Campus Art Festival Poster-Art Festival Manuscript Content

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Drawing a handwritten newspaper about the campus art festival requires a lot of relevant written materials, and this article I have compiled will definitely help you. The following are handwritten newspaper pictures compiled by the campus art festival. Welcome to reading. Please pay attention to this column for more related handwritten newspaper articles.

Campus arts festival

By carrying out colorful campus cultural activities, guide young students to strengthen their cultural and moral cultivation, improve their comprehensive quality, and promote the all-round development of morality, intelligence, physique and beauty; Integrate existing campus cultural activities, concentrate on forming momentum and scale in a period of time, create new cultural activities brands, and create a social atmosphere and campus atmosphere conducive to the healthy growth of students; Innovate the content and form of campus cultural activities, strive to meet the new demands of college students for campus cultural construction in the new period, and make colleges and universities develop.

Chinese characteristics

The important position of advanced socialist culture brings more fun to students' life.

activity theme

Harmonious campus, you and I walk together and enter the university, we will all gain something.

calligraphy aesthetics

Overall formal beauty

The basic shape of Chinese characters is square, but through the expansion and contraction of stippling and the torsion of axis, various moving shapes can also be formed, thus combining into beautiful calligraphy works. The form of the knot is mainly influenced by two factors: one is the need to express the interest of calligraphy; The second is the formal factors of calligraphy performance. As far as the latter is concerned, it is mainly reflected in three aspects: first, the influence of calligraphy, such as the vertical rectangle of seal script; Second, the influence of glyphs, some of which are oblate and some are rectangular; The third is the influence of composition. Therefore, only under the control of the above two factors can we create beautiful knots by actively creating forms.

The beauty of stippling structure

There are two main ways to construct the structural beauty of stippling. One is that all kinds of stippling colors are directly combined into various beautiful single characters and radicals according to a certain combination method. The second is to combine various radicals into various glyphs in a certain way. The radical combinations of Chinese characters are nothing more than left-right type, left-middle-right type, up-down type, upper-middle-lower type, enclosing type and semi-enclosing type. These principles are mainly the principles of proportion, balance, rhythm, rhythm and simplicity. What I want to mention here is the principle of proportion, in which the golden ratio is a very important proportion and is very important for the beauty of stippling structure.

The combined beauty of ink and color

Famous calligrapher

Rees

Li Si, a famous calligrapher, presided over the compilation of Xiao Zhuan. Yishan Stone Carvings, Taishan Stone Carvings, Langxie Stone Carvings and Huiji Stone Carvings are all books written by Li Si, which have been highly praised by all dynasties.

Zhongyou

Zhong You (15 1 -230), with the correct word. Yingchuan Changshe (now Changgedong, Xuchang, Henan) was born. Cao Wei was a famous calligrapher and politician in the Three Kingdoms period. Zhong You is quite accomplished in calligraphy. He was the founder of regular script (lower case) and was honored as the "originator of regular script" by later generations. Zhong You had a far-reaching influence on the calligraphy of later generations, and Wang Xizhi and other later calligraphers had devoted themselves to studying Zhong You's calligraphy. Also known as "Zhong Wang" with the calligrapher Wang Xizhi of the Eastern Jin Dynasty. In the Southern Dynasty, Yu Jianwu listed Zhong You's calligraphy as "top grade", and Tang rated his calligraphy as "excellent" in Book End. Zhang Zhi (AD? -192) Boying, a great calligrapher in the Eastern Han Dynasty, was called "Cao Sheng". Yuan Quan was born in Dunhuang County (now East of Anxi County, Gansu Province). Zhang Zhi's cursive script originated from Du Du and Cui Yuan, and later became an independent family. It was rated as "Kung Fu first, nature second" by Yu Jianwu's Shupin, and tied for "First" with Zhong You and Wang Xizhi.

Mrs. Wei

Wei Shuo, also known as Mrs. Wei, was a famous calligrapher in Jin Dynasty. His name was Mao Yi (AD 272-349), and he was from Anyi, Hedong (now Xiaxian North, Shanxi). Wei Shuo is the wife of Li Moment, the prefect of Ruyin, and is called Mrs. Wei. Wei Jiashi wrote calligraphy, and Wei Shuo was also good at official script. Mrs Wei studied under Zhong You, and her teaching method was wonderful. Wang Xizhi studied books from him when he was young, and Mrs. Wei was the first teacher of the "book sage".

Wang Xizhi

Wang Xizhi (303-36 1 Eastern Jin Dynasty) was called a "book saint". The calligrapher of the Eastern Jin Dynasty was named Shao Yi and Lian Zhai. He was originally from Langlinyi (now Shandong) and later moved to Yin Shan (now Shaoxing, Zhejiang). His famous calligraphy works include Preface to Lanting. In his later years, he lived in seclusion in Jinting County, and served as Secretary O, General Ningyuan and Jiangzhou Secretariat. Later, he was the secretariat of Huiji, who led the right general and was called "Wang Youjun" and "Wang Huiji". His son Wang Xianzhi's calligraphy is also very good, and he is called "Two Kings" by the world [3]. Therefore, Yue Ji always says: "There was a bell in the Han and Wei Dynasties, and Zhang Jue, and there were two kings at the end of Jin Dynasty." These four are called the "four saints" of ancient calligraphers.

masterpiece

Wang Xizhi, whose masterpiece is Preface to the Lanting Pavilion, has clear posts when it snows quickly; Yan Zhenqing's memorial tablet to the nephew; Mi Fei, the representative is Yan Shantie; Zhao Meng, the representative figure is Luo Shen Fu Juan; Ou Yangxun, whose representative is "Jiuchenggong Liquan Ming"; Wang Duo, the representative is "Imitation Mountain Garden Post". Wait, welcome me to add.

The essence of calligraphy is 1. To learn calligraphy, you should know the difference between knife engraving and ink, and ink can show the dry and wet shades of pen and ink. Knife carving masks the original effect and embodies the writing process. 2. Technology should precede art. It is important that what is written should be known to the public. 3. Four Treasures of the Study doesn't need to be too particular, but it should be suitable. Ink will do. Writing is more important than using a pen. Future generations ponder over the pens used by their ancestors, right? 5. Choose a tablet, choose what you like to enjoy, go to a bookstore, hold an exhibition, and choose the one that suits you. 6. We learn calligraphy by learning calligraphers' writing methods. Their writing rules and inner spirit are not necessarily exactly the same. 7. Posting method: Read the post first, and then write it later. The second time, trace it with a film and carefully investigate its positional relationship. Read the post for the third time and imitate it. 8. You can practice calligraphy without looking at calligraphy works, and you can buy posts, read posts and practice posts if you have money. It's not too late to read calligraphy works when you want to write them. 9. Ask for correction. In fact, you can do it yourself, choose what you think is most satisfactory and post it on the wall, observe it from far and near, correct it yourself, feel dissatisfied, write it again, post it again, change it again, and so on. 10. The running script should be written like a regular script, and the position should be properly gathered and scattered, and there are laws to follow. Regular script should be running script, and it should be stippling.

Four Treasures of the Study

Chinese brush

The brush holder is generally controlled by bamboo, some by spotted bamboo, some by rhinoceros horn, ivory or gold and silver, all of which are handicrafts. Animal hair used for writing can be divided into soft (soft) and hard (hard), and soft hair is mainly goat hair; Hao Jian is made of rabbit's spine hair and weasel's tail hair, while Rouhao and Hao Jian are called double brushes. The nib is composed of a bunch of long hair called the front end in the middle, which is the nib; There is a short hair around it, called secondary hair. A good brush has four advantages: sharp, neat, round and healthy. From the Tang Dynasty to the Song Dynasty, Xuanzhou, Anhui Province was the most famous place of producing brush. Roshi rabbit brushes are the best, and their prices are as high as gold. During the Ming and Qing Dynasties, it was replaced by a well-made lake pen produced by Shanlian Town, Huzhou City, Zhejiang Province, which has been in use ever since.

black

Ink appeared very early, and the book said that Xing Yi began to make ink in the Western Zhou Dynasty, saying that it was made of ash, but it was actually after the Western Han Dynasty. Its raw materials are different and can be divided into oil smoke ink, lacquer smoke ink and Song Yanmo. They are made of tung oil, raw lacquer, pine cigarette, gelatin, musk and borneol. During the Northern and Southern Dynasties, the paper in Mohe County, Yizhou was very famous.

paper

Paper is one of the four great inventions in ancient China. Hemp paper has appeared in the cultural relics unearthed from the tombs of the Western Han Dynasty, but it is very rough. Since the Han Dynasty, all the paintings and calligraphy handed down in the world are based on mulberry paper (also known as Chinese paper). In the Eastern Han Dynasty, Cai Lun adopted a variety of raw materials and improved the papermaking methods, which greatly improved the quality and output of paper. Because of the widespread use of paper, Emperor Jin 'an ordered the abolition of bamboo slips that have been used since ancient times, pushing history to the era of comprehensive use of paper. The paper industry in the Tang Dynasty was very developed. Xuanzhou produces Xuan paper, Jiangxi Linchuan produces thin slip paper, Yangzhou Liuhe paper and Guangzhou bamboo paper, all of which are fine products.

inkstone

Ink was used in the Western Han Dynasty. Ink unearthed from Fenghuang Han Tomb in Jingzhou, Hubei Province. There are four traditional inkstones in China, namely Duanyan inkstone, Sheyan inkstone, Yantao inkstone and Chengni inkstone.

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Do you have a poster sample of the campus art festival? 1. method

1, hand-painted, then stroke the path with a pen to fill the color in the room, and so on;

2. Adjust the details with the font of the font library and then turn the text into a curve;

3. Add filters and other common effects in photoshop, such as flame characters and metal characters.

Second, the poster

1, the name poster, originated in Shanghai, is a common way of publicity. In the past, posters were used in plays, movies and other performances or ball games. Shanghainese usually refer to professional theatrical performances as "going into the sea", while those engaged in professional theatrical performances are called "going into the sea". Perhaps because of this, people call it "poster", which is a propaganda poster to attract customers as the performance information of drama. Formal posters usually include the nature, organizer, time and place of the event.

2. Poster design is one of the manifestations of visual communication. It attracts people's attention at the first time through the composition of the layout, and gets instant stimulation, which requires designers to perfectly combine the elements such as pictures, characters, colors and space to show people the propaganda information in an appropriate form.