Why do you say "straight to the point"?

So far, halfway through the meeting, there is nothing but useless gossip and vague ideas. You want people to be direct, or in other words, they will go straight to the point.

Just like putting a soap box or pushing an envelope, getting to the point was once a verbal action. When silent films became popular in the early 20th century, filmmakers could not rely on dialogue-jokes, arguments, emotional statements, confessions of crimes, etc. -Attract the audience. Instead, they get their ideas through physical comedies and action sequences, usually in the form of chasing scenes.

Although many chases feature cars, bicycles or people running for their lives, they are not as formulaic as you think. Stars like Charlie Chaplin and buster keaton are masters, and they make their pursuit both amazing and interesting. For example, the police in 1922, Keaton finally sat on a ladder, the ladder was sawed on the fence, and the police at both ends tried to pull it down.

In Chaplin's 1928 film "Circus", a policeman followed him into the circus, and the audience watched them circle around each other on the rotating platform.

Because movie audiences like to watch The Fugitive, the chase is older than the silent film era. For filmmakers who need to keep the film dynamic, "straight to the point" is a common suggestion.

Reporter Edwin C Hill wrote in an article about the growing popularity of westerns in 1939, "When they want to break it, the formula always hits the nail on the head." "Of course, there is always a chase. When they think it is necessary to add a little suspense, reducing chasing is a simple expedient. " Screenwriter Helene Deutsch has written classic works such as Never Sinking Molly Brown (1964) and Doll Valley (1967). She even hung a sign in MGM's office that said, "When in doubt, come straight to the point".

By the middle of the 20th century, straight to the point began to have modern significance. Frank Scully, a variety journalist, mentioned the experience of helping his Norwegian assistant learn English in his memoir "Through My Heart" (1955). "When I taught her, I didn't go all the way back to Chaucer, but' cut to the chase' and started tutoring her from a Variety," he wrote.

Although this phrase is most often used as a metaphor now, the literal chase scene is not out of date-judging from the speed and the continuous success of the * * * series, this will not happen soon.