Crosstalk happy journey lines

Thank you for coming to our cross talk.

I come from the northeast.

I come from the northwest.

Thank you for coming to our cross talk.

B: I'm the main character. Let me tell you something that happened recently.

You mean you want to be the leading role.

B: No, I mean you're going to be the leading role now, and it's not impossible, but you should call me a master and learn from me.

A: You're welcome. You're welcome.

B: Anyway, I heard that Taiwan Province Province wants independence and the United States wants to elect a president. Have you heard?

A: Well, of course, but the protagonist is not. Oh, do you think China can ignore it?

B: China should take care of it, and Taiwan Province Province should take it for granted. Taiwan Province people are from China, aren't they?

A: Of course, Taiwan Province people are from China. Like lambs and ewes, they have the same origin.

Everyone loves it. It was a happy day.

I heard that there are many gold bars in your house.

Who told you that we have gold bars at home? Do you still know how many Jin there are?

How did you get your gold bars?

Have you ever heard of it? At that time, my grandfather was a rich man, so all the money belonged to his old man.

A: So you don't make money?

B: of course, if you earn, if you earn less, it will be 40 thousand to 50 thousand a year

Your family is rich now. You can live. You always eat and drink. What do you eat?

B: Not dinner, just breakfast, that is, a bowl of eight-treasure porridge, a plate of sauerkraut and a little pistachio, but that's all.

Why, when did you invite me to your home for dinner?

B: You too. When will you invite me? Let's listen to what your family eats first.

A: No breakfast, just a midnight snack, that is, a bowl of glutinous rice balls.

B: Thank you. Whether you want to eat it or not, you have heard that China has an advanced missile system. If you eat jiaozi well, you don't have to bother looking for it.

A: Eating jiaozi has nothing to do with missiles. Besides, I heard that you live in a quadrangle.

B: That's right. The new quadrangles are all decorated with lace. They smelled the fragrance when they entered the room, but the trees outside were a little tall. They have a history of thousands of years.

A: You know, the building where we live is also a good place, even if it is free Internet access.

B: Then your family is really good. I really hope to have a holiday and have a family reunion. It's like being in heaven.

The sun is rising and thriving. I wish you all a happy holiday here!

B: The sea of blessings is boundless, moving forward forever.

Extended data:

In narrative art, a penetrating plot constitutes a closed structure with a head and a tail and linear development, and external interference is not allowed. In the art of drama, there is a theory of the fourth wall. It requires setting up a hypothetical wall between the actor and the audience, so that the communication between the actor and the audience becomes indirect.

The art of cross talk is different. The "plot" in cross talk is intermittent, with or without. So the content of cross talk makes people feel uncertain. The burden of cross talk often gives the audience an illusion and hides the truth. In this way, the audience is encouraged to think positively, thus strengthening the exchange of ideas between the two sides.

In contrast, storytelling (and other folk arts) actors should not only explain the causal relationship of things clearly, but also define the theme and ending of the story in advance by winning the first time, and the audience only needs to passively accept it. In cross talk performance, actors no longer enjoy the status of "storytellers" as storytellers, and actors and actors, actors and audiences all appear as equal interlocutors.

They can express their different views on things. This kind of different opinions from many aspects not only constitutes the formal characteristics of cross talk, but also is the source of comic contradictions in cross talk.

Here, all the speeches and words of one actor have to be strictly tested by another actor and audience. His mysterious, contradictory, absurd and exaggerated words cannot escape the audience's ears. He often laughs because of "making a fool of himself" and is in an embarrassing situation of "losing face".

The audience felt their psychological advantages through laughter and received a subtle education through laughter. The appreciation process of cross talk can better achieve the purpose of "entertaining through education", so the art of cross talk is very popular among the masses.

Crosstalk performance is directly oriented to the audience, and there is no "fourth wall" in cross talk performance. Many actors also ask questions directly to the audience, or answer questions raised by the audience to meet the audience's requirements. This greatly strengthens the contact and communication between actors and audiences.

In the process of enjoying cross talk, although the audience can't talk directly with the actors, they can express their views and attitudes through laughter. In addition, in many cross talks, the comedian's words often represent the audience's point of view, and the comedian often talks with the comedian as the spokesperson of the audience.

From the above analysis, it can be seen that in the process of performance and appreciation of cross talk, the communication between actors and audiences is two-way and very close. This feature is inseparable from its unique artistic form-dialogue form. This form satisfies the audience's sense of participation and produces a unique artistic charm.

Crosstalk has formed a "talk about everything" friend with the audience. It absorbs the wisdom and humor of the masses, expresses their pursuit of truth, goodness, beauty and optimism, and exposes and satirizes the falsehood, evil and ugliness in life. Crosstalk, full of life content and unique artistic form, has become a wonderful work of national art.

There were two kinds of crosstalk performances at first. The crosstalk performed in the curtain is called "Dark Spring" and the crosstalk performed in public is called "Bright Spring". Three years after Xuantong was proclaimed in Qing Dynasty (19 1 1), only one kind of "next spring" continued to develop. There are three forms of cross talk: stand-up cross talk, mouth-to-mouth cross talk and group cross talk.

Stand-up crosstalk is a joke performed by actors. Crosstalk is performed by two actors. Narrator A is called "teasing" and assistant dialogue B is called "laughing". When performing, they can be divided into three categories according to their different contents and language styles: one is heavy, the other is heavy, and the other is oral.

Crosstalk is performed by more than three actors, A is called "funny", B is called "funny" and C is called "greasy".

A cross talk usually consists of "filler words"-impromptu opening remarks; "scoop handle"-a transitional introduction to the text; "Zhenggong"-text; "Bottom"-the ending after the climax consists of four parts. After the founding of New China, the "gourd ladle" is often omitted in the newly created crosstalk.

Crosstalk forms a "burden" by artistic means. In the performance, people laugh by "shaking" the table. There are dozens of techniques, such as: three transgressions and four shocks, praise first and then derogatory, wrong yin and wrong yang, pun, contradiction, duplicity, misinterpretation, violation of convention and so on. Each crosstalk generally contains more than four or five humorous "baggage".