What is the level of Zhou Bangyan, who is called Lao Du in Ci? Why didn't Li Qingzhao mention it in her words?

Zhou Bangyan, whose real name is Meicheng, is a Muslim laity.

He is not as famous as Liu Yong, Su Shi, Xin Qiji and Li Qingzhao in the secular reputation of epigraph names, so that many people are not familiar with this great poet. Even if I did, what impressed me the most was the scandal that he and Song Huizong competed for Li Shishi.

Zhou Bangyan's words, the most widely circulated is "juvenile tour, knife like water", which is considered to be peeping under Li Shishi's bed:

The feelings of men and women written in the words are touching and just right. Adding a beautiful color is gaudy, while reducing a gentle color is indifferent. The words are ingenious and novel. It is really the best choice for elegance and ambiguity.

Such a good work was attached to a vulgar family story, which really buried his feelings. However, his literary name came from this.

In fact, Zhou Bangyan's well-written words are far more than these, but they are too complicated and euphemistic, and even difficult to sing. Therefore, there are not many readers today, and there is no way to understand Mr. Muslim's talent.

The so-called "ambitious but few" has always been the case.

The epigraph of the Northern Song Dynasty entered a period of great development and experienced three major changes.

First, Liu Yong's style has changed. Ci changed from a poem to a long tune as the mainstream form, and changed the first-person narrator in the past. He began to use words to write the hearts of literati and express the feelings of the author. The second is the change of Su Shi's theme, which expands the expression content of Ci. Everything in the world can be put into words and begin to seize the field of poetry. At the same time, he changed Liu Yong's graceful and sad state of mind and creatively used words to express his great feelings, and the style of words also cheered him up.

The third change is Zhou Bangyan's integration and standardization of epigraph format, and his detailed study of meter reached its peak. At the same time, in the style of ci, it combines the achievements of predecessors and forms its own tortuous artistic techniques.

It is precisely because of this large-scale and meticulous research on the integration of epigraph formats that Zhou Bangyan, as the top leader of the official music organization, directly promoted the emergence of epigraph metrical school and integrated all schools in one fell swoop. Since the Southern Song Dynasty, Jiang Kui and Wu Wenying were both metrical schools, and now the format of epigraph is completely fixed. We are going to write words today and come up with a vocabulary to correspond to each other. Whose credit is this? Mr. Muslim.

As far as the contribution of epigraph format and meter is concerned, Zhou Bangyan and Du Fu's research and adjustment of meter poems can be compared.

Even though Wang Guowei doesn't like Zhou Bangyan's ci because his writing is really tortuous, in Wang Guowei's eyes, it is a "divisive word", which is not as good as Su Shi's and Xin Qiji's ci, but he also admits that if we compare poets with poets, the title of "Ci Sheng" belongs to Zhou Bangyan. Mr Muslim's legacy: