Why is Amanda a cosmetic actress?

Amanda is recognized as an acting school;

Miss Cai in Sister Tao spent the New Year's Eve with the elderly in the nursing home and was asked about your family. Amanda didn't say anything, just subconsciously leaned back for more than a minute. What a lonely face it is.

In "The Piano of Steel", white smoke emitted from the big chimney at the back, and Amanda sang "Three Cars" with an umbrella at the funeral, which was absurd and desolate.

In "Red Sorghum", Shu Xian, a widowed grandmother, is as good as Zhou Xun's "Fighting Room", and director Zheng Xiaolong says she is the best candidate for this role.

The roles played by Amanda are very different, so it is impossible to label the actors themselves through certain roles. Her performance has never been glamorous and moving at once, but it is not obvious that each role is just a role and is not unified to Amanda.

Take Gu Xiaoyan in Durian Fluttering as an example. A girl in a small town in Northeast China studied drama for eight years, but she didn't have a place. Finally, she went to Hong Kong to be a prostitute and earned quick money for three months, saying "Hello, boss" to fat clients every day. She made 38 orders at most, and only had an hour to get another one before coming back. But after returning to China, she divorced, and her parents were so kind that they treated her with her hard-earned money. But Amanda gives the impression in this play that he is not acting, but merely incarnating Xiaoyan to survive.

Miss Cai in "Sister Tao", the reason put forward by director Xu Anhua at that time was that "(Miss Cai) is a person in this environment, and she will appear when she is needed, and she will be integrated into this environment when she is not needed, so she needs a professional actor who can control her desire to perform." That's why some people think that Cao Xian's performance in Amanda's White Deer Plain can only be regarded as moderate, but not as amazing. Amanda also said in an interview that Cao Xian's role in the play is to "hug" Bai Jiaxuan.

There are not many actors like Amanda who can start from the overall situation of the play. In the movie "Six Hundred Miles to Fuyang", Amanda felt something was wrong when she got the script, and asked the director whether to write people or group plays. The director said it was a group play, and Amanda said the script was wrong. The next day, Amanda dictated and typed it down. Later, Tang Qun of Six Hundred Miles to Fuyang won the Best Supporting Actress Award, and screenwriters including Amanda won the Best Original Screenplay Award.

It's not the first time that a screenwriter has entrusted someone else to Amanda. The young style helped Dong Zijian win the Best Actor, and the script was edited by Amanda and the director every day.

However, if you need a role with a very vivid and explosive appearance, Amanda can also give it to you, such as "a strong woman in the workplace, God forbid". Netizens said that they were deeply attracted by Amanda's acting skills before, but I didn't expect her to be so knowledgeable, hahaha.

Of course, objectively speaking, Amanda's "moderate" acting skills are also related to her appearance. Amanda graduated from the famous Chinese Opera Class 96. There were several golden flowers in the class at that time, Zhang Ziyi, Yolanda, Mei Ting, Ceng Li and Hu Jing. To put it mildly, Amanda is the most inconspicuous one, and the person who speaks directly is ugly.

Amanda once played such a role. The beauty of "The Legend of Li Ji", Li Ji said in "Zhuangzi", she is also beautiful, the fish sees it deeply, the bird sees it, and the elk sees it suddenly. Fish, birds and elk are all beautiful to stay away from! Amanda turned the role into a classic joke. ...

But on the whole, her acting skills are absolutely leverage.