List of actors in San Mao's Wandering Tales

Wang Longji plays Sanmao; Cheng Mo plays the scavenger; Gong Boan plays driver A; Ma Fei plays the dog; Su Hong plays posters; Meng plays the role of Shantou; Qian Feng plays a hawker; Guan Hongda plays uncle; Yang Shaoqiao plays the third child; Chen Guangfu plays a tramp; The prince plays the calf; Feng plays a puppy; Ding Ran plays the small boss; Chen Zhong plays a big fat man; Diao Guangqin plays the porter; Shi Yan plays a policeman; Fang Bo plays the scouting coach; Huang Chen plays aunt; Ye Tao plays Forrest Gump; Yue Xunlie plays official business; Gu Hong plays the role of a shop assistant; Ji plays the clerk; Tian Zhendong plays the janitor; He Chuxue plays driver B; Chen plays selling children; Sun plays the maid; Han Xiao plays a girl; Mochow plays Miss Wu; Lin Zhen plays the wife and Du Lei plays the husband; Xue Min plays the footman; Liu Jie plays the maid; Hong Jun plays the guardian; Ma Zhongying plays the guardian; Yaoyao plays Ma _; Qian Liqun plays a silly child; Wang Yunjie plays the teacher.

Sanmao's wandering story has 37 cast members. Wang Longji plays Sanmao as a scavenger, Gong Boan as a coachman, a puppy and a poster, Meng as a beggar, Qian Feng as a peddler, Guan Hongda as an uncle, Yang Shaoqiao as a tramp, Wang as a calf, Feng Xiongji as a puppy, Ding Ran as a small boss, Chen Chong as a big fat man and Diao Guangtan as a role. Play the role of aunt, Forrest Gump, your official, shop assistant, shop assistant, Tian Zhendong as the doorman, He as the coachman B, Chen as the child seller, Sun as the maid, Mochow as Miss Wu, Lin Zhen as the wife, your husband, Xue Min as the footman, and Liu Jie as the maid and Hong.

Brief introduction to the story

Sanmao is a waif in old Shanghai. He has no family, no relatives, eats advertising paste, sleeps in garbage trucks, and covers himself with rags to keep out the cold in winter. He has done all kinds of things; Selling newspapers, picking up garbage and helping others push tricycles, but he doesn't earn enough money to eat a full meal.

One day, he found a wallet on the side of the road, and the kind Sanmao returned it to the owner, who falsely accused him of being a pickpocket and beat him up. Seeing that Sanmao was too young to understand, the rogue uncle used him to do bad things. When Sanmao realized that he had been used by his uncle, he would rather starve than do the bad things that his uncle taught him to do.

A rich woman adopted Sanmao, dressed him in leather shoes and restrained him. Sanmao, who has a loose nature, doesn't want to live a parasitic life in a rich family. When he held a reception for him, he screwed up the reception, tore up his beautiful clothes, and went to their wandering life with friends who had begged together.

After liberation, he ended his wandering and lived a normal life.

Drama evaluation

This film is the best among many "Sanmao" series of works. It not only describes Sanmao's sufferings, but also endows Sanmao with indomitable spirit of struggle and intelligent and unyielding character, and never loses the courage to live. People have reason to believe that Sanmao and his friends are hopeful and they will surely wait until the day of victory. The style of the film is not blindly bitter, but maintains the comic characteristics of irony and humor. The experience of San Mao and his wandering partner on Children's Day on April 4th is the crowning touch. Wang Longji, a young actor, gave a very vivid performance, which deserves praise.

The film is a model of the perfect combination of times and art, and its achievement is to portray a vivid artistic model of the prodigal son's return in sharp social contradictions, mercilessly lash out the cruelty, fraud and injustice of the old society, and praise the "San Mao spirit" which is still firm and kind in extremely bitter difficulties, has distinctive characteristics of the times and runs through the left-wing writers' sense of social responsibility. At the same time, movies are extremely artistic. Sanmao's modeling retains the comic style, creates a hypothetical situation and enhances the viewing effect of the film.