What are the characters in The Emperor's New Clothes?

The characters in The Emperor's New Clothes are analyzed as follows:

Emperor: luxury and fatuity, self-deception, hypocrisy.

The emperor does not do business properly, and he is extravagant and fatuous. He doesn't rule the country and Qiang Bing every day. His preference for new clothes seems to have become morbid, and he spends all his money on new clothes. Regardless of the country, he never even cared about his army, only his new clothes. It is extremely foolish to judge by wearing "new clothes" without deeply understanding the true thoughts of ministers and people.

Minister: hypocrisy, stupidity, selfishness and flattery.

No one dared to stand up and protest loudly to the emperor. For their own interests and safety, they have to lie.

Liar: cunning, greedy, eloquent and good at cheating.

Liars have mastered the achilles heel of the emperor's laziness and vanity, so they can use the emperor's hobby of wearing new clothes to set up a scam and fabricate stories about the "strange characteristics" of cloth to lure the emperor into the bait. The liar knows the emperor's mind and the psychology of his subjects like the back of his hand. Their deception is very obvious and vicious.

Child: Innocent, honest and fearless.

Children are naive and honest, and say whatever they see. It can be said that they are outspoken and have no psychological burden or fear, but they just tell what they see truly.

The Emperor's New Clothes is a fairy tale created by Danish fairy tale writer Andersen, and it is one of his representative works. Through rich imagination, exaggerated techniques and image language, it created an image of the ruling class that was arrogant, extravagant, ignorant, hypocritical and selfish, reflecting the decay of feudal society.

The full text takes "new clothes" as the bright line and "derailment" as the dark line. Through the emperor's "love for new clothes", two swindlers made new clothes for the emperor, and the emperor sent ministers to see the "new clothes" for the second time. The emperor went to the streets to show the description of the "new clothes" and exposed the decadent nature of the feudal ruling class.