How to evaluate Luo Xiaohei's war stories?

Luo Xiaohei's war painting style is very simple, just some thick color stick figures, which look like decorative images in notebooks or watercolors of primary school students. Nevertheless, this watercolor pen-like painting style, with fresh and bright colors (Woods, spiritual space, antique buildings, ancient city with white walls), round and lovely characters (Lori, cats, rats, orcs), smooth animation movements (really smooth, you can feel it in the first few seconds of each episode) and just right dubbing (by the way, praise Luo's hometown in the countryside forest) It is because such a country is the real "country"-a symbol of childhood that urbanites will never forget, but they will never forget.

Everyone is familiar with the story of Luo Xiaohei's battle: the cat demon stole the dzi beads, was turned back to its original shape by those who listened attentively, and was adopted by the girl Luo Xiaohei. Then, around Xiaohe and Tianzhu, all kinds of monsters gradually get involved in Xiaobai's quiet life ... This always reminds people of super-power battle systems such as wild gods, or things from heaven, and harem works like that anyway. The pursuit of Luo seems cold, but he never destroys any buildings or kills people brutally. The monsters who rob the dzi beads are very polite when they meet, and they never die. Mu Xian, who lost his noumenon and took the wood elf away, listened to his brother's words and changed after knowing his mistake. Even if it is Xiao Bai's naive question, everyone will answer it patiently. ...

As can be seen from various details in the later period, Luo Xiaohei's worldview is actually very similar to many starting lines: in the modern East where myths are declining and auras are exhausted, rare animals are on the verge of extinction, monsters are hiding in cities, and ancient gods secretly manipulate chess games; But unlike the works of "adults" who advocate the law of the jungle and the spirit of wolf, this story is written and told from the eyes of children, so the violent killing of blood and fire and the intrigue between power are completely hidden. The relationship between ghosts and gods is more like a game. Let's have fun, but don't hurt each other.

The same world outlook also gives Luo Xiaohei another commendable feature: everything has a spirit, and every grass and tree always cares. Many details in the animation describe the interaction between various animals and plants, and between man and nature: cats, dogs, birds, mice that change color, fairies with four hands, monsters (toads, tigers and mandrills) that don't want to be human, and brothers who are always bitten by animals ... Every minute reflects the harmony between man and nature. After seeing the old gentleman, Xiaobai also had telepathy and could understand Xiaohe's words, which may imply the author's long-standing idea that whenever and wherever he has a pure heart, he can always feel the beauty of nature.