What Quanzhou culture is used in Gao's paper-cut works?

Teacher Gao's paper-cut works begin with the characteristic culture of Quanzhou's landmark building "East West Pagoda", the intangible representative dance "breast-beating dance" and the "Buddha country" full of saints.

At first, Zhangpu paper-cut was only used as the bottom sample of embroidery. After the Ming and Qing Dynasties, with the gradual separation of paper-cutting from embroidery and becoming a unique folk art, Zhangpu paper-cutting is unique in Chinese paper-cutting art, especially its original "cutting" technique, which is the representative of the South School of Chinese paper-cutting.

1987 65438+ 10, Gao founded Rongpu Arts and Crafts Society, mainly engaged in the creation and exchange of Zhangpu folk paper-cuts. From June, 5438 to February, 2000, she founded Gao Paper-cut Art Museum, continued to engage in the inheritance and creation of Zhangpu paper-cut intangible projects, and officially entered the market.

Gao Paper-cut Art Museum has become a window for Fujian Province and Zhangzhou City to display Zhangpu paper-cuts. Every year, countless people from all over the world enter the art museum for cultural exchange and commodity trade.

Paper-cutting as an art has a history of more than 40 years, and Gao has been committed to the excavation, rescue, inheritance and development of Zhangpu paper-cutting. He has been invited to Europe, America, Southeast Asia and other countries and regions for paper-cutting art and cultural exchanges, and promoted Sino-foreign exchanges through paper-cutting diplomacy.

She boldly innovated and successfully combined the ancient paper-cutting skills with the fashion of the times. Therefore, Gao has successively won the honorary titles of Fujian Folk Arts and Crafts Artist, Fujian Arts and Crafts Master, China Top Ten Golden Scissors, Haixi Women, etc. His original works have won gold and silver awards from governments at all levels for dozens of times.