What are the eighteen skills of shaking the burden in cross talk?

The eighteen skills of shaking the burden in cross talk are as follows:

1, first suppress and then raise, turn around. First, praise people or things, then the topic suddenly changes, and finally. Because of the unexpected effect, the field effect is often particularly good.

2, three transgressions and four shakes, the future is bright. This is the "eight-part essay" in the cross talk, which has a relatively fixed pattern. The method adopted is to guide the audience's auditory inertia, repeatedly emphasize a comedian's point of view or intention for three times, and turn back for the fourth time to expose the comedian's original intention with sudden effect.

3. Violate the rules and knowingly commit crimes. Master Hou's "rules" are the most classic jokes about violating the rules.

4. Talk about misinterpretation and self-righteousness. There is a saying in traditional cross talk that "you can't laugh if you can't think straight." In other words, some common sense we are familiar with is distorted or misinterpreted, and it is strengthened with authoritative arguments and unquestionable tone, thus creating a burden.

5, cloud mountain fog cover, absurd. It is against the law of things to exaggerate something at will, which is hard to believe. This kind of luggage should be the right size. Once there is a suspicion of "idle nonsense", it is not common in cross talk jokes.

6, unintentional mistakes, mistakes and mistakes. When the truth comes out, it is often very funny. Degang Guo is good at using this kind of baggage, and the plot and language designed are perfectly matched and reasonable. Often all the audience are put in, and when the answer is finally cracked, everyone often smiles and admires.

7, organ failure, so mystifying. When the narrative is deliberately paved, it is puzzling and even unbelievable, and then it is convincing to find the correct answer skillfully in laughter.

8, game text, homophonic illusion. Using the illusion of homophonic words, let the audience have misunderstandings and illusions, and finally make it clear, draw other conclusions and create a burden. This technique is very hard and requires actors to have good writing skills and associative ability.

9. Quote words and sentences and make a pun. The use of puns in the narrative process will create a "burden" that the audience can understand.

10, duplicity, betray oneself. Duplicity is one of Degang Guo's frequently used baggage methods, with "I" as the core image. In the process of shaping the role, he is always sincere, eloquent and taken for granted, trying to whitewash and cover up his shortcomings. However, once it is translated into concrete actions with sharp contrast, it will have a strong comedy effect.

1 1, allusions and vivid metaphors. In order to clarify a problem, or to reflect the ins and outs of a thing, it is vivid and easy to understand through the generalization and extension of metaphors.

12, contradictory, unintelligible. There are many contradictions in speaking, and the preface does not match the latter, which naturally makes people laugh and be generous. Mastering this law and using it flexibly can produce a "burden".

13, get to the bottom of it. One party reveals flaws, and the other party is in hot pursuit, which makes the other party unable to justify itself and can create a good burden effect.

14, arguing irrationally, looking for opportunities to argue. When the characters in cross talk are passive in the description of an argument, they take a disapproving attitude towards other people's problems, viewpoints and opinions, turn their backs on customers, and try their best to escape sophistry with a face that is almost rogue until they come to an end with each other or themselves.

15, boasting. Bragging is a common method in cross talk, which can be divided into two ways: touting and bragging. The former is to speak well according to the situation, to show the hypocrisy and flattery of the characters by flattering handmaiden or a specific role, and to make the audience have a burden effect from contempt to absurdity.

16, glossary, eloquent. Most of the expressions are in the form of "word of mouth", which is manifested by some fake businessmen piling up some seemingly incomprehensible new terms to show that they know more, or exaggerating, bluffing and joking in order to fool people.

17, cross talk, parody. This is a learning word in the cross talk "Talking about Learning to Sing". Let's talk about cross talk first. Bifurcation theory uses the technique of interruption, which suddenly occurred to me during my study. It makes people feel that the cow's head is not right. Cross-singing is when singing songs in imitation of traditional Chinese opera, or changing the lyrics, causing a burden.

18, new slang, witty remarks. Slang is a kind of language art circulating among the people. Popular and lively, vivid and humorous.