Mao dun's information?

Mao Dun (July 4, 1896-March 27, 1981), formerly known as Shen Dehong, was named Yan Bing. Han nationality, Tongxiang, Jiaxing, Zhejiang. China is a famous modern writer, literary critic, cultural activist and social activist, one of the pioneers of the May 4th New Culture Movement and one of the founders of Chinese revolutionary literature and art. Born on July 4, 1896 in Wuzhen, Tongxiang County, Zhejiang Province. This is a land of plenty in the south of Taihu Lake, which is the most developed agricultural area in China in modern times. It is adjacent to modern Shanghai, and it is also a place where people gather together. This has made Mao Dun's open cultural mentality of facing the world bravely and his exquisite writing style. In the period of the "Cultural Revolution", I secretly wrote the sequel to Frost Leaves as Red as February Flowers and the memoir The Road I Walked. Mao Dun died on March 27th, 1981.

introduction of Mao dun (Shen Dehong)

the "first teacher" of many China writers and politicians is a widowed mother, and Mao dun was raised by his stepmother. At the age of seven, Mao Dun went to the home school with his father, and was personally guided by his stepmother to learn new things. When he was 8 years old, his father was seriously ill, and went to Wuzhen Lizhi Primary School to study, and then transferred to Youcai Senior Primary School. From his remaining compositions with President Mao Zedong, Zhou Yang, Mao Dun and Guo Moruo, it can be seen that he is concerned about the country and the people, strengthening the body and eliminating evil spirits. At the age of 13, with the help of my mother, I set foot on the train in Huzhou, ending my childhood and starting my middle school life. At the age of 16, he was a scholar, a reformist figure who was familiar with Chinese medicine and had an open mind, and quite re-learned. After finishing the preparatory course in Peking University, he was unable to further his studies. He joined the Shanghai Commercial Press, reformed the old-fashioned Novel Monthly, became the chief critic of the Literature Research Association, and was also one of the founders of the Literature Research Association. Actively carrying out the revolutionary literary movement has made a pioneering contribution to the study of Lu Xun and his works. His knowledge and talent were discovered by the general manager and the director of the editorial office, and he was transferred to the Chinese Language Department to help the old gentleman Sun Yuxiu cooperate in translation. Mao Dun finished translating a popular book for young people in one month, named Clothes, and then translated Food and Housing, and later helped him compile a magazine Fairy Tales, which was the first stop for Mao Dun to start his literary creation. In 1918, he wrote a fairy tale, Seeking Happiness, and his fairy tale works included The Great Huai Country, Repaying the Country and Tree At this time, he took part in the Shanghai * * * production team's work to build the China * * * production party, went to Guangzhou to attend the second Kuomintang Congress, and served as the secretary of the Propaganda Department of the Kuomintang Central Committee. The acting minister of the Propaganda Department was Mao Zedong. After the breakdown of the cooperation between the two countries, he went into exile in Shanghai and Japan from Wuhan, and began to write his debut trilogy Eclipse (disillusionment, vacillation, pursuit) and Rainbow, so he picked up a novelist's pen. The experience of this political struggle at the upper level has cast his generalization of the times and the whole social vision of literature, and the themes of his early works are also taken from this. He wrote the novel Midnight, the short story Creation, Lin Jiapu and the rural trilogy (Spring Silkworm, Autumn Harvest and Residual Winter) during the period of the Left League. During the Anti-Japanese War, he traveled to Hong Kong, Xinjiang, Yan 'an, Chongqing, Guilin and other places, and published novels such as Corrosion, Frost Leaves as Red as February Flowers, Exercise and Before and After Qingming Festival. He also wrote essays such as Praise of Poplar, Landscape Talk and Gentleman in the Forest to express his complex feelings by symbolic means. The literary and art circles celebrated his fiftieth birthday, and his reputation grew. After the founding of the People's Republic of China, he served as the vice chairman of the Federation of Literary and Art Circles, the minister of culture, the chairman of the Writers' Association, and served as the vice chairman of Chinese People's Political Consultative Conference. It is difficult for him to create at once.

Mao Dun's pen names

Mao Dun, Lang Loss, Xuanzhu, Fang Bi, Zhijing, Bulao, Xingtian, Xing Feng, Shen Yu, Wei Ming, Dongfang Weiming, Shi Meng, etc. are all pen names he has used, and there are dozens of other pen names. However, Mao Dun and Bulao are his most commonly used pen names. Origin of "Mao Dun"

Photos of Mao Dun before his death (11 photos) After the failure of the Great Revolution in 1927, Wang Jingwei in Wuhan and Chiang Kai-shek in Nanjing carried out the infamous confluence of Nanjing and Han, massacring revolutionaries, and the domestic situation took a turn for the worse, which was very sinister. Shen Yanbing had to leave Wuhan because he took part in revolutionary activities, and finally arrived in Shanghai and lived in Jing Yun. As it happens, Lu Xun and Ye Shengtao also lived here at this time. Shen Yanbing couldn't go out and didn't have a job, so there was a problem in her life, so she began to write novels. But many newspapers don't publish his articles, so when he writes articles, his heart is very contradictory, so his pen name on the manuscript is "contradiction" Later, he showed Ye Shengtao his written novel manuscript. Ye Shengtao was very happy after reading it and decided to publish it in the Novel Monthly. But Ye Shengtao thought "contradiction" was a philosophical term, unlike a person's name, and "spear" didn't look like a surname, and it was not good to use such a sharp pen name in that environment at that time, so he took the liberty of adding a grass prefix to the word "spear" and changing it to "Mao Dun". Shen Yanbing was also satisfied with this change, and has been using it as his pen name ever since. The novel written by Mao Dun at that time was the famous trilogy Eclipse: Disillusionment, Shake and Pursuit.

Editing the Life of Mao Dun in this paragraph

Mao Dun was born in Wuzhen, Tongxiang County, Zhejiang Province on July 4, 1896. His father, Shen Yongxi, was a scholar in the late Qing Dynasty and was well versed in traditional Chinese medicine. He was a reformist with an open mind and attached great importance to new learning. Besides natural sciences such as sound, light, chemistry, electricity and mathematics, he also liked to spread social science works with progressive thoughts. My mother, Chen Aizhu, is a woman with liberal arts, foresight and strong character. When Mao Dun lost his father at the age of 1, he accepted the knowledge of literature, geography and history taught by his mother in his childhood. Mao Dun said, "My first teacher was my mother".

Mao Dun's enlightenment education started earlier. I studied at home and private schools before primary school. At the age of 8, he entered Wuzhen Lizhi Primary School, and later transferred to Zhicai Senior Primary School, becoming the first class of students in the school. Here, he not only read textbooks on Chinese, self-cultivation and arithmetic, but also became interested in painting. At that time, in the eyes of ordinary conservatives, children were forbidden to read novels and other "idle books", but Mao Dun got the permission of informed parents. The Journey to the West's Romance of the Three Kingdoms, The Water Margin, Strange Tales from a Lonely Studio and The Scholars are all his favorite books at this time. It can be seen from Mao Dun's essays from his primary school days that at that time, he showed his thoughts of worrying about the country and the people, strengthening the body and eliminating evil spirits. Mao Dun spent his middle school days in three middle schools in Zhejiang. In 199, he was admitted to the third middle school in Huzhou, Zhejiang Province and enrolled in the second grade. In the autumn of 1911, he transferred to Jiaxing Middle School. Soon, when the Revolution of 1911 broke out, Mao Dun warmly welcomed the revolution and became a voluntary propagandist of the revolution. At school, Mao Dun and several classmates launched an attack on an unpopular academic supervisor and were expelled from the school. So he transferred to Hangzhou Anding Middle School to study and graduated there. In the life of middle school, although some teachers gave Mao Dun a deep impression and positive guidance, the whole learning atmosphere was old. "If you don't read books below the Qin and Han Dynasties, parallel prose is the authentic article, and poetry should learn the seven sons of Jian 'an; ..... tolerance to Tsinghua hydrophobic kuang "("my middle school and after "). All this once gave Mao Dun the accomplishment of classical literature, but in his memory, it was more ordinary, gray and suffocating. He almost spent all his spare time reading novels. Classical novels inspired his literary thinking, and at the same time, they also showed their imprint on his composition style. In 1913, Mao Dun was admitted to the first class of Peking University Preparatory School. After graduating from preparatory school, due to the financial difficulties of the family, I began to work to make a living. In August, 1916, he went to work in the Compilation Institute of Shanghai Commercial Press. I began to revise the English correspondence course papers in the English department, and then cooperated with others to translate books. In this way, the original translation of "Food, Clothing and Housing" came out. Soon, he went to the Chinese Department to write "Fables of China" and also participated in the editing of "Student Magazine". At the beginning of 192, when the May 4th literary revolution was in full swing, Mao Dun began to take charge of the editorial work of the novel trendy column of the novel monthly. At this time, he successively wrote the Declaration of Novel Tide, Discussion of New and Old Literature and What is the responsibility of a writer now? "and so on, revealing Mao Dun's early literary views. In November of the same year, Mao Dun took over and innovated the Novel Monthly. At the end of December, he contacted Zheng Zhenduo, Wang Tongzhao, Ye Shaojun, Zhou Zuoren, etc., and initiated the establishment of the "Literature Research Association" in January 1921. At that time, Mao Dun was mainly engaged in the discussion of literary theory, literary criticism and translation of foreign literature. According to incomplete statistics, in 1921, Mao Dun published about 13 translated works. He devoted himself to the literary revolution with abundant energy. Two years later, due to the dissatisfaction of the old school of the Commercial Press with the innovation of Novel Monthly, Mao Dun resigned as the editor-in-chief of the magazine and transferred to the Chinese Language Department. At the same time, Mao Dun took an active part in social revolutionary activities. At the beginning of 1921, Mao Dun joined the Shanghai * * * production group. In July of the same year, China * * * production party was established, and he became one of the earliest party member of China * * * production party. After 1922, he worked as a liaison of the CPC Central Committee under the cover of the editing of Novel Monthly. During this period, he also taught in the civilian girls' school run by the Party and Shanghai University to train cadres for the revolutionary cause. On May 1th, 1925, Shen Yanbing published a long paper "On Proletarian Art" in the 127th issue of Literature Weekly. The 173rd, 175th and 196th issues of Literature Weekly published on 17th, 31st and 24th October of this month continued to be published, which was written by Shen Yanbing in order to try to explore all aspects of proletarian art and clean up his past literary and artistic views after putting forward the slogan of revolutionary literature in 1924. The article is divided into five sections. The first section discusses the formation of proletarian art; The second section discusses the conditions for the emergence of proletarian art; The third section discusses the category of proletarian art; The fourth section discusses the literary phenomenon of the Soviet Union and the content of proletarian art; The fifth section discusses the formation of proletarian art. When the May 3th Movement broke out in 1925, Mao Dun devoted himself directly to the mass revolutionary movement. In June, and Zheng Zhenduo founded the Axiom Daily, which was forced to close soon. In August, as a staff representative, I participated in the strike struggle of the Commercial Press. After the Kuomintang held the Xishan Conference, Mao Dun and Hui Daiying organized the Shanghai Party Department of the Kuomintang Left in Shanghai at the behest of the Central Committee. At the end of 1925, Mao Dun and Hui Daiying were elected as representatives of the Shanghai Party Department of the left-wing Kuomintang and went to Guangzhou to attend the Second National Congress of the Kuomintang. After the meeting, I stayed in Guangzhou and worked as a secretary in the Propaganda Department of the Kuomintang Central Committee, acting minister in Mao Zedong. In March 1926, after the "Zhongshan Ship Incident", Mao Dun returned to Shanghai. In October, the Northern Expeditionary Army occupied Wuhan and established the National Government. Mao Dun went to Wuhan, first served as the instructor of Wuhan Branch of the Central Military and Political School, and in the spring of 1927, became the editor-in-chief of the Republic of China Daily in Hankou. From April to July, he wrote more than 3 editorials and comments for the magazine. In July, Wang Ching-wei organized a * * * meeting, openly rebelled against the revolution, and Mao Dun left Wuhan to prepare for the Nanchang Uprising. After arriving in Jiujiang, he was blocked by the road and returned to Shanghai via Guling. At this time, he was wanted by the Kuomintang reactionaries. From then on, he started writing and other literary activities under the pseudonym of Mao Dun. In September 1927, he published Disillusionment, and in June 1928, he successively completed the creation of Shake and Pursuit-the trilogy Eclipse. In July of the same year, he left Shanghai for Japan, lived in Tokyo first and then moved to Kyoto. During his stay in Japan, he wrote the novel Rainbow (unfinished) and some short stories and prose poems. And works such as Miscellaneous Myths, General Theory of Western Literature, Nordic Myth ABC and China Myth Research ABC; From Guling to Tokyo, Reading Ni Huanzhi and other papers. In April 193, Mao Dun returned to Shanghai from Japan. Soon, he joined the Chinese Left-wing Writers' League and once served as the executive secretary of the "Left-wing League". Since then, Mao Dun and Lu Xun have been together, engaged in revolutionary literary and artistic activities and social struggles. In 1931, in protest against the bloody massacre policy of the Kuomintang reactionaries, Lu Xun and Mao Dun published the Declaration of Slaughtering a Large Number of Revolutionary Writers for the Kuomintang. In February 1932, they published the Book of Shanghai Literary and Art Circles to the World and the Declaration of Slaughtering People for the Japanese Attack on Shanghai. In May, the news of the murder of Japanese revolutionary writer Kobayashi Takiji came, and eight writers, including Lu Xun and Mao Dun, launched "Raising money for Kobayashi's survivors who died violently"; In July, he called the Nanjing government to rescue the imprisoned Niu Lan and his wife from the International Federation of Trade Unions. In September, 1934, Mao Dun helped Lu Xun to establish Translation magazine, which opened up a new way for the translation of progressive literature. In February 1936, after learning that the Red Army had successfully arrived in northern Shaanxi, Lu Xun and Mao Dun sent a congratulatory message to the Central Committee: "On you, the future of mankind and China is pinned." In October of the same year, Mao Dun and many literary and art workers published the Declaration on Unity, Resistance and Freedom of Speech in the Literary and Art Circles, calling for the establishment of an anti-Japanese national united front in the literary and art circles. In 1937, ten years, it was the mature and fruitful stage of Mao Dun's creation. During this period, the novella Road, Three Sides and the novel Midnight were completed. Midnight is a novel that describes the social appearance of China on a large scale. Its publication shows the achievements of left-wing literature and is a milestone in the historical development of new literature since the May 4th Movement. Qu Qiubai commented, "This is China's first successful realistic novel" (Midnight and the Year of Chinese Goods). At the same time, he also completed the creation of excellent short stories such as Lin Jiapu, Spring Silkworm, Autumn Harvest and Residual Winter. Translated Dan Qinke's Diploma and tikhonov's War; In addition, a large number of essays, short literary comments and monographs on writers' research have been written in such publications as Shen Bao Free Talk, Taibai and Literature. At the beginning of the Anti-Japanese War in 1937, he took part in the work of jiuwang daily and edited Scream (later renamed Beacon). After the fall of Shanghai, Mao Dun moved to Changsha, Wuhan, Hong Kong and Guangzhou. In March 1938, the All-China Anti-Enemy Association of Literary and Art Circles was established in Hankou, and Mao Dun was elected as a director. In April, the position of literature and art, edited by him, was founded in Guangzhou, and at the same time, it edited the supplement "Yan Lin" for Li Bao, which was reissued in Hong Kong. The novel The Story of the First Stage (formerly known as Where Are You Running? "), it is completed at this time. In December, at the invitation of Du Chongyuan, he went to Dihua (now Urumqi) in Xinjiang via Haiphong and Kunming. Arrived in Xinjiang in March 1939. Teaching in Xinjiang University. In April, Xinjiang Cultural Association was established, and Mao Dun was elected as the chairman. In 194, Sheng Shicai, the ruler of Xinjiang, became increasingly reactionary. Mao Dun was forced to leave Xinjiang at the end of April and arrived in Yan 'an at the end of May via Lanzhou and Xi 'an. During his stay in Yan 'an, he gave lectures at Luxun College of Art and Literature and Shaanxi-Gansu-Ningxia Border Region Cultural Association. He has written many articles in China Culture, Popular Literature and Art, etc. In October, he arrived in Chongqing from Yan 'an and served as a member of the Standing Committee of the Cultural Work Committee chaired by Guo Moruo. At this time, the creation of excellent prose "Landscape Talk" and "Praise of Poplar" was completed one after another. After the "Southern Anhui Incident" in 1941, the political countercurrent in the Kuomintang-ruled areas became increasingly serious, and Mao Dun and a large number of progressive cultural figures left Chongqing for Hong Kong. In May, the weekly Popular Life hosted by Zou Taofen was founded, with Mao Dun as the editorial board; And serialized the novel "Corrosion" in this magazine, which is another masterpiece of Mao Dun. In September, editor-in-chief of "Written Talk"