Following the anti-vulgar crosstalk, Jiang Kun put forward a new concept of crosstalk. Is it still aimed at Degang Guo?

Crosstalk, the aesthetic art of language, can not only make people laugh, but also cause deep thinking. As far as phonology is concerned, it has never been calm, and the contradiction between mainstream crosstalk and non-mainstream crosstalk is getting worse. Jiang Kun once again put forward the new concept of cross talk, which is actually aimed at the non-mainstream cross talk represented by Degang Guo, but it is more an appeal to the cross talk circle.

First of all, a new concept of cross talk is put forward. Non-mainstream crosstalk headed by Degang Guo is booming, which is loved by young audiences, but criticized by mainstream crosstalk of old artists. Once there is a little problem, it will be criticized and become the handle of ridicule.

Even if there are empty seats in Deyun's public performance, it will be laughed at by everyone, and the media will add fuel to it by saying that Deyun's luck has run out and it is difficult to operate for a long time. On the other hand, the development of mainstream crosstalk is not smooth sailing. Comparatively speaking, if the rigid mainstream cross talk remains unchanged, it will be difficult to win the favor of a new generation of young people. Because of conservatism, it is also difficult to integrate into fresh blood.

Therefore, mainstream crosstalk has also begun to advocate innovation. Jiang Kun said that while opposing the "three customs", mainstream cross talk will also face changes, so he put forward a new concept of cross talk and encouraged young people to listen to cultural cross talk. Obviously, this new concept of crosstalk is aimed at the non-mainstream crosstalk advocated by Deyun Society headed by Degang Guo.

It can also be seen that today's cross talk is basically divided into two factions, one is the mainstream cross talk headed by Jiang Kun, and the other is the non-mainstream cross talk promoted by Deyun Society headed by Degang Guo.

Second, the characteristics of the major factions. The characteristics of the two schools are: the mainstream crosstalk abandons the vulgar burden in traditional crosstalk, advocates taking its essence and removing its dross, and removes all ethical and elegant burdens in traditional crosstalk. Non-mainstream crosstalk, on the other hand, has picked up these abandoned burdens again, innovated many new jokes on the basis of traditional crosstalk, and kept many jokes with three vulgar contents, all traditional speaking, learning and singing, and passed them down.

Moreover, mainstream crosstalk performers can be regarded as an iron rice bowl by relying on the salary within the system. Non-mainstream crosstalk has no guaranteed salary and depends entirely on ability. If you have the ability, you can get a high income by performing more. If you don't have enough ability to win the favor of the audience, it will be difficult to continue to mix.

Degang Guo is a representative of the non-mainstream crosstalk performers recognized by the audience. With his own ability, he led Deyun Society to a new stage. There have always been contradictions and incompatibility between the two factions, especially the two leaders, who do not communicate with each other. Jiang Kun can't be seen in places with Deyun Society, and similarly, members of Deyun Society can't be seen in places with Jiang Kun.

Third, the representative of mainstream crosstalk: Jiang Kun. First of all, let's talk about Jiang Kun, who represents the mainstream crosstalk. When it comes to the venerable doyen of the phonograph industry, people will naturally think of Jiang Kun. Although Jiang Kun is now over 70 years old, it still has a decisive influence on the phonograph world.

Early in his career, Jiang Kun published his first autobiography, Life with a Smile, which sold 400,000 copies when it was first published, ranking second in the bestseller list that year. This shows how popular Jiang Kun was at that time. Every time Jiang Kun goes to perform, he is sought after as a first-line traffic star.

Later, the focus of Jiang Kun's career gradually shifted from the stage to the management position. After Liu Lanfang, he stayed in his seat for nearly ten years. It can be seen that his position in the field of language and art in China is unshakable, and he has also become a teacher deeply respected and loved by younger generations.

Fourthly, with the decline of mainstream cross talk, Degang Guo's wild ways are deeply loved by the audience. With the passage of time, the audience's appreciation of cross talk has changed, and many people say that Jiang Kun's cross talk is not funny. However, in fact, it is also due to the inclination of energy that Jiang Kun holds several positions, which leads to the lack of skills in two places at once, which makes his works in the field of cross talk go from bad to worse, and the quality and quantity plummet, which also makes Jiang Kun controversial.

At this time, the emerging crosstalk began to rise gradually, and Deyun Society headed by Degang Guo began to enter people's sight. Degang Guo is not from an orthodox background, but he is a "wild road" in the phonology world, and attaches great importance to his background.

At first, there was no contradiction between the two people who are in the same boat now. At that time, Jiang Kun also said: I am very optimistic about Degang Guo. He has a lot of ideas, and cross talk is good. However, as Deyun Society grew bigger and bigger, contradictions began to sprout. The bad relationship between them now lies in Jiang Kun's assertion about the three customs of cross talk.

Fifth, the non-mainstream crosstalk represented by Degang Guo was denounced. The fire in Degang Guo in 2005, with the help of non-mainstream cross talk, also smashed many people's jobs. However, Degang Guo did not properly handle the relationship between himself and other peers, which was beautified by the media. Therefore, mainstream crosstalk groups took the opportunity to denounce Degang Guo and non-mainstream crosstalk. Jiang Kun naturally bears the brunt, and since then, two people have also started to confront each other from a distance.

Jiang Kun is bent on promoting cultural crosstalk and wants to lead his members to get rid of the performance mode of small theater. However, Degang Guo became popular in a small theater because of cross talk, and wanted to stick to it. Their views are always inconsistent. Jiang Kun doesn't like Degang Guo's grassroots culture, and Degang Guo doesn't like Jiang Kun's outstretched hand. He attacked Jiang Kun by saying that "smoke barriers on both sides of the Chu River are never behind the scenes".

In 2007, Jiang Kun joined hands with the Crosstalk Club to launch a proposal to friends in the audio industry. The theme of the proposal is to consciously reject vulgarity, vulgarity and kitsch.

It can be seen that Jiang Kun is an advocate of "anti-three customs" in cross talk culture. After so many years of cross talk against the three customs, there are also a number of music heavyweights, such as Li Jindou and Chang, who have joined hands with many new musicians to eliminate the three customs and fought tirelessly against the three customs culture.

The speed and environment of network circulation ten years ago are incomparable now. At that time, Degang Guo dared to openly satirize Jiang Kun on the stage without any scruples. He is also outspoken in the interview, no matter how insinuated, he will not be criticized too much.

But now he has restrained a lot. As the head of Deyun Society, you should pay attention to your own discretion in public. However, in the interview, he also told Jiang Kun that he was against Deyun Society: the waves behind the Yangtze River push the waves before, and the beach hurts you.

Although there is nothing wrong with Jiang Kun's starting point, he wants to preserve and spread the essence of cross talk, get rid of the dross of three vulgarities and no nutrition, and let the beautiful art exhibition contained in cross talk appear in front of everyone.

However, in order to refute Deyun Society headed by Degang Guo and Degang Guo, Jiang Kun also put forward the viewpoint of "opposing the three customs". Therefore, when Jiang Kun once again advocated "anti-three customs", many netizens naturally thought that Jiang Kun proposed "anti-three customs" to check and balance it and to attack Degang Guo and Deyun Society again.

Sixth, the reasons for the rise of Deyun Society. Degang Guo grew up in adversity. In order to make Deyun Society more prosperous, let its members have proper performances and good salaries, he made cross talk creation more and more suitable for people's preferences and gradually commercialized Deyun Society. As a result, Deyun Society really developed under the leadership of Degang Guo, which is not only famous in Shang Yan at home, but also abroad.

However, Degang Guo's popular cross talk is the "three vulgar contents" in the minds of mainstream cross talk actors such as Jiang Kun. However, after Jiang Kun put forward "anti-three customs" every time, he didn't see any progress. Now the atmosphere in the entertainment circle is not suitable for anti-vulgarity. In order to cater to the public's preferences, various plays have been put on the stage.

But often such works can get more exposure and attract the attention of the audience. In contemporary times, traffic means income and security, so it is often difficult for anchors of many platforms to avoid the performance of the three levels in order to obtain traffic. Therefore, the rise of non-mainstream cross talk is often unstoppable.

Therefore, Jiang Kun once again put forward a new concept of cross talk, which is actually another way of saying against the three customs. This statement no longer focuses on the three customs, but advocates cultural crosstalk. I hope the younger generation has taste, can listen, speak and appreciate cultural crosstalk. The same meaning, in other words, is more powerful, which highlights the cultural atmosphere contained in cross talk itself and clarifies the cultural and artistic essence of cross talk.

In fact, Jiang Kun put forward this slogan for another reason. This is the content of his work, not enthusiastic, but the slogan has existed from the beginning. This is also an unwritten rule that has been circulated in the cross talk system. But paradoxically, crosstalk itself belongs to a popular culture, and it is really difficult to make it as elegant as Chun Xue.

It is a fact that Degang Guo's performance has been recognized by many audiences. His performance in Canada was packed, which also reflected the audience's love. It is understandable that actors need to earn money. Art needs diversity, and innovation and change are also necessary.

Seven. Summarize. There is nothing wrong with anti-vulgarity. The two factions just chose different techniques and forms of expression. Among them, vulgar, vulgar and kitsch things should be abandoned, and the essence should be retained.

No one in the art world is an ivy league, and every hero will die. If the audience blindly watches the same content, they will feel very tired and bored. Perhaps, they once had some contradictions, and the two factions also had contradictions, but there was always a way to reconcile them in the end. These two wise men will certainly leave a way out for themselves, and they will not humiliate each other in the end.

In fact, Jiang Kun has repeatedly suggested that cross talk should be "anti-vulgar". Many people will think of Degang Guo first, which is only the audience's own subjective imagination. He is more attractive to the whole crosstalk industry.

The contribution of small theater can not be ignored, and so can the existence of mainstream crosstalk. The two schools of crosstalk also have different performance occasions and audiences. I also hope that the two factions can make progress together and realize a hundred flowers in the field of cross talk. I also hope that they can create more and better wonderful cross talk performances.