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What are some bad movies that are praised as masterpieces?
1. "Happy Comedian"
From the title to the core of the story, "Happy Comedian" has a strong "cottage" atmosphere from head to toe. This atmosphere is precisely caused by the official authorization of "Happy Comedian". It seems that authorizing the title is a good thing, but it is actually drinking poison to quench thirst. Because "Happy Comedian" itself is a very ordinary variety show, to some extent equivalent to the summary of CCTV Spring Festival Gala language programs in recent years. The Clay Bodhisattva crossed the river and wanted to save all sentient beings. The river is underestimated.
"Happy Comedian" has no hope of replicating the success of "Where Are We Going, Dad". The audience back then was very young. Variety movies back then were a new thing. Young people like to try new things, and when they try new things, they encounter a movie transformed from a phenomenal variety show, and the fire is burning. After burning it, I found that it was all chicken feathers. Then, there is no more.
2. The New King of Comedy
In recent years, because Xingye has moved behind the scenes and concentrated on directing, he has never appeared in front of the big screen again. . Many movie fans love and look forward to him. Even if there is no movie starring Stephen Chow himself, as long as it has the word "Stephen Chow" in the movie, they will still go to the cinema to support it. It can be said that it gives the star a lot of face. The reason why these loyal fans do this is mostly because of Zhou's comedy sentiment.
It is precisely because of this sentiment that many movie fans use fan filters to watch Stephen Chow's new works in recent years, and it is difficult for them to give a fair evaluation.
"The New King of Comedy" can be said to be the worst film made by Xingye in his career. This "New King of Comedy" is like a car accident scene. Wang Baoqiang's greasy and exaggerated performance, embarrassing and outdated laughs throughout, and the intermittent storyline make it really hard to believe that this is a work directed by Stephen Chow.
3. "Big Fish and Begonia"
All the characters have incorrect views. They make various sacrifices that they think are brave and selfless but are actually selfish sacrifices. They just want to impress themselves without considering it at all. Other innocent people have their own faults in the end. The narration by the elderly version of Tsubaki is simply an evolved version of Chicken Soup for the Soul. The lines are shameful, the story is confusing, and the second-class Mary Sue’s "feelings for skipping tickets" are works of art. At the beginning, I could only watch the trailer to show off the magic.
From the production point of view, this is really a domestic conscience, but from the plot point of view, it is a bit abrupt. The heroine's feelings for the boy are more about repaying a favor. If the heroine spends herself in order to save the boy, life is quite reasonable. It would be too exaggerated to sacrifice an entire village, including his childhood sweetheart and relatives, just to repay a favor. In other words, the screenwriter wanted to show off, but he made feelings the theme of the story. I have nothing against the love triangle theme. But the various chicken soup and lines in the film are really embarrassing.
4. "The Wandering Earth"
As a science fiction fan, this is quite disappointing. At best, it is a mediocre Hollywood space disaster movie. It's not as shocking as expected at all, because the film is not really imaginative. Many of the scenes and plots are transplants of classic/well-known science fiction films. It doesn't even have its own style. It's just a money-splitting industrial special effects blockbuster. Look Without anything new, it cannot give you the awe and dense attraction of mysterious universe exploration. If you are a science fiction fan who has watched many science fiction movies, you will not be excited or even trembled by any picture or plot.
In short, similar flattery stems from ignorance and blind obedience? It will definitely be crushed and crushed by the wheels of history as a funny and ridiculous phenomenon.
The quality of a work does not belong to the author himself to a certain extent from the moment it is published. The audience's feelings and evaluations are also part of the integrity of the work.
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