600 words of thoughts after watching "Little Times III"

Tiny Times 3 review and review: The innocence behind luxury

Let’s talk about "Tiny Times". I have never said anything about this series before because I haven’t watched it. However, I don’t have any interest in it, so I won’t watch it. Naturally, I didn’t participate in the comments made by the two factions on the Internet about the series last year. I happened to watch "Tiny Times 3: The Age of Thorns" by chance. I was invited to go there, and I went there because I wasn't very interested in it. After watching it, I thought about it a bit, and finally found the first two movies. I did some cramming and summarized some opinions.

When talking about "Tiny Times", the word "controversy" cannot be escaped. The "grand occasion" of last summer is still vivid in my mind. To use a scholar's words to describe it, "Tiny Times" can be called "Little Times". This is a piece of history. The movie basically represents the generation gap problem between those born in the 70s, 80s and 90s. Whether it is the spirit of material enjoyment or the world of handsome men and beautiful women emphasized in the movie, these expressions have been amplified beyond the level of the movie, rising to the game of worldview and values. level. In fact, what the series flaunts is the enjoyment of material life. The extremely luxurious clothing and accessories in the film, and various world-class brands are gathered here. The values ????of "money worship" and "material supremacy" have attracted a wave of controversy among netizens. .

In fact, there is no need to go so far. To be fair, most of the controversial opinions on the Internet boom focus on the stream of consciousness issues included in the movie, rather than the movie itself. The first two movies in the series grossed 770 million at the box office, and the power of fans is infinite. In fact, if you think about the "young generation phenomenon" from another perspective, the attitude of middle school students towards the film is similar to that of those born in the 1980s who chased the Four Kings of Hong Kong in school. In the eyes of the older generation, it is unreasonable, and it is also called a generation gap. .

Throughout the "Tiny Times" series, the descriptions of love and material things are relatively direct and idealistic, especially the third one, which is the type that teenagers and girls of dreaming age yearn for. Fashionable attire, gorgeous dream-like emotions, and the pursuit of life and material enjoyment, everyone has had such a dream. Perhaps just like us back then, we were in the Mood for Love and had not experienced the baptism of society and had no reference to reality. From emotions to material, all superficial and idealistic pursuits have become spiritual food, and "Little Times" The series captures the mentality of dreaming boys and girls of that age and visualizes it. Everyone has had their moments of frivolity. Maybe it’s not that we are getting younger during the summer, but that we are getting older.

So this is the spiritual core of "Tiny Times". Just like a girl's comic, it is so gorgeous that it is unrealistic and is just a cloud. Of course, we are not setting up a memorial arch for them here, we are just discussing the matter. Simple conflicts among the people do not need to rise to the class level. Of course, we also need to study the movie itself here. From a movie perspective, what does "Tiny Times 3" leave to the audience.

Judging from the status of the first two films, one thing that can be admitted is that Guo Jingming is a successful writer and successful businessman, but he is by no means a successful director. After all, Guo is not a major. In terms of the film itself, the first two films of "Tiny Times" have a patchy narrative structure, slow pace, and meaningless shot stacking, making the film flashy and unrealistic. They are called MVs, The slides aren’t over the top either. This situation changed a bit in the second episode. The narrative was relatively smooth, but it still lacked reasonable plot conflict points. When it comes to the third episode of "Tiny Times 3: The Age of Thorns", people's eyes shine. Guo Jingming's directorial skills can't be said to have changed, but they have improved a lot compared to a year ago. This is an aspect of the film that deserves recognition.

First of all, the plot conflict of the film is more reasonable. The friendship and entanglement of the four sisters are heavily foreshadowed in the film. The twists and hardships they encounter in the second half of the film, and even the breakdown of their friendship, are absolutely unstoppable. It didn't appear without warning like in the second episode, but it had a good reason. The dramatic changes in the company, the departure of lovers, their own worries and sudden plot twists have made the characters in this film no longer laugh, cry and yell at every turn. The character conflicts of the film have experienced early foreshadowing in the second half. Concentrated and exploded into one point, the first half of the film's narrative is relaxed and gorgeous, while the second half is tense and dark. Although Director Guo's preference for gorgeous shots still caused some problems in the rhythm control of the film, overall, the look and feel of the film has improved a lot.

In the movie, the more important plot is that Zhou Chongguang, played by Chen Xuedong, changes his face, and the foreign model Lu Shao who looks like the latter appears. Such plots of changing faces are common in many movies and TV dramas.

For example, "The Moon Embracing the Sun" by Professor Dou. There are also the funny cosplays of "Mission: Impossible" in the film, and the contrast between the fantasy scenes and the real scenes in reality. These are typical movie script processing techniques, which make the plot of the movie more interesting. improved.

Another important thing is that the theme of the film is more clear. "Tiny Times 1" is equivalent to a fashion show without a theme. The second episode highlights the test of friendship, and the third episode is even more distinct. Guo Jingming said frankly that in "Tiny Times 3", the theme is different from the first two. , although urban sisterhood and love and hate are still the content of the story, more emphasis is placed on conveying the theme of "love". In fact, what he said is only half right. The main lines of love and friendship in the film are very clear, and an important link is that "Tiny Times" has developed into the third part. It is no longer a simple gorgeous dream and money worship, but Becoming a little more realistic.

"Little Times 3" actually focuses on the real problems encountered by the "Era Sisters" in society. From the university campus to the society, they have experienced deception, betrayal, etc., and experienced the first two parts. The baptism of society, the materialistic desires of society, and the sharp conflicts have made each character's hard-won growth. Reality is placed on a more important level in this film, whether it is the sudden change of the company's top management or the theft of financial statements. In contrast to reality, in the second half, the emotional lines of the four sisters are also crumbling under the impact of their respective realities. Realistic issues, a less important link in the first two films, have been improved accordingly in this film, which further extends to the role of emotions in reality. As the old saying goes, "Tiny Times" is like a girl's comic, a gorgeous and colorful dream. Although various luxury goods are still eye-catching in "Tiny Times 3", after experiencing the baptism of the first two films, the protagonist in the film has officially entered a complex society, allowing the "love" in Guo Jingming's words to grow in reality It just becomes more profound. This is what makes this film better than the previous two films.

The love that those born in the 1990s and 1995s yearn for is very simple, single-minded and lifelong. Perhaps many friends of this age group have not experienced social baptism, just like what this age group did in the 1980s. Just like the dream of following the trend. In "Tiny Times 3", although love has gone through twists and turns, and the male and female protagonists have huge conflicts in personality and concepts, they never give up looking for true love. Although this series is constantly criticized, don't forget that everyone has to go through that age of dreaming, which is one of the reasons for the film's high box office.

Of course, this film is also based on facts, and my age is far from the values ????portrayed in the film. It only discusses issues at the film level. There is still room for improvement in the shortcomings of "Tiny Times 3", but it is an improvement over the previous two films. More importantly, this film is more like, or has more reason to be called, a pure "movie".

After watching Little Times 3: This is the worst movie and also the best movie

Objective evaluation: A group of people wearing expensive clothes and exquisite hairstyles walking around in the monkey scene is particularly special. If a movie wants to be a big hit just based on the fans' tribute to the unswerving friendship, the obscene excitement of watching high-end costumes from a distance, and the thirst for handsome guys, it must be the biggest in the world. The only joke in the whole movie is that Guo Caijie's acting was barely noticeable. I just laughed at the others. Especially Guo Biting, it's fine as long as she just sits there and doesn't move. Also, don't tie your hair up, otherwise it will be really funny. The disillusionment lines are also very artificial orz. A movie that does not reveal any essential phenomenon must not be a good movie, so just forget it after watching it

My thoughts after watching "Tiny Times 3: The Golden Age", Film review: A few words to help you understand Little Times

The direction of this film is like this. Brief spoilers will give you a feeling: We are good, we are the sisters of the times - We are good, we are Changyouluo Auntie Group with Big Trumpet Voices - We are so pitiful, our lover has passed away - We are so awesome, we are going to steal the plan - We are so awesome, we have stolen the plan - Fight in groups - Fight in groups - Fight in groups ——Combined——End.

"Tiny Times 3: The Age of Thorns" is a work of conscience for this era, because the protagonist of the film has at least one or more opportunities to be greeted by other characters and his family. In order to consider the audience's understanding, Guo Jingming lowered himself to the dust. All character conflicts can be summarized in one sentence. In other words, each character has his own sentence in this movie——

Gu Li: Gu Yuan, I love you, Gu Yuan, I hate you, Lin Xiao, you hid it from me and your whole family.

Lin Xiao: Chongguang, I love you, Chongguang, I hate you, Gu Li, you hid it from me and your whole family.

Nan Xiang: Tang Wanru, I love you, Tang Wanru, I hate you, Xicheng, you beat me and your whole family.

Tang Wanru: Nanxiang, I love you, Nanxiang, I hate you, I will be your stylist and your whole family.

Gu Yuan: Gu Li, I love you, Gu Li, I hate you, the diamond ring sponsors my marriage to your whole family.

Chongguang: Lin Xiao, I know you, Lin Xiao, I don’t know you, fate, I will destroy your whole family.

Nell: Gu Li, I love you, Gu Zhun, I love you, Gu Yuan, your mouth is so quick to kill your whole family.

Gu Zhun: Gu Li, I love you, Nell, I love you, Nanxiang, you owe so much to your whole family.

Gong Ming: Chongguang, I love you. Chongguang, please be good. Father, if you get angry, the whole family will be gone.

First of all, the costumes of the actors in "Tiny Times 3: The Age of Thorns" can be summarized in two types - cloaks and martens. In order to make the actors wear cloaks and sables, Guo Jingming did not hesitate to leave them in Shanghai in winter forever, and the other three seasons were skipped like window grilles.

Secondly, the weird accents of the actors in "Tiny Times 3: The Age of Thorns" can only be matched by one place - the Aviary Garden Performance Stage. Lin Xiao, who speaks the most fluently, is still mute, and Chongguang, the only one with a smooth voice, barely speaks in the second half. All that's left is blunt Mandarin, and the Chinese accents in American TV dramas are nothing more than that.

Once again, "Tiny Times 3: The Age of Thorns" reveals Guo Jingming's admiration for heights. High heels are a necessity for mistresses almost throughout the entire film, including chasing thieves, running, beating each other, and cursing. You guys Is your ankle okay? Do those who wear inner height-enhancing clothes think that the outer height-increasing mobility is too simple?

Finally, "Tiny Times 3: The Golden Age" is a rare super-long MV medley. The toughness of the song splicing is comparable to that of music tailor Da Zhangwei. If Guo Jingming did the same thing as Da Zhangwei—— The "Viagra (Guo)" combination will surely shock the music industry.

Reflections after watching "Tiny Times 3: The Age of Thorns", film review: Whitewashed Youth

The release of the movie "Tiny Times" attracted blank stares and scorn from countless viewers. As one of the viewers, I once angrily accused this movie of being inferior and inferior. But this did not stop a large number of young people from flocking to the cinema to watch this gorgeous youth dream compiled by Siniang. Now think about it, demand determines supply. Smart people like Siniang hit the bull's-eye and satisfy certain desires of today's young people, so they can make a lot of money. Nowadays, youth is like an overnight meal that is being fried over and over again. All cultural products are eager to have the youth icon on them to be considered fashionable. And the current youth-type cultural products must add another element: cruelty, yes cruel youth, this trend I have never traced its origins. The young men and women in the cruel youth no longer live a normal life. Their youth is occupied by society prematurely. They drink alcohol, take drugs, have sex, and have abortions. They commit crimes from time to time, and their families are broken up from time to time. Youth is torn to pieces in the face of cruelty, just like watching a European and American dismemberment horror film, and friendship and love are actually just foils for these anecdotal stories and are dispensable. I once read "The Left Ear" by Rao Xueman in junior high school. At that time, I didn't understand why these people couldn't live peacefully, instead of living like moths flying into the flame, and eventually being burned to ashes. Now that I think about it, I understand that it is because of this era.

The people born in the 60s and 70s are here and leaving, the people born in the 80s are on the stage, and who is waiting? You may say they are born after the 1990s, but I want to tell you, they may have been born after the 1990s, but no one can put a label on this group, because they are all different, and everyone is pursuing a distinctive personality. , refusing to be bound by collectivism anymore and despising all uniformity. They are not in the torrent of a big era, but in their own small era. Yes, they all live in their own world. This era is a hotbed of a disease called "Mary Sue Syndrome". They regard life as their own stage, and they are the only starring role. Every passer-by in life, whether close or alienated, is their own audience. They crave praise and affirmation for their drama, and they are narcissistic (not in a derogatory sense). In my imagination, my younger self should make every day a wonderful show. But what is the truth? The fact that no one wants to admit is that most people's youth is mediocre.

Yes, we are educated in the system and learn repeatedly like puppets. All the way through junior high school, high school and university, we are either buried in the piles of books or on the way to the piles of books, from home to school. , to the two points and one line from the dormitory to the teaching building, this is the fate of most people's youth. Even if it is love, the movement is small, insignificant in this vast sea of ??people. This is the so-called truth of youth. Most people’s youth will inevitably be reduced from stage plays to running accounts.

In fact, mediocrity is the greatest cruelty of youth. This kind of cruelty makes young people panic. The youth they are experiencing is so far away from their imagination. They are eager to change, so there are slogans such as "If you don't go crazy, you will get old." "That's what I said. But when they really want to indulge, they shrink back. The education they have received and the teachings of their parents have blocked them from taking that step. It is such a solid barrier that is difficult to overcome. Frustrated young people cannot live the vigorous youth they imagined, so they can only choose those who can program their dreams. So a large number of businessmen who smelled the market began to provide a large number of dreams to the confused young people. Without exception, these dreams depict wonderful scenes full of dramatic conflicts. The reason why "Tiny Times" is so popular is because Guo Jingming is very courteous to the public and compiles this youth fantasy to suit everyone's fantasies. The story of "Tiny Times" is absurd, but its packaging is exquisite. Guo Jingming imitates the so-called upper-class tone of "Gossip Girl" and depicts those beautiful and unreal visions with a pseudo-literary atmosphere. Eyes full of handsome men and beauties, all-around enviable faces, so smart and rich. Their lives are full of dramas, fighting and slapping boyfriends and girlfriends, dealing with overbearing CEOs, and occasionally a little sisterly love is great. Their life is to stand on the most gorgeous stage and perform the most conflicting plot, no matter how vulgar the plot is. Ridiculous? But it at least allows you to escape from the mediocre life for a moment, which is enough for some people

"Tiny Times" is like a piece of sweet honey, you taste it After getting tired of the sweetness of the drama, you find that this candy has no core, but it does bring a burst of pleasure to your tasteless tongue. It uses the most magnificent words to tell you a lie about youth. Youth is colorful and gorgeous. But the dream will wake up and the smell will dissipate. When the dullness returned, I saw a group of young people fleeing into the cinema like flying, continuing to feel at ease and willing to be deceived.

After watching "Tiny Times 3: The Age of Thorns", film review: "Tiny Times 3": The unstoppable battle to defend best friends

After experiencing the first two movies, After the cruelty at the end, "Tiny Times 3" obviously broke the previous peace one by one in terms of content. After going through a transitional period of unlimited joy in the first half, the film staged waves of internal fighting climaxes in the later part. , the director used a complicated network of relationships to complete this unstoppable battle to defend best friends.

It can be seen that the game of "Tiny Times 3" is very big. The characters appear one by one, and then meet the big battle that follows. The foreplay is still quite done. In place, several girls traveled from China to Rome to complete a splendid fashion show and pay tribute to their best friends. Everything was in the prelude to the coming storm, but along with the vitality song of Jolin Tsai and the overwhelming beautiful scenery. , the overall tone is overflowing, the endless funny scenes still make people laugh non-stop, and the look and feel is also relaxed and pleasant.

Compared with the characters in the previous two films, each one is quite more three-dimensional, that is, everyone’s dark history is being torn apart bit by bit. From the beginning of the film, despite the hilarious shots, He also did not forget to lay down various foreshadowings for the subsequent wheel battle, from the trip to Rome to the ridiculous theft scene in tribute to Mission: Impossible, and finally the truth was officially revealed in the scene when Gu Li came on the stage to speak, and then With each other's accusations and questions, the plot also began to move towards a journey of abuse. It was a little bit Mary Sue, but it also captured the essence of Aunt Xue's sentence "It's a good show".

Since it is a battle for the defense of best friends, it is natural that the show of the deep love between sisters is indispensable, and the disputes between sisters are also indispensable. It can be said that this kind of love-hate emotional drama is the most attractive part of the relationship between best friends.

From Gu Li's vicious tongue, to Nan Xiang's betrayal, to Lin Xiao's being concealed, and even Tang Wanru's being hurt, the plot went from relaxed to tense, step by step, leading to the climax of the climax that was about to come. Like the run at the beginning of the film, the sisters of the era can withstand the test, but they cannot be separated in the end. And how their clues will develop will have to wait until the next step to find out. For now, this love and death will end Or the individual is subordinate to the collective.

The characters in "Tiny Times 3" all have a sense of "no zuo no die why you try". Everyone seems to be able to find some reasons for their own evil intentions, but in reality It's completely untenable, but this kind of work makes the characters appear more real. They are no longer cold and distant men and women in a paradise, but young people with complex emotions of love and hatred. The audience can still get a lot of touches in this cruel and cruel mode, which is also the great thing about Guo Jingming.

After experiencing huge controversies in the first two films, "Tiny Times 3" may still be moving forward amid controversy, but it still has irreplaceable existence value and cannot be stopped in this one. There are still many exciting things in "The Battle of Best Friends", and the overall impression is still full of laughter and tears. And in the following, its era continues, youth is endless, best friends are endless, about sisters in the era The story of flowers will also be imprinted in the hearts of a group of people.

Second version

Composition on the review of "Tiny Times 3"

From "Tiny Times 1", "Tiny Times 2: Aoki Era", to In "Tiny Times 3: The Age of Thorns", the appearance of Guo Jingming really caused a big storm in the film industry. Gorgeous packaging, studio-style style, the so-called money worship, unhealthy outlook, etc., which have been repeatedly pointed out, are constantly filling the sensitive nerves of the audience. But Guo Jingming was able to transform these, firmly grasp the powerful fans of his novels, and launch a "myth" in the film industry to counterattack the box office. Nowadays, with the appearance of "Tiny Times 3", it has lost some edge, and the values ????have returned to orthodoxy. However, against the backdrop of the cold winter snow in the film, the youthful atmosphere will still continue to heat up with the warmth of July. .

The emergence of the "Tiny Times" series is another successful exploration of the commercialization of youth-type movies. It allows the ignorant post-90s movie fans to have a collective carnival to release their stress. Compared with "Tiny Times 1" and "Tiny Times 2: The Age of Aoki", "Tiny Times 3: The Age of Thorns" has made significant progress. Although the film still has many shortcomings, in terms of photography technology, pictures and lenses , art, costumes, scenes, the core of the story, and the performance of values ????have all been more or less improved.

From novels to movies, from words to images, Guo Jingming’s adaptation can be said to have grasped the pulse of youth commercial movies and the hearts of movie fans. "Tiny Times 3: The Age of Thorns" is already a popular commercial work for teenagers, and no matter how it is performed, its fans can almost go crazy for it. "Tiny Times 3: The Golden Age" has already entered the ranks of commercial films. It is another commercial operation by Guo Jingming, and it is also a film market spectacle that leads the post-90s movie fans to a collective carnival.

Although "Tiny Times 3: The Golden Age" continues and develops "Tiny Times 1" and "Tiny Times 2" and moves the story background from school to society, human nature in a complex society The test has also been further upgraded, which has invisibly increased the difficulty of expressing the film and the characters. Furthermore, the addition of action elements in the film is an attempt at a Guo Jingming-style youth commercial film. The four sisters fantasize about stealing documents, which is awesome! But the actual theft seems so clumsy. It can be said to be a collective brain-dead self-abuse. The two different styles of performance before and after invisibly pushed the laughter to a climax, and vividly interpreted the deep love between sisters in youth.

"Ask what love is in the world, and tell me about life and death." Youth is always so addictive. "Tiny Times 3: The Golden Age", as the latest film in the "Tiny Times" series of movies that represents commercialization, has already given full play to youth in the mall. From the campus to the material world filled with money, everything looks extremely luxurious under the lens of director Guo Jingming, as if it is dreamlike and illusory. The director seems to be using this "empty scene" to convey his own accusation of "not doing anything to death" against the decadent society, and to convey the redemption of human nature through the return of emotions behind business.

The single scene in "Tiny Times 3: The Age of Thorns", with the graceful flying white snow, has long exposed the cruelty of youth, but the redeemed humanity can always be found in this cold weather. Warmth, perhaps, when youth is hurting, another youth storm will follow.

After watching: 800-word review of Little Times 3

"Tiny Times 3" still continues the luxury of the first two films. Although it is dressed in luxury, the men and women in the film are also After experiencing the twists and turns of love, and even the male and female protagonists have huge conflicts in personality and concept, the passion of never giving up on finding true love makes this film so touching. Therefore, for the post-90s generation in today's society, the "Tiny Times" series is like a light dream. Behind the bustling scene, what is deeply embedded in their hearts are the things conveyed in the film. Something that they can unanimously agree on. The most important point is that although many of them cannot actually experience the luxurious scenes in the film, the concept of love conveyed in the film is common to everyone.

Youth is fleeting, and the four sisters move from campus to the workplace. Everyone’s mood is changing and they are adapting to this society. The innocent friendship on campus no longer seems so indestructible and gorgeous. Under the surface, the sordid betrayal, mutual contempt, and distrust are still there. This is the social reality. Friendship between people is relative, and that moment does not represent the other person. This is a cruel social reality that you must face. In the film, it seems that what Guo Jingming wants to convey to everyone is that life is about shedding tears and eating meat, and the most precious thing in the world is friendship that is stronger than gold. It is us who have changed, but the friendship remains in time.

While Guo Jingming’s films strongly attracted some audiences belonging to a specific social class, they also aroused extreme disgust from other large groups of people. And Guo Jingming used a unique method to show his implicit irony intention. The film exaggerated and unrestrainedly used positive means to exaggerate love and worship of money, bursting out a considerable power to incite young girl audiences to establish a so-called "friendship" that transcends everything. , and it is this kind of transcendence that allows groups hiding in the shadows and wearing colored glasses to unite and swear to each other. Although Guo Jingming is young, he has a big heart and is very vicious.

"Tiny Times" has entered its third film. The difference from the first two films is that the pictures are more beautiful, the plot is more funny, and the characters are more youthful and handsome. The beginning of the film is full of joy, and it is no longer Everything that is inherent in Shanghai, but this time it switched to cheerful and light singing, and the beautiful night view of Shanghai.

Luxurious youth must be cherished; unruly memories must be cherished day and night.