Detective Conan, is Akai Shuuichi dead?

Akai Shuuichi was first shot in the lungs at close range, and then shot in the head. The bomb that fell on the car was detonated next to him. At first glance, it is completely dead, and there is no possibility of survival.

However, did Akai really die like this? My answer is: No, I noticed the following details:

1. Dialogue between Akai and Kiel (Hondō Hidemi):

"Hum ... I didn't expect it to come to this." "I was surprised, too. I didn't expect it to be so smooth. "

In fact, from the point of view of gin, these two sentences are not wrong. However, it should be noted that this conversation was conducted after Kiel explained to Kim that "lung failure can last for up to 30 minutes". Even if Akai didn't notice the hissing sound near Kiel's neck or guessed that Kiel had a listening device because he saw a Porsche (see Volume 58), he should have known by now. In this case, the meaning of this conversation is somewhat ambiguous. For ordinary people, this may be a sigh that Akai fell into an epiphany and saw gin close at hand, but he couldn't catch it. Kiel's "smooth" refers to the action of getting rid of Akai this time. But there are other possibilities. In connection with the "58" plot, Hondō Hidemi suggested that we could cooperate with the FBI, but give priority to the tasks of the Central Intelligence Agency. At this time, Akai smiled slyly and said, "Hmm … that's what I was going to say …" Then he turned to Conan, "Yes, little brother …" "Yes!" The two men smiled knowingly. Is this the end of the three-person conversation? Or did the three of them say something later? My opinion is that after this, Conan and Akai told Hondō Hidemi a bigger and more detailed plan. The beginning of the plan is to let Hondō Hidemi return to the black organization, and Akai's "death" is one of the highlights of the whole plan. As for the real meaning of this conversation, it may be that both Akai and Hondō Hidemi are excited and surprised that things are going according to the established plan.

2. Akai's right hand

Careful observation reveals that Akai's right hand has never left his right pocket since he got off the bus. Although Akai likes to put his hand in his pocket to enjoy the cool air on weekdays, what makes me feel strange is that after being shot in his right chest, Akai pressed the wound with his left hand, and Akai's body should be very weak at this time. In this case, people will subconsciously hold something with the other hand if they want to stand up, but Akai only supports his body with his right elbow (frame 59), and his right hand never leaves his mouth. It's not that he wants to be cool, but that his right hand can't reach out. There is only one reason why you can't leave your right pocket: there are very important things to use, and you can't find them when you use them.

So, what's in the right pocket? At first, I thought Akai had taken Conan's mobile phone before, but two details made me deny this view: (1) Whenever Akai uses his mobile phone in the cartoon, he holds it in his left hand, without exception (even Conan COS Akai has a cover of 58); (2) After the bomb exploded, the mobile phone in the car rang, and the sound source obviously pointed to the coat rather than the pocket (see the last box of 59 P6). Combining these two points, it can basically be inferred that the thing in the right pocket is not a mobile phone. (In fact, the second point is based on the fact that the body is indeed an open well. As for what it is, I will write my thoughts later.

3. Conan's reaction

When Judy "returned" Conan's mobile phone, Conan quickly judged that it had been changed. He stopped Judy, but he saw a faint sadness on Judy's face. It can be inferred from Conan's recantation that with these (mobile phone changed, Judy was sad), he has generally understood everything. Conan stood in situ, silently watching Judy go away, looking calm under the reflective lens. Urged by Bumei, Yuan Taihe and Yan Guang, Conan turned his head and smiled brightly. The background of the last grid is a large blank, and rays with uniform thickness, interval and length are distributed on the edge, indicating that the characters are cheerful and happy. This shows that Conan's smile is from the heart. A huge question also comes from this: now Conan knows that Akai is dead, and he is facing Akai, a reliable and good comrade-in-arms with considerable intelligence and good feelings. Why didn't Conan show the slightest sadness when he left, but he was very happy? There is only one possibility: he knows Akai is not dead and the plan is going well.

Inference and speculation:

According to the above clues, my reasoning about the whole "Akai's death" is that Akai's death was a good play jointly staged by Akai and Hondō Hidemi.

(1) Akai hid a blood bag in a hat with a small remote-controlled explosive device at the right front and right back in advance, and put the remote control in the right pocket.

(2) Then he deliberately drove the car in the opposite direction to the appointed place. Driving in the opposite direction is because only in this way can we park our car on the other side of the railing without arousing suspicion. Because the cab is on the left (Kay pays attention to the camera when driving), the door on the left parked next to the railing will be blocked, so it is natural to get off from the right. Akai didn't leave the right door after getting off the bus, also to prepare for the later performance.

(3) It is difficult to determine whether Kiel's first shot is true or not (it is more likely to be a real gun, so that Akai's credibility was later "killed"). After that, Kiel came to Akai (close to ensure that the muzzle direction is consistent with the bleeding position), said two sentences (probably designed in advance, both to tell Kim and to control the shooting and bleeding time), and fired (using blank bullets because the muzzle splashed). Leaving the door on the right open is to prevent suspicion caused by the unbroken glass after the shooting, and also to save time for the follow-up action.

(4) After that, Kiel turned his attention to other places to set up bombs. Akai took the opportunity to drag the back seat out, and used Conan's mobile phone to get ready to disguise himself as his own body and set it up. At first, when Akai fell in the car, there was blood on his mouth and his head was tilted. When Kiel released the bomb, the blood in his mouth disappeared and his head was straight. Later, Akai hid in the back seat of Kiel's car, hid and closed the door. This is why Akai's car should be facing Kiel's car, and the direction of opening the door should be facing away from the opposite Porsche. At this time, the police came (not after the shooting), and Kim didn't have time to confirm that the body was Akai, so Kiel buried the bomb and drove away.

Other conjectures:

1. The scene of Akai taking Conan's mobile phone is also arranged in advance. Considering that fingerprints can't be compared, the mobile phone can make everyone believe that the victim is Akai. I'm afraid Conan and Akai are worried that the FBI has a mole. )

The fingerprint on the mobile phone was proved to be the victim's. (see 59 P 16) but this does not completely mean that the deceased is akai. I think Akai and Conan staged the scene of "robbing the mobile phone" just to impress Judy: "Conan's mobile phone has my fingerprints and Conan's fingerprints. Akai took it, and it must have Akai's fingerprints on it." Maybe Akai painted her finger with transparent nail polish in advance, so as not to leave fingerprints, and then pressed the fingerprints of "body double the corpse" on it, so that the fingerprints of Conan, Judy and "the dead" would be on her mobile phone. The reason why I left that hand was to let Judy find out and convince Judy and CIA (and possibly black organizations) that Akai was dead.

What Conan didn't say to Judy was "Miss Judy, is this really my mobile phone?" I didn't say it was because I was so sad to see Judy that I was afraid of hurting Judy again.

But there are a few things I still can't explain:

1. The source of the body, and why only the right hand of the body was not burnt, while both hands of the body in the cartoon were in the trouser pockets;

Kiel means "Don't blame me ..."

3. The police car appeared by accident. When did it appear?

The right hand of the corpse was not burnt because the bomb was in the left hand. As far as comics are concerned, the clothes of the body were obviously set on fire. Since other body parts covered by underwear have been burned, the right hand should not be spared. Personally, I think this has nothing to do with the distance of the bomb. The question is reserved.

Another friend asked: Why is Kiel's car reversed? Personally, I think Kiel did this on purpose for the convenience of leaving the scene later.

Change the perspective:

You should remember that Hugh took Conan's mobile phone. Many people think that a break is not dead.

The viewpoint is: 1, and Hugh is left-handed.

Kusuda Rikumichi also touched Conan's mobile phone.

Today, I want to analyze this problem from a new angle.

Hondō Hidemi was brought back by gin, which was Conan and Hideyoshi's plan. I believe conan fan must know. But I don't know if I noticed this:

Why did Hideyoshi take Conan's cell phone? Is it because Conan suggested asking Agasa Hiroshi to help transfer water? Do you find it strange? It has been agreed (put it back in Yinghai) (Dr. Xinyi called to cheat Juniper and send it away! ), but also pretend not to know in front of the FBI, very suspicious.

There is only one truth: first, you can't take Conan's mobile phone in front of the FBI and let the FBI see it.

Belmore decided that Hugh was really dead, which is exactly what Judy said.