Regular script couplet calligraphy works

Regular script is one of calligraphy fonts, which has been the basis of people's learning since ancient times. We can see that many couplets are written in regular script. Next, I will bring you calligraphy works of regular script couplets. I hope you like them.

Appreciate the calligraphy works of regular script couplets 1

Figure 2 of regular script couplet calligraphy works

Figure 3 of regular script couplet calligraphy works

Picture 4 of regular script couplet calligraphy works

Figure 5 of regular script couplet calligraphy works

Artistic changes in the creation of regular script

The artistry of regular script is reflected in the change. The so-called elegance is to have your own temperament, and Yan Gu, majestic and steep are all temperament; Simple, natural and wild epitaphs are also temperament. Every temperament depends on brushwork, writing and composition, which is exactly what we need to understand the regularity in learning and the purpose of copying.

To achieve the artistic style of regular script, we should not only inherit the regular script of Tang dynasty, but also work hard on the northern monument and epitaph. Looking at the regular script before the Tang Dynasty, there will be a refreshing feeling, that is the real regular script, and after Yan Liu reached the peak, he lost his interest and artistic conception.

It is the mission and opportunity endowed by this era to pursue the beauty of relaxed, natural and comfortable regular script and embody the concept of human nature.

The creation of regular script should also be convinced by emotion and reasoning. The expression of feelings should also be based on rationality, which is the regular change of regular script, such as gathering and scattering, size, length and flatness, and integrity; Vivid and harmonious compatibility, integration and coordination between words; Words have spiritual ties, and there is breath throughout. So composition comes first (not just banners, vertical banners, couplets, fans, signatures and seals).

Structure of regular script

The structure of regular script has a strong regularity, which can be said to be the most standardized font. Learning regular script well is the basis of learning and mastering other characters.

The structure of writing and calligraphy are both regular script structures, which seem to have similarities, but they are far from each other. The former belongs to the linguistic category, while the latter belongs to the artistic emotion category of aesthetics. Therefore, in various types of regular script structures, it is not difficult to see those mysterious and beautiful principles, such as symmetry, equal division, golden section and so on.

Monolithic pens are generally simple and suitable for writing with MIG, and the center of gravity is on the central axis of the grid, as are two symmetrical pens. Simplex is the most difficult to write, there is no reference, and all aspects should be taken into account. If the two are symmetrical up and down, and the same strokes or fonts are the same, they should generally be written bigger and wider below. Like what? Chang? 、? Lu? And so on, the bottom is wider and can be held. Three-part forms should avoid equal division when concluding words, and some words should be big at both ends and small in the middle, such as? Trees? 、? Hong? 、? Yan? Wait; Some words should be small at both ends and big in the middle, such as? Throw? 、? Emblem Wait; Some words are the same size. When the two strokes are the same length, you can make the left stroke shorter, for example? Debate? Word, in front? Xin? You can write more tightly, shorter, and then stretch at the back, and the vertical pen can be longer. All-in-one style can be handled according to the length. Old people can write narrow, short ones can be slightly flat, and strokes are interspersed with each other to avoid the gap of straight lines.

The above are only the basic types, besides, there will be more complicated situations. So some calligraphers summarized this as a complex type. In fact, compound words are a kind of compound words, which are often words with different structures and strokes. Like what? Sound? By? Township? And then what? Sound? Composition:? Li Lu? Two-word synthesis; ? Parrot? It consists of four words. In this case, the author can divide it into several parts, and the principle is that the words in each part are also treated as usual. Generally speaking, the length of treatment should be square.

There have been 36 kinds of Ou Yangxun knots and 84 kinds of Li Chunjin knots. Ou Yangxun's 35 methods are: stacking, avoiding, pushing, inserting, leaning back, sideways, picking and digging, making way, filling gaps, sticking zeros, gluing, accepting when the time is full, stacking, dragging, borrowing, changing, increasing or decreasing, supporting, bowing, saving, attaching and holding the back. These must be carefully understood to understand its purpose. Li Chunjin later summarized 84 methods of knot formation. Li was a courtier in the Ming Dynasty. He studied calligraphy since he was a child and later became famous for his research. He first screened the regular script of 1 13 in Chen Yizeng's "The Important Notes of Hanlin" into May and June, and then summed up the regular script of 26 orders according to his own practical experience, which became the 84 methods that people are familiar with today. Li Chunjin's writing method is more detailed than Ou Yangxun's 36 methods. What exactly is it? Cover the sky, load the ground, make way from left to right, divide, level off, level off, stop three times, occupy the upper position, occupy the lower position, occupy the left position, occupy the right position, occupy the upper and lower positions, occupy the middle position, throw a hook, level off the four corners, level off the shoulders, sketch, randomly arrange, compact, hang needles and level off the upper position. Short square, hook, double left, point saving, point arrangement, hook anger, hook winding, middle hook, long hook, extended hook, crooked hook, left hook, right hook, lower cover, true bottom, vertical wrist, horizontal wrist, vertical left hook, left joint hanging, aproll, fat, thin, sparse, dense, stacked and accumulated.