This is not pessimism, but rather a sense of aesthetic culture. This is also the mainstream of world literature. Ancient Greece advocated the beauty of tragedy, and most of the world famous works left

This is not pessimism, but rather a sense of aesthetic culture. This is also the mainstream of world literature. Ancient Greece advocated the beauty of tragedy, and most of the world famous works left to later generations are tragedies. A joke rarely makes a person laugh several times, but the pain of a tragedy is timeless and lingers for a long time. ?As an ancient classic, "Gen" occupies an extremely important position in the history of Japanese literature. If you have not read "The Tale of Genji", check out the famous writers in modern Japanese literature, such as Haruki Murakami and Keigo Higashino. People's works are always like missing a piece of the puzzle. "The Tale of Genji" contains many things about Japanese culture and Japanese aesthetics. In addition to the most substantial view of mourning, there is also the rise of "national style culture". "Genji" opened an independent mark for Japanese literature. Due to Japan's special geographical location, there are often inevitable disasters such as tsunamis, typhoons, volcanic activities, etc. Therefore, they are well aware of the impermanence of the world, so reverence for nature is inevitable; in the middle and late period of the Heian Dynasty, Japan started a self-study model. The final decadence alarmed Japan, and Sugawara Michizane also advocated discontinuing the dispatch of envoys to the Tang Dynasty. Therefore, many Japanese scholars believe that starting from this period, Japan became a democratic and independent period in the true sense. The Tale of Genji, which was written in pseudonyms, is naturally regarded as a work of Japanese traditional Chinese culture. From a spiritual and cultural perspective, it indeed incorporates Japan’s national will and characteristics. From the work "The Tale of Genji", we can see the double-layered beauty of material (objects) and spiritual (sorrow). The aesthetic consciousness of object sadness is more tranquil and empty than sadness, and the form of expression is not particularly strong, that is, A touch of sadness appeared before my eyes. The view of life and death in it is as Kawabata Yasunari said, "Death is the highest art and an expression of beauty." There is an indescribable feeling that "does not hesitate to seek eternal silence in the moment of beauty." These concepts are reflected in Japanese culture and many literary works. Japanese culture can use a serious attitude to enjoy the fragile embankments of life. In my eyes, it is good at falling into death in pure beauty and flourishing in degradation. It is especially worth learning. .