What should we pay attention to in poetry? What is a good match?

1. Sentence pattern: It is its general rule that the number of words is consistent with the sentence. The length and parity of sentence patterns vary, but the upper and lower sentences must correspond.

Second, confrontation: divided into three points:

(1) The words and phrases corresponding to the upper and lower sentences must be opposite, generally speaking, the real words are opposite to the real words, and the function words are opposite to the function words, specifically, the classification of colors, numbers, astronomy, animals and plants and human bodies ... must be the same.

(2) The semantics of the upper and lower sentences should be relative, but not even, so as to avoid "crossing hands". It should not mean the same thing, but should be expanded or even reversed. This is the most important rule in dialogue art.

③ Pay attention to the consistency of the semantic structure of the upper and lower sentences in logical order. For example, the previous sentence is a verb-object structure in grammar, and the corresponding sentence of the next sentence should also be the same grammatical structure; The momentum of the previous sentence is full of twists and turns, and the next sentence should also have a corresponding semantic flow.

3. Rhythm: The rhythm of antithetical sentences is the same as that of poems, and they are basically a group of two words. The sentence is flat, but the sentence is flat, and the arrangement of the ending words is the same as that of the poem. Long couplets are more complicated, because if a sentence is divided into several small paragraphs, the number of words in each small paragraph is inevitably uneven, and the odd and even endings of small paragraphs are different, so the rules of horizontal and vertical spacing are often not so rigid, and changes will increase the aesthetic feeling. Each couplet can construct its own rhythm rules. But there are two points to follow: first, it is basically the law of horizontal and vertical spacing, with a slight change; Second, the rhythm of the next sentence should be completely opposite to the previous one. Generally, the last words of the previous sentence are flat, and the next sentence must be flat.