Poster word making-how to design font posters?

The method of making a poster is as follows for your reference:

Method/Step 1:

To make a beautiful poster, you must first make clear the theme of the poster and collect relevant pictures and text materials according to the theme. Determine the content of the products or activities to be promoted in the poster, draw up the propaganda slogan or publicity introduction, and make preparations for making the poster.

method/step 2:

after selecting the material according to the determined title, it is necessary to sort out and modify the material and apply it to the poster. The first is the design of the poster background. According to the theme, if the theme is related to "the sea", the background color can be blue, and it can be a pattern background related to the sea. It is essential to make a beautiful poster by making the background tangent to the theme.

method/step 3:

after the background color of the poster is determined, the overall layout of the poster should be typeset, that is, where to put the pictures and where to put the text. It is necessary to draw the overall layout on a blank piece of paper to provide reference for later typesetting. The layout should be as spaced as possible between pictures and words, and the poster layout should not be too dense, but should be detailed and appropriate.

Method/Step 4:

According to the layout requirements, the text is typeset first. Put the text to be introduced into the corresponding layout, and change the font according to the overall style of the poster. Generally, the font commonly used in making posters is pop font, which is relatively easy without changing the shape of the font itself, and is suitable for making posters in terms of aesthetics and rigor. After designing the font, read it carefully to avoid unnecessary mistakes and language diseases.

Method/Step 5:

After typesetting the text, typeset the picture. Paste the picture into the corresponding layout area. The pasted picture should be clear and beautiful, and the color should not conflict with the background color. After pasting, the size of the picture should be modified to make it adapt to the size of the whole layout and the text on the layout, so as to maintain the coordination between the two.

Method/Step 6:

After making the background, text and pictures, a poster is basically completed. However, in order to make the poster more beautiful, we should adjust it based on the effect reflected by the whole poster. When adjusting, try to enrich the content of the poster, adjust the color matching of the poster and highlight the eye-catching point of the poster. After adjustment, design an attractive topic for the poster and place the topic in the layout. The font of the topic should be the most eye-catching and the color the most prominent. How to design font posters?

Since it is a font poster, first of all, we must have a font design. When designing the font, we need to properly consider the possibility of application in the layout, and we will analyze it in detail in the case; The second step is usually to adjust the effect of the font or increase the sense of form, mainly considering the expression of the font as the main body in the poster; The last step really falls on how to present the layout with appropriate composition by combining fonts with text groups. Let's start the first case directly, and let's take a look at the basic information first. This poster is based on the theme of "space", and the artist wants to express the concept of "if space is a blank sheet of paper". Based on this concept, we try to design the font part. For the first one, we try a simpler basic glyph. The concept based on white paper is also a relatively normal way to start, and it is straightforward to express without modification. Therefore, the basic glyphs with relatively regular order are made, and the regular glyphs are easier to start with in layout. Students with poor foundation can consider referring to commonly used title words, and it doesn't hurt to be at the bottom, just pay attention to rationality. When making basic glyphs, we generally need to pay attention to two parts. One is the thickness setting of strokes. Conventionally, based on visual balance, we set the vertical pen slightly thicker and the horizontal pen relatively thinner; If there are strokes with oblique angles, we need to adjust the thickness appropriately to make the whole coordinate. The second problem is the structure problem. What we do here is completely orderly processing, which physically aligns the strokes around the font. The spacing between strokes should be as orderly as possible, and the alignment should be as aligned as possible! As for the placement of strokes, students with zero foundation can refer to the handling of the font. The basic glyph always feels a little less sense of design, so we try to make some stroke deformation of the empty word. When doing the deformation of strokes, we can first change the design from a small part of the strokes, such as the treatment of leaving empty words, which increases the sense of design on the basis of unchanged overall structure. We can also make greater structural changes, which are relatively difficult as a whole and will involve the coordination of structure and strokes. Generally speaking, we should try to start with the manuscript, choose the direction and optimize the details, so we don't expand it. Let's try a basic effect first, and make a similar gradient effect. The implementation method is extremely simple. Copy directly, and then use the clipping mask to select the reserved part. After the word effect is done, we will enter the layout next. Let's first divide the text group into hierarchical relationships, match appropriate Chinese and western fonts, and try to add colors and small elements that enrich details in layout. Finally, we try to arrange the text group and font in order in the form of double-column composition. Appropriately add some small elements to enrich the details, so that our first case is basically completed. Let's try another plan (mainly because we are not satisfied with one plan). Let's choose the same basic font as before, and then try a different font effect. We use the "path finder tool" to cut the part, and then do a scattered processing. Enhance the visual form of fonts. Similarly, let's try to arrange the text group first, and combine color matching and different elements added. In this edition, we do a little more fashionable visual direction. Based on the previously determined elements and text groups, we put them in the whole poster layout for arrangement. We still try to use a basic composition with double columns and left and right typesetting, and put "space" as the main body of the text on the right side, while other text information is weakened, orderly and regular typesetting. Small radioactive elements are commonly used to contrast the tonality of tidal current. One more edition! ! Let's see if we can make a better effect of "space" and try it ~ We try to enhance the three-dimensional level of fonts with mixed tools. Copy the "space" to a smaller size, adjust the color to be the same as the background color, and place it in the middle. Double-click the Blending Tool to adjust the number of steps, and then click the large font and the small font respectively. As for how the hybrid tool works in this type, interested students can look through this article written before and have a detailed analysis. We try to add a sense of form to the arrangement of colors and text groups. After the hierarchical division of text information, we combine text groups in the form of color blocks. The overall arrangement is not difficult, and the way of composition in the center places the font design in the center of the layout. Mainly mention three points, in order to increase the overall sense of hierarchy. First, adjust the color matching around to red and blue contrast; The second step is to add a white wireframe to the gray background; Finally, before exporting the picture, an inclined line texture is superimposed on the whole. Tired ~ let's do it on a different topic. "Phase", what the artist wants to express is "philosophical thinking about existence and perception". Therefore, we can be a little more flexible in this version of the font, and we don't have to be too rigid about the structural strokes. Everyone has different habits for glyphs with relatively flexible structures. I'm usually used to trying out manuscripts or referring to the source of ancient calligraphy. As far as possible, the deformation of structural strokes is relatively consistent with the sense of handwriting, so as to avoid problems such as stiff connection and disobedience. In the previous version, the tonality of the later layout was considered to be more elegant, and the text was scattered up and down as the main form. So I changed the layout of the font to up and down, and adjusted the strokes. The addition of circular strokes is also increased considering that it can be used as an auxiliary element in later arrangement. After we clearly divide the text information levels, we try to combine elements and typesetting tonality in the basic layout. When we have basically decided on the text group and tonality, we can try to build the whole page. (Actually, in implementation, we often cross the composition mode and tonality at the same time.) In the final layout construction, we use the upper and lower horizontal four columns as the composition basis. The combination of words is done in the form of cross-orderly arrangement. In the overall layout, in order to echo the glyph and theme, the combination of two red circles and the addition of seal elements are introduced. In fact, it is to enrich the details of the layout and the overall hierarchical relationship. As a conscience course, there must be another case! ~ Let's do a new case with the theme of "sound prism", which is an art project of a sensory laboratory. Let's build a basic glyph first. At this time, we didn't consider too much expression about the theme. How to make a beautiful font for a poster by ps

The steps of making a beautiful font for a poster by PS are as follows:

Operating environment: Lenovo Yangtian, win7 and PSCC.

1. Open the File > "New", create a new background layer.

2. Set the parameters of the background layer, such as height and width, and then click OK.

3. Click the "Text" tool in the side toolbar.

4. after entering the text, click on the layer bar on the right to select the text layer.

5. Click "fx" in the lower right corner, select "Gradient Overlay", and select your favorite gradient color in the pop-up setting window.

6. You can select Angle to further adjust the gradient effect.