Please give me a review of "Let the Bullets Fly". I've seen it before, but I can't find it now!

The beginning and end of "Let the Bullets Fly" both use Li Shutong's "Farewell", but I think the artistic conception of the beginning and the end are completely different. Who is farewelling at the beginning? I think this is the true portrayal of Jiang Wen's innermost feelings. In the mountains and rivers, good friends are hard to find. To those friends who once had the same goals and who worked together to contribute to the Chinese film industry. Maybe it was given to Zhang Yimou. Lao Mouzi once had "Alive", "Red Sorghum" and "Raise the Red Lantern". Maybe it was given to Chen Kaige, the unlucky guy who was knocked down by a steamed bun and left with sequelae and is still unable to stand up. The unlucky ones include "Yellow Earth", "Farewell My Concubine", "Feng Yue" and "Jing Ke Assassins the King of Qin", which are Chinese movies with Chinese characteristics in the true sense. I think this was the film dream they once shared, to let the world understand China and let children understand the past. Now, unfortunately, only Jiang Wen is left alone, fighting tenaciously for the Chinese film industry with Chinese characteristics. .

To paraphrase Huang Silang, he said that Zhang Mazi was by no means an ordinary county magistrate. And Zhang Mazi is by no means an ordinary Mazi. Later, Zhang Mazi told the Ma De Gang that in fact, my original name was Zhang Muzhi. I was the captain of the pistol team who followed General Songpo in the north and south. He belonged to the regular army. Although he had ambitions, he eventually became a bandit. What a clever metaphor. It takes a general to imprison his soul in the body of a gangster. "Let the Bullets Fly" is an autobiographical film by Jiang Wen. Then the role played by Jiang Wen is naturally himself. In the conversation between Zhang Mazi and the Mad Gang, we can read how helpless Jiang Wen is. Who is Zhang Muzhi? I think Jiang Wen compares himself to Yuan Muzhi (a famous early Chinese director, whose representative work is "Road Angel", which can be called a Chinese film classic), and it is also a tribute to the older generation of great director Yuan Muzhi. I am also a regular director who graduated from the Central Academy of Drama. What a director has to do is to truly convey his thoughts to every audience. But China’s film censorship system left me completely overwhelmed. I could only hide like a bandit. Sadly, my biggest enemy turned out to be the Chinese film system that cultivated me. I could only try my best to first deceive the review, and then convey my thoughts to the audience in an obscure way. audience. . . And how many people can understand me?

{The bully Huang Silang is referring to China’s film censorship system. There is no need to be so polite. Huang Silang is a yellow shit wolf, or maybe a yellow rat beetle. Anyway, it is closely related to smelly things. of. The "high and hard" in Hongmen Banquet probably means that the review system is as smelly and hard as the stones in the pit. It's a pity that I only watched it once and don't remember much, otherwise many of the lines would have become more meaningful

The Mad Gang played by Ge You refers to a commercial movie. Therefore, the image of the Ma De Gang can be said to be heartless, and only money is on his mind. He followed the crowd and bowed to the yellow dung beetle. As long as you have money, nothing becomes important. It doesn't matter if your wife dies, and you don't care if you bully the people. So in the end he found the best place to belong. Die in a grave of money. The death of the Ma De Gang is more like Jiang Wen’s sigh about the prospects of Chinese movies. Chinese movies will eventually perish in business, and China will no longer have movies in the true sense

And Jiang Wen’s symbol in the movie It's an art film. From his conversation with Xiao Liu (actually Xiao Liu represents his second work "The Devil Is Coming") about Mozart, he has been hinting that he likes art and advocates art. At the same time, he also lamented that there was no fertile land for art in China, so he told Xiao Liu that he would send Xiao Liu to study abroad in the future, because there was more fertile land there, which was more suitable for art to take root and flourish. On May 21, 2000, "The Devil Is Coming" won the Jury Prize at the 53rd Cannes International Film Festival. In 2002, it won the Best Foreign Language Film Award at Japan's "Mainichi Movie Awards". And it was banned in China. For Jiang Wen, this was so painful and sad. In this way, "The Devils Are Coming" has become a film that blooms inside the garden and outside the garden.

I have only seen the movie once, so I may not remember it very clearly. I will excerpt a part of what I remember and express what Jiang Wen really wants to say.

Jiang Wen: "How to make money by making movies

Ge You: "I flatter the film censorship system. We will make whatever he asks us to make. We first defrauded him of the money. Then after the filming is completed, the audience will be defrauded of money, and then the audience's money will be defrauded. Then divide the accounts with Chinese movies. "

Jiang Wen: "Then we as directors are not like beggars, we have to kneel to make movies?"

Ge You: "Making movies is almost like beggars. If you can make money, you can only kneel down. "

"Jiang Wen smashed the official talisman on the table: "I have artistic accomplishment."

[Ge You laughed: "Don't be ridiculous, art can't be a living thing." "

Jiang Wen threw the pistol away: "I have talent."

Ge You laughed even more happily: "Don't be confused, talent is useless. You can play with it. But for them, if you want to eat, you have to kneel down.”

Jiang Wen: “I don’t believe it. I have to stand and earn the money.”

Ge You: "If you don't make money from the poor, then whose money are you going to make?"

Jiang Wen: "Which one is the most powerful, that one is the worst. I will make his money. This shows that Jiang Wenhe Determination to fight against the film censorship system."

Ge You: "You can't go to the Hongmen Banquet. If you go there, the yellow shit beetles will ban your movie."

Jiang Wen: "The Hongmen Banquet. Who set it up?": L# y p$ s' ?3 |

Ge You: "Xiang Yu."

Jiang Wen: "Who won in the end?"

Ge You: "Liu Bang."

Here Jiang Wen compares himself to Liu Bang and compares the review system to Xiang Yu. He firmly believed that he could cheat the review again.

"You don't want beautiful women, and you don't want money. What do you want?",

As a gangster, Jiang Wen was named by the Chinese film system. Jiang Wen himself has never admitted that he is a gangster. There is no gangster spirit in the bandit he plays. Some are just angry. Ma bandit is Jiang Wen's self-deprecation for himself. If you want me to be a bandit, then I will be a bandit. But I don’t do what gangsters should do. I make movies not just to make money, but more importantly to convey my thoughts. Money is not important to me, I don't want to earn people's money. I rob investors’ money, and I rob Chinese movies’ money. So there is a scene later where the bandits give money to the people and the yellow dung beetles steal the money. Alluding to the Chinese film system, Chinese commercial films are the real gangsters. . .

Continuing, I said at the beginning that "Let the Bullets Fly" is an autobiographical film by Jiang Wen. Then it is very simple to divide "Let the Bullets Fly" into four sections, representing the four works of director Jiang Wen.

At the beginning of the movie, Ge You and the others were eating hot pot, singing songs, and immersed in the joyful atmosphere. Jiang Wen led his brothers to rush forward with overwhelming momentum. From the train robbery to the appointment in Echeng, everything was smooth and smooth. Just like Jiang Wen's debut film "Sunny Day" in 1994, he made Jiang Wen an instant hit, shocked the world, won honors, and won a halo. Since then, there has been a Chinese director named Jiang Wen in the world of film, and a talented new director has been born in China. This section gives people the feeling that the rhythm is very relaxed, smooth and joyful, like flowing clouds and flowing water. . .

Since Jiang Wen took office, the fight against the yellow dung beetle began. The movie enters the heaviest section of the entire film. Carina Lau is dead, Xiao Liu is dead. Don’t you think Xiao Liu’s death was unjust, and the death of “The Japanese Are Coming” was also unjust. As mentioned just now, Xiaoliu actually represents Jiang Wen's second work "The Japanese Are Coming". After the success of "Sunny Day", Jiang Wen spent six years creating a stunning work "The Devil Is Coming". The reason why Zhang Mo is called Xiao Liu, I think, is because "The Devils Are Coming" is a work that Jiang Wen worked hard on for six years. There is no doubt that this is the best work among Jiang Wen's existing works, and it may also be the one that Jiang Wen put the most effort into. In the movie, we can know the importance Jiang Wen attaches to "The Devil Is Coming" from the fact that Jiang Wen calls Xiaoliu his son, but this son also caused Jiang Wen to suffer the biggest blow.

Only then can we get the best, what we really want. As an audience, as a movie fan, we hope that every classic can be presented on the screen.

I think this should be the movie review you want, right? O(∩_∩)O~