When I was in junior high school, I read a novel, Japanese, in which the male and female protagonists living in different ages exchanged short messages because of a mobile phone chain, and talked abou

When I was in junior high school, I read a novel, Japanese, in which the male and female protagonists living in different ages exchanged short messages because of a mobile phone chain, and talked about the love of time and space. Look at the story in Tokyo Girl ... Is it true?

"Tokyo Girl" is a sister film of "Tokyo Boy" with the same theme of "untouchable lovers". This is a movie with a girl's comic feelings. A mobile phone that travels through time and space draws a red line between contemporary girls and young people a hundred years ago, thus writing a sad and touching love story. Kazuya Konaka, the director in charge of this film, is widely known for his series of TV plays. At first glance, the director who is good at feature films seems to have nothing to do with romantic films. However, it seems that Xiao Zhonghe's fantasy romantic movies have a special fate. His film debut "The Country on the Other Side of the Xinghai" depicts a love separated by Yin and Yang, and the opportunity that touched him to shoot this film was the classic romance "Back in Time for 70 Years". Unexpectedly, many years later, this old American film in the 1980s made Kazuya Konaka become attached to a Tokyo girl-filmmaker Dan Yuduo heard that Andre and screenwriter Makoto Hayashi decided to go back 70 years when discussing the plot. Dan Yu remembered that Xiao Zhong was fascinated by this film and had experience in directing similar films, so he was invited to be the director. The two sides hit it off, which gave birth to "Tokyo Girl". Kazuya Konaka and Andrew Tamon Niwa Andre go way back. They are high school classmates. At that time, the third grade of junior high school served as the president of Cheng Yi High School Film Research Association, and Dan Yu, a senior one, was the backbone member. After leaving school, the two continued to make movies together. Dan Yu was not only a member of the production team of The Country Across the Xinghai, but also made a guest appearance in this film. For director Xiao Zhong, Tokyo Girl is a challenge. The plot of this film is almost entirely driven by telephone. This form and film are difficult to deal with, and it is easy for the audience to get bored by the dialogue between two people. But the producers in Dan Yu think this is just one of the highlights of the film. Telephone calls that can only be communicated by voice are more conducive to expressing one's heart than direct meeting, and have a power to stimulate emotions. Director Xiao Zhong tried his best to change the "call" and used various means, such as dynamic and static combination and angle transformation. Usually when eavesdropping on the phone, the actors perform separately and the staff read the lines. This film is an exception. When filming "Kaho", Sano was on the scene to help her get into the play. When it was Sano's turn, there was a recording of Kaho's performance with him. This brings a realistic dialogue and creates a touching emotional atmosphere.