How to write good words

writing is a slow skill, and you have to study hard and practice hard, so you can see kung fu for a long time.

First of all, we must make them forget their previous fonts completely, and start from scratch and practice with the most basic strokes. Then practice the structure. For pen characters, the most important thing is the structure, and the quality of the structure directly affects the beauty of the characters. Therefore, it is most important to write well the pen-and-ink structure. But now there is a very difficult problem to solve, that is, it is difficult to forget the previous fonts, and old habits are often brought into the new fonts in the process of posting. To change this situation, the best way is to choose block letters that are different from your previous fonts for copying. Practice block letters for orthomorphism. After practicing for a week or two or more, orthomorphism can be achieved.

You must not scribble as usual. Even if you write slowly, you should feel the feeling when you write a post. Don't be afraid that it will take a long time.

If you want to achieve something in the art of pen calligraphy, you can't achieve it overnight. We must not only learn from the use of brush calligraphy, structure, composition, charm and so on, but also give full play to the inherent characteristics of pens. Only in this way can the art of pen calligraphy flourish and make her have strong and permanent vitality.

what should I practice when practicing calligraphy?

first of all, practice your eyes, that is, read the posts carefully. Huang Tingjian, a calligrapher in the Song Dynasty, said: "Ancient people didn't all learn to write by copying. They often hung ancient calligraphy works on the wall, watched them intently, and didn't write until they were sure." Ou Yangxun in the Tang Dynasty found the tablet written by Suo Jing in the Jin Dynasty, and couldn't bear to leave, so he just sat down and read the tablet for three days. The more posts you read, the higher your eyesight will be, and you will know how to write. There is an idiom called "the eye is superior but the hand is inferior". I think: the eye height is the premise of the hand height. If you can't find beauty and don't know what beauty is, let alone create beauty. Many students think that scribbling is the so-called running script, and the reason why they regard ugliness as beauty is that they "have low eyes and low hands".

Secondly, we should practice our brain or mind. On the basis of careful observation, we should keep the well-written model characters firmly in mind and engrave their glyphs deeply in our brains. Whenever the word is mentioned, we can immediately figure out the shape of the word on the copybook. Do it with confidence and words in your mind.

Third, practice your hands. Practice your eyes and brain to find out how to write words. You can think of the best effect of words in your heart, but you may not be able to write it in your hand, because your brain may not be able to command your hand, and your hand may not be able to command your pen. Practicing hands is to achieve the consistency of mind and hand, and the consistency of handwriting, so practicing hands is also very important. Hand training is mainly about finger strength, wrist strength and hand feeling. If you write for a long time, you will feel your fingers ache, your wrists will be sore, your hands will not listen to you, and this phenomenon will disappear if you exercise more. Students who often help teachers copy questions on the blackboard and students who run blackboard newspapers often write quickly and well. This is how their finger power and wrist power are trained. We should also pay attention to practicing the sense of touch, so that the brain can command the hand, feel that the pen has become a part of the hand and an extension of the hand. The hand can command the pen easily, think fast, think slow, think light, think heavy, and write what kind of effect you want.

Fourth, practice the structure, because the key to practicing Chinese characters is to master the structure of Chinese characters. The structure of a word refers to the ratio of the length of strokes and the relationship between the strokes. Xie Xiaodong sang in the song "China People": "The favorite character is the square character taught by Mr. Wang, and the square character should be like him ..." "Square character" summarizes the structural characteristics of Chinese characters. Mastering the structure of Chinese characters, I have written boxy and beautiful bold characters, and I can write Chinese characters in various fonts, such as Song Ti, Wei Ti, Kai Ti, Imitation Song Ti, Pang Ti, Sima Ti and Li Shu, by slightly changing the strokes. If you can't master the structure of Chinese characters, no matter how to modify and beautify the strokes of Chinese characters, they are ugly and ugly. Therefore, mastering the structure of characters and writing bold characters well is the key and foundation to practice all fonts well.

Fifth, practice strokes. Many students have practiced calligraphy. Since they started practicing regular script, they have forgotten many rules of writing, only remembering the pen. As a result, the words written are cumbersome and like ghost symbols. I advocate that we practice from bold type, grasp the font, and cancel the pen. Below I will introduce several common strokes and the common faults that most students have when writing these strokes:

① At one o'clock, the pen is transported from the upper left to the lower right, and there is a process of transporting the pen. Note that "dots" are also long and cannot be rounded into dots.

② stroke horizontally and equally from left to right. The key is to be "horizontal and flat", not to be high at one end and low at the other, or to be wavy. The length should be controlled according to the font of the square characters, not too short or too long.

③ vertical, with the pen running vertically from top to bottom. The key is "vertical to be straight", and it can't be skewed left and right, let alone written as a vertical hook. The length should be controlled according to the font of the square characters, not too short or too long.

④ Flip the pen from the top right to the bottom left, and don't write it as a dot or a horizontal flick.

⑤ Fold. When writing a folding pen, the folding angle should be square and not round. Don't slam the pen at the corner, write it as two obtuse angles off the shoulder, but as a right angle.

The words written in this way, if written with a ballpoint pen, are small round calligraphy similar to matchsticks; If written with a pen, it is standard bold type. Although the strokes are monotonous, they are still beautiful as long as the structure is accurate. Just as squatting is the basic skill of practicing martial arts, horizontal and vertical is the basic skill of writing Chinese characters. The reason why many people can't write well is that they are uneven and vertical, and their structure is inaccurate. If the structure is wrong, no matter how rich the strokes are, you can't write good words.

3. General steps of practicing Chinese characters

On the basis of practicing bold characters, mastering the structure of characters and practicing basic skills, you can choose your favorite font to practice. The process of selecting fonts is called selecting posts. On the basis of selecting posts, it goes through five steps: reading posts, tracing, copying posts, memorizing posts and creating.

the first step is to read the post. We all know the pronunciation of the Chinese characters posted, so we don't need to read them again. Read what? Read the font, read the structure, read the strokes, and analyze the stroke characteristics of the characters and the relationship between the strokes. For example, when we read the word "zhong" in bold, we should read that one of the vertical lines of the word "zhong" passes through the middle of the word "kou", and the horizontal length of the word "kou" is slightly flat, and the long vertical line in the middle is divided into two sections with equal length by the lower horizontal line of the word "kou", and the upper horizontal line of the word "kou" is divided into two sections with equal length. This is the reading of glyphs and structures. Different fonts and strokes have different characteristics, and the changes of hard pen calligraphy strokes are not obvious, and it is not easy for middle school students to master them, so I won't say more here.

the second step is tracing. "Tracing" refers to tracing red, that is, beginners describe the printed red copybook with a blue pen along the handwriting. "Imitation" refers to copying posts, that is, covering the model words with transparent paper and writing one by one along the shadow of the words on the paper, which is also called writing imitation.

the third step is to post. It refers to putting the copybook aside and watching the copybook written word by word on the homework paper. This method is helpful to master the brushwork and meaning of the words, but it is not easy to master the structure of the words.

the fourth step is to memorize posts. Refers to the method of removing the copybook on the basis of the copy, recalling the font on the copybook according to your own memory and writing it on the homework paper. This is a key step in practicing Chinese characters. Only by carefully examining the written words and knowing them in mind can you write accurately. When writing, if you can see the exact font of the Chinese characters you want to write on the white paper, so that "the words are on the paper, and the words are on the chest", it is not a problem to write a good hand.

the fifth step is creation. On the basis of mastering the writing method of the words on the copybook, I learned the writing method of the words not on the copybook by analogy. According to the needs of one's own expression, writing a paragraph with center, content and self-contained system is creation.

If you can write a hand close to the copybook in your daily study life, the purpose of practicing calligraphy for middle school students will be achieved.

4. Precautions in writing

Next, I'll talk about some problems that should be paid attention to in writing:

The first problem is the choice of writing tools. "If a worker wants to do a good job, he must first get his tools." Whether it is a pen or a ballpoint pen, you should choose a good pen with smooth writing and uniform line thickness. The ink is too light to be recognized; The ink is too dark, which gives people a sense of depression. In the exam, it will often affect the mood of the marking teacher and cause unnecessary loss of points, so the ink color of handwriting is blue and black.

second question: when practicing calligraphy, we should pay attention to the posture of writing and the method of writing. Since most middle school students use ballpoint pens now, I will take ballpoint pens as an example to talk about writing posture and writing methods. When writing with a ballpoint pen, you should sit in a sitting position, so that your head is straight, your body is straight, your arms are open and your feet are safe. Because the words written by ballpoint pen are small, the activities of the pen tip should be in the area with the best visual effect. Generally, the right hand holds the pen, and the position of the pen should be slightly to the right. The eyes are about 3 cm away from the paper and the chest is about 1 cm away from the table. The arms are naturally stretched, and the forearm is flat on the desktop. Press the left and right sides of the penholder with the fingertips of thumb and forefinger respectively, the left side of the first joint of the middle finger abuts against the lower part of the penholder, and the ring finger and the little finger naturally bend into a semi-clenched fist shape against the middle finger in turn, which plays a control role in the municipality directly under the central government. The distance between the thumb and the pen tip is about 4 cm. The pen holder leans against the tiger's mouth and forms an angle of 45-6 degrees with the paper. The smaller the words, the greater the angle. If you write with a pen, you should also pay attention to the pen tip outside and the pen tongue inside, so that the middle seam of the pen tip touches the paper surface to ensure uniform water discharge and smooth lines.

the third question: when practicing calligraphy, you should be calm, start well and finish well, and you should not be impetuous and perfunctory. When you write, you should be meticulous, and every stroke should be written truly. When someone is practicing calligraphy, they like to scribble before the end. This kind of scribbling is a taboo for practicing calligraphy, which not only damages the life of the pen tip, but also makes the progress just made go up in smoke after practicing for a long time.

fourth question: don't change fonts easily. To practice calligraphy, you must have perseverance and perseverance, and you must practice solid basic skills. Practice calligraphy often, and you can't go fishing for three days and drying the net for two days. Notice: practice kung fu one day, and don't practice for ten days a day. On the basis of mastering the font structure, you can choose your favorite font and keep practicing, and don't change the font easily. Because once you change the font, you have to practice from the beginning.

Fifth question: We should combine learning with application, and practice with writing. Some students write well when they practice writing, but they write carelessly when they write their homework. They will never practice writing well. The words you have practiced are usually used, so you should write as well as you did when you practiced. Only when you practice one and use one, you can use it in middle school and in school, and you can practice well by combining learning with using.

sixth question: teachers in all subjects should pay close attention to and cooperate closely with each other. First, teachers should write standardized characters, and second, students should be encouraged to practice. Students who scribble their homework should be criticized and educated and corrected. It is not only the responsibility of Chinese teachers to urge students to practice calligraphy, but also the responsibility of every teacher.

5. There are three realms of writing.

Everyone has read Jin Yong's novel "the legendary swordsman", in which there is an incisive exposition on practicing swords: when beginners are practicing, they use their hands to make swords, and sometimes the swords don't work, and even hurt themselves. After practicing for a period of time, the swordsmanship has reached a higher level by combining the hand and the sword, making the sword with the heart and walking with the heart. The highest level of fencing is the unity of heart and sword, and there is no sword and no self. Raise your hand and cast your foot is a sword, flying flowers and picking leaves are all swords, and a thin embroidery needle can also resist three swordsmen. This kind of swordsmanship can be said to have reached a superb level.

The same is true for practicing calligraphy. In the initial stage of practicing calligraphy, we also use our hands to make a pen. There is a process from not listening to the hand to becoming proficient, and it can further develop to the realm of pen and hand integration. At this time, when writing, I feel that the pen is a part of my hand, not writing with a pen, but writing by hand. As long as we practice hard, we can reach this level.

the second realm of calligraphy practice is to use the heart to make the pen, and the heart and pen are one, and the heart moves the pen. What he writes is what he thinks. When he reaches this level, the level of calligraphy can be said to be a small achievement. All of us, including me, should work hard to move towards this goal.

the third realm of calligraphy practice is to learn from nature, and there is no pen without me. Many famous great calligraphers in ancient times were like this. For example, Wang Xizhi saw the posture of white geese swimming in the water and realized the pen gesture of "floating goose hook"; Zhang Xu saw that the bearer was fighting for the road and Gong Sundaniang was dancing the sword, from which he realized the relationship between the struggle and the interpenetration of structural stippling and the rapidity and rhythm of using the pen, which greatly enriched his writing style of wild grass; Huai Su watched the waves of Xia Yun and realized the majestic cursive script and the trend of tumbling over the river; Yan Zhenqing understood the slowness and strength of using a pen by observing the leaks in the house and drawing sand with a cone. This is the ideal state for us to practice calligraphy. When we reach this state, no matter whether there is a pen or no pen, soft pen or hard pen, even a dead branch or a broken broom, we can write wonderful calligraphy works.

I don't think it's necessary for you to practice a few pages of handwriting every day, as long as you write every word correctly every day. Your career is good at being diligent and lazy, and you don't need much to practice handwriting. Some people practice dozens of pages at a time when they are happy, but if they are unhappy, they will finish it carelessly. You must make a daily amount according to your "digestion" level. You should also buy a copybook to copy, such as Sima Yan's and Pang Zhonghua's ...

_ o ~ Work hard! _ o ~ Work hard! _ o ~ Work hard! _ o ~ Work hard!

you must be able to practice your handwriting _ o ~ hard! _ o ~ Work hard!