Sentences of Culture _ Classic Quotations about Culture

sentences of culture _ classic quotations about culture _

culture

songs never leave the mouth, and fists never leave the hand.

The flute is played for two years a year, and Killer is not pleasant to listen to for three years.

you can lead thousands of troops and horses, but you can't lead blows and blows.

one minute on stage, ten years off stage.

If Killer can talk, there is nothing at home.

pretending is better than singing.

I will look at the doorway, not the excitement.

it will knock on the point, not on the eye.

you can't hold a traitor.

singing legs, storytelling mouth.

in the play, the play is in the heart.

singing and playing, hand-eye-body footwork.

the horns should be tender and the painted faces stupid.

Hua Dan died of cold, and Wu Sheng died of heat.

the drum should hit the point, and the flute should blow to the eye.

literary drama depends on the mouth, while martial arts drama depends on the legs.

I can't be an actor because I can't sing with five tones.

the Hu Qin is ringing and my throat itches.

learn, sing and look at each other.

play every ten years.

Life is limited, and there is no end to learning.

people are bold in acting, and people should be established before acting.

seven points are for people to see, and three points are for people to think.

singing with seven points, gongs and drums and three points, with an air of face and eyes.

three points for doing work and seven points for singing.

without a teacher, you don't grow a skill.

I'm afraid I can't practice, but I'm afraid I won't be determined.

if you don't like watching other people's plays, you can't play your own plays well.

the drama is heartless.

five years of arms and ten years of legs, but it is difficult to practice one mouth in twenty years.

there is no end to art, and the performance is always new.

twist on the stage and walk ten miles off the stage.

I would rather learn one skill than knowledgeable person.

when a woman is alive, she should be quiet.

fake play is really done.

the play is false and the love is true.

the drama is not shocking, and people are not skilled.

famous teachers have no special teachers.

others cry in tears, while actors cry in drama.

learn the sound before learning drama, and practice martial arts first.

it's 365 days early to practice martial arts well.

martial arts plays are good, while literary plays are good.

It's not crazy to pretend to be crazy in opera, but it's silly for go to the opera.

there is a god in your eyes, and you are full of drama.

adagio is important, allegro should be steady and loose board should be accurate.

if the opera is not emotional, the audience will not sing.

Tricks are fake arts, and acrobatics are real skills.

a quick eye at home makes a quick hand at home.

gold is priceless.

three points of calligraphy and painting, seven points of mounting.

it's hard to draw a tiger, but it's hard to draw a hand.

draw bamboo in anger, like painting orchids, but don't like painting peony in anger.

I have a well-thought-out plan.

blowing sheng presses his eyes and taps the drums.

blow the flute horizontally and blow the flute vertically.

the trick depends on the fan, and the big trick depends on the sheet (cloth for shielding).

one wrong step and you lose everything.

if a horse jumps, it will be empty even if it doesn't die.

the pawn crossed the river and pushed the trolley.

if you don't leave the car in three steps, you are a poor chess player.

take a look, think twice, think three steps, and think not far away.

residual chess cannon goes home.

in the Chu and Han dynasties, an armchair strategist.

it's not easy to practice for three days, and it's not easy to read for three days.

a skilled person is bold.

It is delicious to dig water from a well for three times, and you are skilled in martial arts from the third division.

In winter, we practice Sanjiu Bones Exhibition, and in summer, we practice Sanfu Bones Activity.

knowing people and teaching them is good at martial arts.

if you don't practice martial arts, you will get nothing.

learn martial arts before learning morality.

If you want to be good at martial arts, you should go from primary school to old age.

punch all sides and kick all sides.

when a pawn crosses the river, the horses and chariots have to move.

Bowing depends on the arm, singing depends on the voice.

I shed tears at the theatre and worried about the ancients.

red is black first, then it doesn't stink if you lose.

art is not overwhelming.

a chess player is a real gentleman, and he who plays late will not regret being a gentleman. The word

is precious.

it's no fun when the gongs and drums are long.

no matter how big or small the role is, it should be sung in earnest.

punch a line and hit a large area with a stick.

Go to the theatre to see Dan, eat steamed stuffed buns and stuffing. Classical quotations from Chairman Mao's culture

Culture and art

In the present world, all culture or literature and art belong to a certain class and a certain political line. Art for the sake of art, art beyond class, and art parallel to or independent of politics actually do not exist. Proletarian literature and art are part of the whole revolutionary cause of the proletariat, and as Lenin said, they are "gears and screws" in the whole revolutionary machine.

Speech at Yan 'an Forum on Literature and Art (May 1942), Selected Works of Mao Zedong, Volume III, page 867

Revolutionary culture is a powerful weapon for the people. Revolutionary culture, before the revolution, is the ideological preparation of the revolution; In the revolution, it is a necessary and important front in the general revolutionary front.

On New Democracy (January 194), Selected Works of Mao Zedong, Volume II, page 71

Our literature and art are all for the people, first of all for the workers, peasants and soldiers, created for them and used by them.

Speech at Yan 'an Forum on Literature and Art (May 1942), Selected Works of Mao Zedong, Volume III, page 865

Our literary and art workers must accomplish this task, and they must move their foothold, and in the process of going deep into the masses of workers, peasants and soldiers, and in the process of studying Marxism and society, they must gradually move to the workers, peasants and soldiers, and move to the proletariat. Only in this way can we have real literature and art for workers, peasants and soldiers, and real proletarian literature and art.

Speech at Yan 'an Forum on Literature and Art (May 1942), Selected Works of Mao Zedong, Volume III, page 859

Literature and art should be well made into an integral part of the whole revolutionary machine, as a powerful weapon to unite the people, educate them, strike at the enemy and destroy them, and help them fight against the enemy with one heart and one mind.

Speech at Yan 'an Forum on Literature and Art (May 1942), Selected Works of Mao Zedong, Volume III, page 85

There are two criteria for literary criticism, one is political, and the other is artistic. .....

It is both a political standard and an artistic standard. What is the relationship between them? Politics is not equal to art, and the general view of the world is not equal to the method of artistic creation and artistic criticism. We deny not only the abstract and absolutely unchangeable political standards, but also the abstract and absolutely unchangeable artistic standards. Every class in every class society has different political standards and different artistic standards. However, any class in any class society always puts political standards first and artistic standards second. ..... Our requirements are the unity of politics and art, the unity of content and form, the unity of revolutionary political content and the perfect art form as far as possible. Works of art lacking artistry, no matter how politically advanced, have no power. Therefore, we oppose both works of art with wrong political views and the so-called "slogan-style" tendency with correct political views and no artistic power. We should fight on two fronts on the issue of literature and art.

Speech at Yan 'an Forum on Literature and Art (May 1942), Selected Works of Mao Zedong, Volume III, pp. 869-871

The policy of letting a hundred flowers blossom and a hundred schools of thought contend is to promote artistic development and scientific progress, and to promote the prosperity of socialist culture in China. Different forms and styles in art can develop freely, and different schools in science can argue freely. We think it will be harmful to the development of art and science to use administrative power to force one style and one school and prohibit another style and another school. The problem of right and wrong in art and science should be solved through free discussion and practice in art and science, and should not be solved by simple methods.

On Correctly Handling Contradictions among the People (February 27, 1957), pages 25-26 of People's Publishing House

An army without culture is a stupid army, and a stupid army cannot defeat the enemy.

The United Front in Cultural Work (October 3, 1944), Selected Works of Mao Zedong, Volume III, page 19

Learning

To transform an backward agricultural China into an advanced industrialized China, the work before us is very hard and our experience is not enough. Therefore, we must be good at learning.

the opening speech of the eighth national congress of the China * * * production party (September 15th, 1956) and the document of the eighth national congress of the China * * * production party, page 9

The situation is constantly changing. If you want to adapt your thoughts to the new situation, you have to learn. Even those who already know more about Marxism and the proletariat stand firm still have to study again, accept new things and study new problems.

Speech at the National Conference on Propaganda Work of the Productive Party in China (March 12, 1957), People's Publishing House, page 7. We can learn what we didn't know before. We are not only good at destroying an old world, but also good at building a new one.

Report on the Second Plenary Session of the Seventh Central Committee of the Producer Party in China (March 5, 1949), Selected Works of Mao Zedong, Volume IV, page 144

There are two attitudes towards learning. One is a dogmatic attitude, regardless of China's situation, what is applicable and what is not applicable will be moved together. This attitude is not good. Another attitude is to think with your head when you study, to learn things that are suitable for our country, that is, to learn experiences that are beneficial to us. What we need is such an attitude.

On Correctly Handling Contradictions among the People (February 27th, 1957), People's Publishing House, page 38

The theories of Marx, Engels, Lenin and Stalin are universally applicable. Their theory should not be regarded as dogma, but as a guide to action. We should not just study Marxism–Leninism's words, but should study them as revolutionary science. We should not only understand the conclusions about general laws drawn by Marx, Engels, Lenin and Stalin from their extensive study of real life and revolutionary experience, but also learn their positions and methods of observing and solving problems.

The Position of the China * * * Productive Party in the National War (October, 1938), Selected Works of Mao Zedong, Volume II, page 521

If there is a correct theory, it is just empty talk and shelved for a while, and it is not implemented, then no matter how good it is, it is meaningless.

On Practice (July, 1937), Selected Works of Mao Zedong, Volume I, Page 281

To be able to master Marxist theory and apply it, the purpose of mastery lies in application. If you can apply Marxism–Leninism's point of view to explain a two practical problems, you will be praised, even if you have some achievements. The more things you explain, the more common and profound, the greater your achievements.

Rectifying the Party's Work Style (February 1, 1942), Selected Works of Mao Zedong, Volume III, page 817

How can Marxism–Leninism Theory and China's revolutionary reality be related to each other? Take a popular saying, it is "targeted." The "arrow" is the arrow, the "target" is the target, and the arrow should be aimed at the target. The relationship between Marxism–Leninism and the China Revolution is the relationship between the arrow and the target. Some comrades, however, are "shooting at the wrong target" there, spreading a message indiscriminately, and such people will easily destroy the revolution.

Rectifying the Party's Work Style (February 1, 1942), Selected Works of Mao Zedong, Volume III, page 821

People with work experience should learn from theory and study hard, and then they can make their experience organized and comprehensive and rise to theory, and then they can avoid mistaking local experience for universal truth and making empiricism mistakes.

Rectifying the Party's Style (February 1, 1942), Selected Works of Mao Zedong, Volume III, page 82

Reading is learning, using is learning, and it is more important learning. Learn from war-this is our main method. People who have no chance to go to school can still learn war, that is, learn from it. Revolutionary war is a matter for the people. It is often not to learn well before doing it, but to learn after doing it. Doing it is learning.

Strategic Issues of Revolutionary War in China (December 1936), Selected Works of Mao Zedong, Volume I, page 174

There is a distance between "ordinary people" and soldiers, but it is not the Great Wall of Wan Li, but it can be quickly eliminated. The way to eliminate this distance is to engage in revolution and war. It is not easy to learn and use, but it is not easy to learn thoroughly and use skillfully. To say that ordinary people can soon become soldiers means that this door is not difficult to enter. To put the two together, we need an old saying of China: "Nothing is difficult in the world, but it is impossible for a willing mind." It is not difficult to get started, but it is also possible to pursue advanced studies, as long as you have the heart and are good at learning.

Strategic Issues in China's Revolutionary War (December 1936), Selected Works of Mao Zedong, Volume I, pp. 174-175

We must learn economic work from all people who are experts (no matter who they are). Worship them as teachers, learn respectfully and honestly. If you don't understand, you don't understand. Don't pretend to understand.

On the People's Democratic Dictatorship (June 3, 1949), Selected Works of Mao Zedong, Volume IV, page 1485

The question of knowledge is a scientific one, and there is no hypocrisy or pride, but what is needed is the opposite-honesty and humility.

On Practice (July 1937), Selected Works of Mao Zedong, Volume I, page 276

The enemy of learning is your own satisfaction. If you want to learn something seriously, you must never be complacent. We should adopt this attitude towards ourselves, "never tire of learning" and others, "never tire of teaching".

The Position of the China * * * Productive Party in the National War (October 1938), Selected Works of Mao Zedong, Volume II, page 523

Some people read some Marxist books and thought they were knowledgeable, but they didn't read them, didn't take root in their minds, and their class feelings were still old. Some people are very proud, read a few books, think they are great, and their tails are stuck in the sky, but when it comes to storms, their positions are different.