rotating canopy has also prevented human beings from carrying out the most routine and only remaining cosmic activity in 2 1 century-scientific research on the space station, and the technology shown in the film seems unable to clean up these high-speed flying monsters. Therefore, although the heroine Ryan managed to escape back to the earth in the ending, human exploration of the universe met with a tragic ending, and it is still unknown whether it can be rebuilt afterwards. The fragility and arduousness of human exploration of the universe is the most important tone of the whole article. At the same time, the smallness and helplessness of human beings in the exploration of the universe correspond to the tenacity in the journey of fleeing back to the earth: when women are lost in the weightless universe, they are helpless and afraid; When the hostess used the Heavenly Palace to fly to the embrace of the earth with gravity, she finally emerged tenaciously from the water and gained a new life. Ironically, the centripetal force required for space debris to move around the earth in a circle and the pulling force required for women who fall to the earth to accelerate their movement are provided by gravity. This eternal universal law, like the eternal background of life, can not only make the result of human activities a disaster, but also save human beings themselves, making the human struggle in the film both great and helpless.

As its name implies, the movie Gravitation shows the times: encouraged by the great exploration of the universe during the Cold War, human eyes finally turned back to the earth and were firmly attracted and imprisoned by the "gravity" of the earth. Nowadays, people hope to pursue the material and spiritual progress of human society, but the pace of space exploration has stagnated or even regressed. In such an era, films that actively explore, such as Flying into Space and A Space Odyssey 200 1, no longer have social conditions (in fact, how to return to the earth is not even a problem that needs to be deliberately discussed in these film times, because their swords refer to the proposition of exploring the universe). In our time, even the protagonist of Interstellar, a cosmic movie focusing on exploring the universe, was forced to leave the earth, and the recently released Mars Rescue is a story of desperately returning to the earth after failing to attack the universe. Postmodernism dispels anthropocentrism and changes the status of human beings in the universe from conquerors to ordinary members. As a livable planet that should not be rare in the universe, it is still the only shelter for human beings at present, and its significance to human beings has suddenly increased. The imagination of the end of the earth's destruction, which often appears in science fiction films recently, and the imagination of how to return to the earth after encountering danger in the universe actually stem from the psychological and emotional changes of human beings to the earth. The earth's "gravity" on human beings at this stage is getting bigger and bigger.

However, the reason why Gravity can leave a deep impression on the audience and achieve more than 700 million box office commercial achievements in the world, of course, is the insight into the psychology of the times, but first of all, it should be attributed to its glasses manufacturing: with Alfonso's excellent long lens as the representative, the shooting effect of Gravity is amazing, and the whole article only uses 156 lenses, but it creates a shocking visual experience. The combination of the universe of digital wonders and the burgeoning 3D cinema at that time shocked the audience. In fact, the plot of gravity is relatively simple. In fact, such a single-threaded escape plot even lacks tension, and it is also out of the normal state of Hollywood disaster films: in the escape of films such as 20 12 or Doomsday Collapse, the nuclear family is regarded as an important description object, which makes the film have many scenes that attract the audience and catch their attention on the basis of family description. But gravity is mostly a closed space and lonely escape, which makes it more difficult to make the film impressive. However, under the direction of Alfonso, the quietness, loneliness and elegance of the vast space of the universe, and the quickness, terror and helplessness of human beings when disasters strike, are all vividly displayed. The long shot of 13 minutes before the opening ceremony is even more fascinating: the vastness, quietness and loneliness of the universe are directly displayed in front of people. There is no sense of suffocation in the air, and the sense of depression brought by loneliness and silence makes people afraid to breathe. At first, the blue planet was calm and beautiful, and then astronauts and Hubble telescope appeared, which seemed so small in the empty space. The whole lens is like a slowly unfolding picture scroll, with a shocking aesthetic feeling, which makes most people sitting in the cinema who have no experience of looking back at the earth in the universe seem to be there. The application of the shooting skills of Gravity is amazing in many places: when the heroine is thrown into space, the audience feels helpless and extremely uneasy because of the rapid breathing, the rotating space, the ever-changing perspective of subject and object and the dark background; When cruising around the International Space Station for help, you can obviously feel that the pace of exploration has become slow because of weightlessness. The combination of this "slow-paced" lens feeling and the "highlights" that appear from time to time, such as the sudden spark of generate, not only makes the audience's heart beat faster, but also deeply understands the difficulty of human beings exploring the universe in weightlessness. It can be said that the digital wonder of Gravity not only created a real thrilling disaster, but also undertook a key task of meaning transmission: gravity itself tells the story of a heroine's successful escape from disaster, but also needs to make the audience feel awe of space. Of course, there is no denying that the long shot of Gravity is more commercialized than the director's predecessor, Son of Man, and it pursues creating wonders instead of documentaries, which is also a compromise of Alfonso to Hollywood science fiction films. But from the spectacular spectacle of gravity, we can still see the director's humanistic appeal.

This kind of humanistic appeal sometimes does not resort to written dialogue with simple plot lines. Several metaphorical lines connected by these shots have been mentioned in many film reviews: the rotating shot of the heroine when she first entered the International Space Station is like an embryo in her mother's body, and the connecting band is like an umbilical cord, which is the rupture of amniotic fluid when she falls into the water; The last scene of getting out of trouble in the water, from the water to the ground, symbolizes the evolution of life on the earth from the water to the land, while crawling first and then standing means that animals have changed from crawling to walking upright. The cruelty of the universe to life corresponds to the endless life when life returns to the earth, which seems to imply that human beings, as babies of the universe, will eventually return to the earth, and it will always be our best shelter.

At the same time, in the plot setting, Gravity also has many places worth discussing: the setting of the male and female host is one of them. Men are perfect to almost saints, humorous and optimistic, not afraid of self-sacrifice, and still elegant and calm when death approaches. The character and identity of the hostess suddenly appear "tacky": she will be weak, will escape, will be sad, and even a failed mother who has not raised her children well. She will be moved by the sounds of babies, dogs and strangers on the radio. She will be afraid of death and even try to commit suicide. This is not a story of a "failed father who came home all the way to find his children and wife reunited", nor is it a story of a "nuclear family surviving through hardships". It seems that the Hollywood hero didn't really appear and let the story have a happy ending: a perfect person died unexpectedly in the universe, while an ordinary or even timid person survived under all kinds of luck, and even finally the ordinary person made up his mind with the encouragement of illusion. This is also a thought-provoking metaphor: optimism, utopianism and expansionism died in the last century. In the reflection of postmodernism, human beings have stripped off the skin of the spirit of all things and become an ordinary race in the universe. In the face of their own smallness and cowardice, and their plight of survival in the vast universe, finally, they stood up strongly in self-encouragement, which may be an illusion, but at least they have realized that it is an illusion. Gravity also depicts the spiritual picture of human beings to some extent.

Generally speaking, Gravity is a masterpiece, its excellent shooting skills make people appreciate the awe and respect of the universe, and its humanistic feelings also show the anxiety and courage of human beings in the post-modern period.

There are only two endings left in the film review 6 of Gravity. Either I become a legend and return to the earth, or I will be reduced to ashes in ten minutes. No matter which outcome, I am ready to face it calmly. Because no matter which ending, it will be an extraordinary journey!

-Gravity

Whether a layman can watch a movie or not usually depends on the audience's personal preferences, or whether the movie is clever and sensational or not. If you want to see Gravity, you'd better choose IMAX Hall. The film relies on the huge screen and shocking sound to enhance the viewer's sense of bringing in and stimulate his sensory cells all over the body. If the audience has emotional expectations such as "moving" or "exciting" or "unexpected", they may be deeply disappointed. This movie doesn't tell a story full enough to make people cry, nor does it show a mental journey that everyone can feel, nor does it lay out a magnificent natural landscape (on the contrary, the scenery inside may be special effects). The film depicts the sensory experience that ordinary people can never immerse themselves in-weightlessness, rotation, lack of oxygen, collision, fear, helplessness, loneliness, humility, abandonment, eternal and desperate struggle. They are not from imagination, but based on science and facts, but most people can only get them through imagination, which is very special in itself.

At the beginning of the movie, astronaut Ryan and her companion Matt, as hostesses, repair the telescope outside the American space station. The universe without air is like a pervasive liquid, gently wrapping the astronauts. The latter floats around because of weightlessness, like a jellyfish jumping in the deep sea, unrestrained. Suddenly, the picture rotates. Once, the blue planet was on the sky, the twinkling starry sky was on the ground, and everything was silent. Only Ryan's rhythmic breathing in the spacesuit was mixed with Matt's endless nonsense on the walkie-talkie.

"What do you do after work every day?"

"Listen to the radio."

"Listen to what? National news channel? Classical music channel? Pop music channel? "

"Whatever, as long as no one talks."

"Whatever, as long as no one talks." Ryan's easy answer became the saddest prediction in this film. When human beings lose the protection of the space station, the freedom to get rid of the bondage of the atmosphere becomes a fatal crisis. I witnessed Matt let go of the rope tied to him and drifted to the depths of the universe bit by bit until he cut off the signal of the walkie-talkie in the distance and disappeared into the boundless darkness. A great sense of loneliness hangs over the screen and beyond. There are more than one form or reason for loneliness. For example, the loneliness of the Buendia family in One Hundred Years of Solitude stems from a huge and futile struggle and a doomed prosperity, from birth to the end of the soul. Loneliness in gravity, like its literal meaning, is pure and absolute. One of the scenes gave me a deep shock. That's the protagonist sitting in the space capsule, shouting "please answer" to the radio over and over again! As the camera is pulled out of the cabin, the protagonist's screams and cries are swallowed up by the vast universe, and her helpless expression and the whole cabin shrink sharply in the process of shrinking. Under the absolute justice of the universe, the deep and great fear of mankind becomes extremely insignificant. All unforgettable joys and sorrows, active life and exuberant hope are no different from hundreds of millions of tiny dust! How can it be more desperate!

When Ryan's dream generally went through several desperate times, even one second before the Tiangong Space Station was violently hit and crackled by satellite debris, she was still struggling to find the start button in Shenzhou. "Now there are only two endings, either I become a legend and return to the earth, or I will be reduced to ashes in ten minutes. No matter which outcome, I am ready to face it calmly. Because no matter which ending, this will be an extraordinary journey! " Subsequently, she successfully launched Shenzhou to leave the space station, break through the atmosphere and land on the earth quickly. The burning engine room is dragging its lux tail, like a meteor that is about to run out of life, explaining the last wonderful thing. At the moment, she is not sure whether she can survive.

Finally, Ryan landed in a lake. She skillfully opened the cabin, took off her spacesuit, surfaced and swam to the shore. Not used to gravity, she couldn't even stand up. She could only lie on the wet shore, holding a handful of brown sand with her hands and smiling like she had never seen before, as if to prove that she had finally returned to the earth. The earth is not gentle. It has always been full of all kinds of dangers. Earthquakes, tsunamis, volcanic eruptions, landslides, floods and even wild animals all threaten human fragile lives. Maybe the earth doesn't care whether humans exist or not, and the universe doesn't care at all. But the last scene of this movie made me deeply feel that the seemingly ordinary gravity and atmosphere of the earth are the bondage and protection that human beings can never escape.

You need to let go of your expectations, calm your emotions, open your whole body cells and accept new experiences!