Someone in Zhihu Daily asked, How can we understand Stephen Chow?

You didn't laugh when he cried. Maybe you hardly understand.

Xingye's movies never tell any truth or express any opinions.

Xingye's movies are always just lyrical.

He made a movie himself in his early years. He talked about how to laugh at himself and how to survive when he was miserable alone.

No matter what role you play, it's always bitter.

Never sloppy and carefree.

There has never been a pure heart and petty bourgeoisie.

He is bitter, he is grassroots, and he is careful, walking on thin ice.

Chai Jing asked him what he thought of money, and he said, what is more important than making money? I love money too much.

He was always insecure, even though the film later broke the record at the box office.

Therefore, the protagonist in Xingye's later films, whether it is The Mermaid or The Legend of the Demon.

Even if the theme is no longer poverty, you can still see the anxiety of that kind of child.

A little boy curled up in the corner when his parents quarreled and fought.

He is inferior and conceited.

God of gamblers, No.1 scholar in Wulin, Wei Xiaobao, the Monkey King, Wulin wizards, stuntmen and ever-changing stars. . .

He always wants to prove that he is not weak, useless or mediocre in movies.

Although word-of-mouth and box office have proved this, Stephen Chow, whose hair has turned gray, probably won't buy it.

He is still the poor boy who is taciturn, cautious and treading on thin ice in life.

There is a sense of insecurity that will never disappear.

If you are such a child, you can understand him.

Even I don't think he fully understands why he is so funny.

Why did he magnify and distort bitterness, anxiety, inferiority and poverty? . .

It will become "nonsense" or even "funny".

Anyway, at least Master Xing is rich, which, as a star fan, I am very gratified.