Examples of comic scripts

Character: The hero of this film is Dakuan, who is not registered in this city. He is tall and thin with a grim expression. After graduating from vocational art school, he worked as an artist in an advertising company who could not smoke and lived in the attic dormitory of the company.

The big life of an American school, big-minded classmates, locals, disappeared after graduation and suddenly appeared here. The motto is that money is earned, not saved.

Boss, big boss, local people, try to run their own advertising company.

Location: A city.

Time: Recently.

Scene 1:

Panorama and switch to several close-ups of the middle scene: a small room with a large width, 3 meters long and less than 2 meters wide, with only a camp bed inside, and a window on the bedside wall, in which the sun shines directly. On the wall on one side of the bed, one side is occupied by books and posters, and the other side is covered with clothes. The door is facing the window wall, and there is a mirror behind the door.

The sun shines on Dakuan, and the camera moves closer: Dakuan's face gradually opens his eyes, and he subconsciously reaches out his right hand to block his eyes.

Mid shot: Dakuan is standing in front of the mirror behind the door, combing her hair, half dressed, zooming in, still dozing.

Mid shot: Dakuan opens the door and goes out. His clothes were still untidy, and he had a big stretch.

Panorama: Dakuan stands on the stairs. Under the stairs is the open office of a small company. Computers and other office equipment are crowded in this space (about 10 people). Other colleagues haven't come yet, only a cleaner, holding a mop, stood up and said hello: good morning.

Scene 2:

Exterior: There is no subject in the lens, the streets of the city, the crowds in the early morning and the sunshine. A limousine enters the lens, and the lens follows the rear.

Vision: the car passes the breakfast stall and turns to a close-up view. Dakuan is eating fried dough sticks. Distance, corner of the city, steaming breakfast stalls, busy people, dirty streets.

Scene 3:

Panorama: Inside the company, it is busy and crowded.

Close shot: Dakuan is sitting in his seat drinking tea and reading a magazine in his hand. There are computers, books, some pictures and messy pens (for art majors) on his desk. There is a partition on the spacious table, and his world is leisurely isolated from the world, in contrast to the busyness of the whole company.

Mid shot: The spacious seats were shot from the outside, and the art department of Hongjinlong Advertising Company painted the partition with graphic design. Dakuan is still drinking tea.

Vision: people are still busy and don't see the big width.

Close shot: widescreen computer, playing minesweeping (or hearts). At the same time, a voice came: Dakuan, telephone!

Close shot: Wide computer screen. Move the mouse down to switch the screen to photoshop.

Close shot: The back of Dakuan standing up: Coming.

Close shot: Dakuan answers the phone at the front desk: Hello.

Mid shot: (subjectively, Dakuan is in the close shot) Dakuan's boss passes through the camera, stops, and then looks at Dakuan with an unhappy face. At the same time, a voice came from the phone: Is it big and wide? I am Dashou! Finally found you. It's been two years since we graduated, hasn't it? Dakuan replied: Yes, where did your boy die? I can't understand it on the phone. Are you free tonight? Let's get together, it's my treat!

Mid shot: (objectively) Dakuan put down the phone and the boss waved to him. Dakuan walked over.

Close shot: Boss: Dakuan, are you quitting?

Close-up: Dakuan (inexplicable): ... What happened? Boss.

Close shot: Boss: What is your design for Hongsheng Electric? Did I offend you? You did this to me? 3 million customers, offend them. You shouldn't fool anyone, should you? Da Kuan mumbled something: this ... that ... I ... several colleagues walked in the distance and looked at them curiously. The boss continued to reprimand: don't blame me this time, treat you like a person. You don't want to offend customers in the future. You don't need to do design anymore. Just be a computer draftsman in Sun Xiao. You can draw what he designed for me honestly, and if you screw up again, get out!

Mid shot: The boss turns around and shouts: Sun Xiao, get your design draft ready and come with me to see Hongsheng's boss this afternoon. It's up to you this time!

Close shot: Dakuan sits back in his seat. Colleague A nearby said with concern: Nothing, that guy's temper comes and goes quickly. There are two people in our company to do it. Do we really not need you? He is also addicted to words and will finish scolding.

Close shot A wry smile.

Mid shot: Sun Xiao comes over and grabs the mouse to switch to the minesweeping screen: Dakuan, are you still playing? Not killing you? Help me with these manuscripts quickly. I'm going to see Party A this afternoon.

Close shot: A wide and expressionless expression-eyebrows lowered and head lowered.

Scene 4:

Mid shot: Dakuan is sitting in the room, holding a lunch box and looking out of the window.

Exterior: Through the railing of the window, the scenery outside the window is like a cage, and the sunshine is particularly bright. Dakuan turned his head, stopped looking out and concentrated on eating.

Mid shot: There are some design drawings and manuscripts scattered on the bed, most of which are marked with big X. If you look down, the room is wide and messy, and the width of the window is silhouetted by the sun. Eating with your head down is like begging.

Scene 5:

Exterior: The crowd after work, the street at sunset.

Mid shot: Looking at the watch with wide eyes, walking through the crowd.

Close shot: Dakuan stands on the bus and looks at his watch.

Close-up: Look at the time.

Vision: The bus is coming to the station.

Mid shot: Dakuan stands still, as if shocked by something.

Panorama: From the subjective point of view, the big bay is in the foreground, and it is very small, facing the huge hotel Golden Holiday Hotel.

Close-up: Broad and expressionless expression-squinting as if facing the light.

Scene 6:

Panorama: In a corridor of the hotel, there is an endless stream of waiters delivering food.

Mid shot: Daming's back raises a glass, and Dakuan also raises a glass. Big Life said: First of all, congratulations on our reunion after such a long separation. Let's drink!

Close-up: Glass collision, fuck.

Close shot: The camera zooms behind Dakuan and sees Daming's face. Dakuan: Daming, where have you been these years?

Close shot: Daming: It's not from Shanghai and Shenzhen yet. It's the same everywhere. Try to make money.

Close shot: Dakuan: Is it expensive to eat such a meal?

Close shot: Daming: What's this? I thought the advertisement said, just be happy. The so-called life is full of joy, never empty his golden cup at the moon! . It is not easy for old classmates to see each other for several years, so it is not too much to celebrate.

Close-up: Daming's chewing mouth: By the way, I heard that our art college will celebrate its 30th anniversary next month, and people from the Alumni Association invited me back. Are you going or not?

Close shot: Daming looks at Dakuan and Dakuan tilts his head: I'm not going. I work as a temporary worker in such a small company and have no money. ...

Mid shot: Daming: Hi! Money! What is money? Money is a bastard. You are too honest. I call people like you self-indulgence. Can you believe it?

Close shot: I'm from another county. I don't even have a hukou in this city, and I don't know many people in this city. I can only take one step at a time.

Close shot: Daming (aggressive): You say so. Who have I relied on these years? Am I a foreigner? How much better when I first went than you are now? Washing dishes, putting up small advertisements, counterfeiting and piracy contractors, what have you never done? You said I was an art student, and I'm doing all this. what do you think? Let me tell you this-I will do anything to make money as long as I don't violate the criminal law. Take a sip of wine. I know you have always been ambitious, but you must put it into action. In such a small company, with your personality, you can't stand it. I understand this kind of thing. You want to save some money, meet some people, and then find opportunities to start your own business bit by bit. That's a good idea, but I tell you, the monetary unit in the mall is one million. What can you do without this number? How many years will it take you to save up to100,000? This era is capital operation, and it is out of place to fight alone! Relax, money is earned, not saved? quot

Close-up: Dakuan is silent, with his head down.

Close shot Fate: I'm not saying that you can't do it, and I'm not bragging for myself-I've lost everything I've learned in the Art Institute in recent years-I'm just saying that no one in our class can earn more than me. But I make money to make money, and I don't value money-money is a thing apart from me, and I don't take it with me when I am sick-isn't it just to spend money? ! Besides, you can't make money without spending money! Have another sip of wine. A little too much. Never mind.

Scene 7:

Close-up: bending over, vomiting.

Close-up: wide and tired face, sparkling eyes.

Pull away: Dakuan is standing on the wall, and the background is small streets and dark lanes, with backlight and dim light.

Scene 8:

Close shot He climbed into his bed with a wide face. There is no light in the room, but the light comes from the moonlight outside the window.

Mid shot: Dakuan lies prone on the bed, and the moonlight draws a grid on him through the window.

Location: the moon outside the window.

Mid shot: Dakuan is standing by the washbasin and washing his face.

Close shot: Dakuan wiped his face clean. Dakuan stared at the moonlight, and the camera rolled behind Dakuan, turning to the middle scene and indoor panorama, facing the window.

Close shot: the front is wide and expressionless.

Close-up: broad front, a smile.

After zooming out, we can see the company's house location, streets, blocks and the whole city. ...

This episode is about 40 pages of comics (end)

1

This city 2

Character: Da Kuan, the hero of the last episode.

Migrant worker A, the protagonist of this episode, is a migrant worker who lives in a shed and looks very ordinary-actually. Unknown origin, unknown experience, about 20 years old.

Migrant worker B, an old man, is in poor health, about 40 years old. Destroyed by years, he still works hard on the construction site, always smiling.

Migrant workers C and D are more common than migrant workers A. ..

Location: A city.

Time: Recently.

Scene 1:

Location: early morning, city, close crowd. People are all dressed in autumn clothes. A sunny day.

Location: sunshine, streets, people in the middle scene, traffic.

Mid shot: Dakuan is sitting on a street stall with a bowl of wonton in his hand, with a steamed stuffed bun in front of him.

Close-up: A fly flies to wonton.

Close shot: Wide face to the camera, waving away flies.

Big perspective: the close shot is a fly, and the distant view is the whole street overlooking. The camera followed the fly. Gradually came to a construction site, flies swooped down. It is written on the wall of the construction site that the third urban construction company undertakes the construction of the distant building. There are some other slogans in the background. The fly flew to a corner and landed on the wall. Close-up, flies rubbing against front feet. Close-up, the fly was suddenly killed by a rolled-up book. Close-up, leaving stains on the wall.

Mid shot: A migrant worker squats in the corner with a rolled book. Big letters on the wall: toilet.

Close shot: the face of a migrant worker.

Close-up: A migrant worker opens a book. There is an envelope in the book. Open the envelope, which contains a salary slip and a pile of money.

Close shot: Migrant worker A counts money. Enter the imagination: a close-up of a pig, zoom out, a migrant worker appears sitting on the trapped pig; Farther away, they sat on a small four-wheeled tractor; Further, tractors are driving on the vast fields.

Scene 2:

Vision: Many migrant workers sit by the roadside to eat.

Middle picture: Migrant worker A carries a black enamel rice bowl and eats it with relish.

Close-up: Food in a rice jar, rice and potatoes cooked with beans.

Close shot: Migrant worker B sits next to migrant worker A, reaching out and handing over half a steamed bread.

Close shot: A migrant worker looks at B migrant worker with steamed bread. Migrant worker B smiled and chewed the other half of the steamed bread, holding a lunch box in his arms.

Perspective: Migrant workers work hard at the front desk with their backs to the camera. In the foreground, pedestrians and cyclists come and go in the street.

Pull away: On both sides of the street, several high-rise buildings are under construction, and the green safety net site is full of vitality.

Mid shot: Migrant worker B falls to the ground, with his body twisted and his hands covering his chest. Other migrant workers were either surrounded by surprise or stood up.

Close shot: Migrant worker A carries migrant worker B and faces the camera.

Mid shot: A foreman-looking man (mainly holding a mobile phone) is anxiously contacting something with his mobile phone. Behind him is a migrant worker A who is carrying a migrant worker B. Migrant worker A looks back at migrant workers C and D pushing tricycles in the distance. Many migrant workers lined up to go to work and looked back.

Scene 3:

Panorama: the lobby of the hospital. All kinds of waiting patients and their families. People waiting in line to register. People who get medicine, people who plan the price, doctors and nurses are all crowded.

Close shot: migrant worker A and migrant workers C and D are standing in the corner.

Mid shot: The foreman came in a hurry with a piece of paper in his hand. Three people stood up straight at once.

Close shot The foreman pointed to the newspaper.

Close-up: a notice of hospitalization, hospitalization fee of 3500, the cause is acute myocardial infarction.

Close shot The foreman wiped his sweat. The eyes are inquiring. Holding the notice of hospitalization in his left hand, holding several hundred-dollar bills in his right hand.

Close-up: A migrant worker unfastens his belt and reaches in.

Close shot: Migrant soldiers also put their hands into his arms and socks respectively.

Close-up: Three envelopes are held in three hands, and the foreman's hand with money extends from four directions to the center of the camera.

Scene 4:

Mid shot: Migrant worker A and migrant soldiers are in front of a tobacco stall.

Close shot Three people's eager eyes are in front of a dazzling array of cigarettes.

Close shot: Three people look at each other.

Close shot: The face of migrant worker A is expressionless.

Mid shot: Migrant worker A reaches into a cigarette stall.

Close-up: I sent a pack of the cheapest cigarettes, and the packaging was tacky.

Mid shot: A migrant worker is flying with something in his arms, and the other two are chasing after him with a smile. Zoom out, sunset, city skyline.

Scene 5:

Appearance: bustling downtown business district.

Mid shot: A, C and D, three migrant workers, pass by while laughing and fighting.

Close shot: Three people suddenly stop at the same time. Facing the camera, half upturned face, as if seeing something huge.

Mid shot: In the foreground, with their backs to the camera, migrant workers face a magnificent and huge commercial building.

Mid shot: Three people look around and walk into the building.

Mid shot: In this magnificent building, three people look around and are at a loss.

Close shot: The expressions of the three people all look nervous and excited. The city people around in the background are also curious about them. Some people cover their mouths and noses, as if laughing, and as if they were dirty.

Exterior panorama: The pedestrian street with lights on, the three of them are still smiling and walking by, and the sky has been blackened.

Scene 6:

Close shot: On the window of the hospital's humble ward, on the windowsill, a migrant worker sits with a martial arts novel in his hand and looks out of the window.

Zoom in, middle shot: migrant worker B is lying in a hospital bed, receiving oxygen under his nose and giving intravenous drip to his hand, still unconscious.

Close shot A migrant worker looks back at B migrant worker on the bed, and then turns his head back to look out of the window.

Mid shot Looking out of the window, you can see this corner of the hospital ward building. A migrant worker sat on the windowsill and looked out. The night is already deep.

After zooming in, you can see the hospital, the community and the whole city. ...