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Wu Lingyun's advanced deeds and materials-the stunts of Jin Opera, the first person on the stage of drama, and a versatile person.

Wu Lingyun, male, national first-class actor, winner of the 17th Chinese Drama Plum Blossom Award and the 5th China "Yingshanhong" Drama Festival, executive director of China Drama Performance Society, member of Chinese Dramatists Association, vice chairman of Taiyuan Dramatists Association, vice chairman of Taiyuan NLD, member of Taiyuan Standing Committee, vice chairman of Taiyuan Youth Federation, head of Taiyuan Youth Federation Art Troupe, and vice president of Taiyuan Experimental Jin Theatre.

Born in Liyuan family, his father Wu Zhong is a national first-class actor, a representative of national intangible cultural heritage inheritor, and he studied under Ding Guoxian, a master of Shaanxi Opera, and his mother Yan Huizhen is also a national first-class actor. Both of them are famous Jin opera performers in the field of traditional Chinese opera, which can be described as family origins. When I was a child, my father, as an actor, found his son's voice crisp, savvy and imitative, so he began to let him learn to play and practice. But when I was a child, Wu Lingyun was particularly naughty, playful and unwilling to suffer. Father said angrily, you don't like studying and don't want to practice, so you have to give you a stick to beg. He feared his father's majesty and began his career of studying drama. This is the well-known story of "a club is beaten into a plum blossom". He studied drama at the age of 8 and was admitted to the troupe at the age of 12. 18 years old participated in the Taiyuan drama "Hope Cup" Grand Prix and won the gold medal for "Xu Ce Running the City". Since then, Wu Lingyun has been out of control on the stage of Shaanxi Opera.

From 1986 to 1990, he won the gold medal of "Hope Cup" in Taiyuan for three consecutive years, which attracted the attention of many experts in the theater industry. 1996 In Gu Chenghui, he won the highest award of Jin Opera "Xinghua Award" for his mastery of Guan Yu's personality and demeanor, beautiful singing and free and easy demeanor. 1997 won the "Five One Project Award" in Shanxi Province for "City Police Officer", and personally won the Best Leading Role Award in Shanxi Drama Performance. 1999 won unanimous recognition from the judges and the audience for Yang Liulang in Three Points Handsome, Guan Yu in Gu Chenghui and Xu Ce in Running the City, and won the first prize of the 5th China "Yingshanhong" Drama Festival. This is the first time that he has won an award in a national competition. At the end of the year, he won the title of "Cross-century" outstanding young talent in Shanxi Province and "Cross-century" drama star in Shanxi Province. But he was not satisfied, and focused his attention on the highest award in China drama circle-Plum Blossom Award. Gundam 1999 After full preparation, he participated in the 17th China Drama "Plum Blossom Award" with his masterpiece "Managing the City by Xu Ce". On the stage, with his solid singing skills and in-place performance, he animated Xu Ce, conquered many experts and audiences under the stage, and won the 17 th Plum Blossom Award for Chinese Drama. In 2003, he was awarded the title of "Top Ten Outstanding Youth" in the seventh session of Taiyuan City and the "May 4th Medal" in the third session of Taiyuan City.

I studied drama with my parents since I was a child. His singing is mellow and bold, and his performance is free and easy. However, the times are developing, people's aesthetic standards are changing, and the corresponding art needs to be constantly developed to keep up with the requirements of the times. For example, the singing of Jin Opera is loud and impressive, but it is also criticized as shouting and noisy. Innovation is the life of art and the premise and source of inheriting tradition and innovation. Wu Lingyun deeply understands the mystery of inheritance and innovation. On the basis of Ding School's performing arts, it absorbed the advantages of other operas such as Hebei Bangzi and Mongolian tune, learned from others, and was compatible with hundreds of schools, forming its own deep, elegant and mellow singing style. In performance, he is full of passion and profound meaning, and always insists on "acting instead of acting" and does not repeat the mechanical expression procedure of Chinese opera. Instead, it tries to accurately grasp the inner world of the characters on this basis, and from the perspective of self-experience, it combines rationality with form, gives life to the program, and profoundly depicts the thoughts and feelings of the characters. He plays Xu Ce, not simply imitating the movements of the characters, but on the basis of grasping the ups and downs of the emotional changes in the inner world of the characters in the play, he expresses the subtle changes in Xu Ce's heart when he runs to the city with the performance of hat-wing stunts. The wonderful hat-wing technique and delicate and moving singing are highly compatible and integrated, which makes Xu Ce, a dramatic figure, have a real artistic life. He plays Guan Yu, carefully considers the expression of Guan Yu's statue, and carefully designs a style, which is both heroic and tacky. He played Guan Yu, who was loyal and brave in the eyes of China people, and won the reputation of "China Jin Opera vividly portrays Guan Yu". Especially in the development and innovation of traditional stunts of Jin Opera, he devoted himself to research and innovation. On the basis of his father's four skills of hat and wing, he invented five new techniques, such as double front stirring, double back stirring, yin and yang stirring and single back stirring, which enriched the stunts of Jin Opera and set a precedent in the drama world. In 200 1 year, he went to Beijing to attend the first drama festival and won the excellent performance award. In 2002, he went to Beijing again to participate in the recording of "How to Use the Hat-wing Performance of Traditional Chinese Opera" by CCTV, and gave a live performance for Li Ruihuan. The program was selected for the China Spring Festival Opera Evening.

As the vice president of Taiyuan Experimental Jin Opera Academy, Wu Lingyun started from the overall situation, actively cooperated with the leaders of the Academy, comprehensively carried out the work in the Academy, took the lead in setting an example, worked diligently and practically, and did many practical things that benefited the Academy. Especially in business, he has a wide network of contacts and active communication, and strives for more than half of the performance tasks for the troupe every year, which really solves the survival problem of the troupe.

As the vice chairman of the Citizens' Union and the Standing Committee of CPPCC, Wu Lingyun is most concerned about the cultural life of the masses. He said that it is part of the United front work and his duty to implement the opera work representing China's advanced culture. Over the past few years, he has frequently participated in various social welfare activities, regardless of remuneration, and worked tirelessly. Go to poverty-stricken mountainous areas to help the poor, go to labor camps and drug rehabilitation centers to help send warm, and go to the army, construction sites, factories and mines to express condolences. No matter the cold and heat, no matter the wind, frost, rain and snow, they will always be at the forefront. With the Plum Blossom Award Art Troupe of the Chinese Dramatists Association, Beijing, Shanghai, Ningxia, Shaanxi, Hainan, Taiwan Province, Hong Kong and other provinces have traveled all over the country, sending the advanced culture and ideas of the Party to these most needed places and people's hearts in time, and contributing all their strength to social harmony and stability. He said: "For more than 30 years, I have been crawling on the stage built in the fields almost every year, and I have become accustomed to the applause of the grassroots. As long as the audience needs it, I am willing to perform for you at any time. " Heavy work and performance tasks made Wu Lingyun hurt his left leg in the performance. But even during the hospitalization, the work did not delay a day.

"Seriously acting, clear and white." Wu Lingyun's life creed. With the development of performing arts, his reputation in the theater has soared, and various honors and awards have poured in. But he is not tired of fame and fortune, and always insists on his simple life, sincere attitude, down-to-earth style and free and easy manner; I have several jobs, but I am clean and spotless. Wu Lingyun lamented that drama is like life, and life is like drama. To play Guan Gong's drama, we should learn from Guan Gong's character and be a Guan Gong's person.

People say that Wu Lingyun is "restless", but he knows that he understands artistic metaphors. Strong interest, extensive involvement in piano, chess, calligraphy and painting, good at singing and dancing, immersed in the palace of art, lingering. In 2005, he accepted the task of his superiors and participated in the musical rehearsal of Shanxi Song and Dance Troupe, which opened the cooperation between traditional Jin opera and modern musical. In order to enrich the means of expression of Jin Opera, let Shanxi audience appreciate the magical art of "changing face" and fulfill the grand wish of "making art a national treasure", he went to Sichuan personally on 1999, and worshipped Mr. Wang Daozheng, the "first person in the world to change face", as a closed disciple to learn the skills of changing face in Sichuan Opera. Three years later, he finally got what he wanted. All these can be skillfully applied to his performances and displayed on the stage of national drama. Because he learned from others, crossed genres and lines, he was called a generalist on the stage of Sanjin Opera by the audience who loved Shanxi Opera.

Today, Wu Lingyun, who has never been confused, is still working hard as always. He said that it is his lifelong pursuit to prosper the cause of Shanxi Opera. He should use the literary form he is familiar with and good at, and he is duty-bound to give full play to his professional advantages, create excellent literary works worthy of the times and the people, and bring the advanced culture and ideas of the party to the people of the whole country. This is his first task.

National first-class actor, winner of the 17th Chinese Drama Plum Blossom Award, member of Taiyuan City, vice president of Taiyuan Experimental Jin Theatre, vice chairman of Taiyuan Municipal Committee of NLD, vice chairman of Taiyuan Youth Federation, vice chairman of Taiyuan Dramatists Association, executive director of China Drama Performance Society, member of Chinese Dramatists Association and director of World Artists Association. 1964 was born in Liyuan family, and his father Wu Zhong is a famous performer of Shanxi Opera in our province, and is known as "Shanxi Week" in the drama circle. His singing is unique, his performance is similar to others, and he uses the same words for his own use. His masterpieces, such as Xu Ce Entering the City, Gu Chenghui, and Selling Paintings to Split the Door, have opened up a new path for actors and actresses in Shaanxi Opera.

Yan, our mother, is the best inheritor of T-school singing on the stage of Shaanxi Opera. 1962, taking Ding Guoxian, the king of Shaanxi Opera, as his teacher, he created several works, such as Beating Golden Branches, An Empty City Plan, Lu Hua, etc., with loud voice, vivid words and mellow charm, which were popular in Sanjin. When I was a child, Wu Lingyun was very naughty. As an actor in Shanxi Opera, his father found his son's voice crisp, savvy and imitative, and forced him to practice singing since he was 8 years old. However, Wu Lingyun, who loves fun, is afraid of hardship and doesn't study drama seriously. He is often educated by his stern father's stick. At this time, my father said, "I don't like studying and practicing, so I have to give you a stick to beg." Being awed by his father's majesty, Wu Lingyun can only grit his teeth and practice for three days in winter and summer, and devote all his energy to the cause of learning drama. /kloc-at the age of 0/2, he was admitted to the troupe to formally sing opera and embarked on an acting life.

Fate seems to have a special preference for this man with a great talent for drama. For more than 30 years, Wu Lingyun has developed himself on the basis of inheriting the excellent traditions of his parents, absorbed the strengths of many others, used them for his own use, developed in an all-round way, and performed well, and was praised as "the first person in Sanjin" by everyone. Wu Lingyun learned from others, crossed schools and set foot in different fields, and was praised as a generalist on the stage of Sanjin by the audience who loved Shaanxi Opera. Shaanxi opera has many unique skills, such as hooks, hats, wings, elastic teeth, whips, boots, robes and so on. Wu Lingyun can be said to be proficient in everything. Moreover, when he went out to exchange performances, he also learned from foreign operas, and integrated the essence of Hebei Bangzi's drama, the singing of Pingju, the softness of Yue Opera and the "face-changing" of Sichuan Opera into the performance skills of Shaanxi Opera, so that the art of Shaanxi Opera was integrated into the magical art of "face-changing", and the art was owned by the nation.

The development and prosperity of art lies in constant reform and innovation. On the basis of inheriting his father's footsteps, Wu Lingyun made bold innovations and became the "plum blossom for men" in Jin Opera, winning the highest prize in Jin Opera, the first prize in the 5th China Yingshanhong Drama Festival and the 17th Chinese Drama Plum Blossom Award. He won the first drama stunt program "Excellent Performance Award", which made his name a household name in Sanjin and shocked the drama stage at home and abroad.

Broaden the audience's knowledge: shaping the famous actors of Shanxi opera that the audience likes to see and hear.

"Shanqian Road is a play, which teaches me a mission, teaches me to realize myself in social personality and practice on my own; The road behind the mountain is faith. If I use my wings, I will learn to transcend my natural personality and my thoughts will roam in the world of drama. " In his drama career of more than 30 years, Wu Lingyun has always adhered to the artistic belief of "acting instead of acting" and never let himself become a "drama slave". When he played Xu Ce in the old play "Xu Ce Run to the City", he regarded himself as a white-haired Xu Ce, which made him highly compatible with the role, gave the role a real artistic life and entered the best state of the actor's acting. When he played Guan Yu, he was both heroic and popular, and he was a famous "living warrior" with clear grievances in the hearts of the audience. His unique skills, such as "The Essence of China Drama" and "The Art of Hats and Wings", enabled him to be on the stage of CCTV's Spring Festival Opera Evening for three consecutive years and won thunderous applause from opera fans. On the occasion of the 2500th anniversary of the founding of Taiyuan, the Spring Festival Gala of Shanxi TV Station introduced the image of Guan Yu played by Wu Lingyun through satellite channels, and the actors on the stage introduced the image of the "warrior saint" in folk mythology to the world, which satisfied the audience's respect for the warrior saint and received good social effects. In addition, he also has outstanding performance in other aspects. Playing the handsome police officer of Wu Ying in "City Police Officer"; In the 19 TV series "The Story of Xi Tilling the Field", he plays the secretary of the county discipline inspection commission.

In a flash of 30 years, cherries turned red and plantains turned green. The growth of life has brought countless honors and auras to Wu Lingyun, and the persistence in his heart has increasingly polished Wu Lingyun to become firm and unrepentant, and he no longer doubts whether he can really portray his life ideal. Ding Guoxian, the master of Shanxi Opera, and Wang Aiai, the queen of Shanxi Opera, and Wu Lingyun are the only people who can enter Hong Kong and Taiwan for artistic exchange and fully display the charm of Shanxi Opera.

National Vocal Music: The original ecological art made him admire and intoxicated.

In recent two years, Wu Lingyun began to learn to sing Shanxi original ecological folk songs. His heartfelt singing and free performance form are deeply loved by fans of Shanxi Opera. Wu Lingyun said that the original ecological folk songs are songs sung by ordinary people and songs in life. The form of singing should be a natural voice, not hoarse or overly embellished. Folk songs belong to relatively original folk art, but they can't be too rustic. In the process of singing, we need to shake the dross and make them more beautiful. It is said that Shanxi is a sea of folk songs. When singing original ecological folk songs, Wu Lingyun did not blindly imitate them, but boldly innovated and added elements of traditional operas, such as Jin Opera, Zuo Quan coloratura and Qitai Yangko. And make the dialect accent more artistic, make a new breakthrough in its artistic style, and form a unique original ecological Wu Lingyun singing method, which has been well received by experts.

At the beginning of this year, Wu Lingyun sang an original ecological folk song "Cherry is delicious but difficult to plant" at the third Opera Fan Festival held in Taiyuan. The audience liked it very much and said, "Lingyun, why do you sing so beautifully?" This is a folk song with the flavor of opera and Mongolian. " In order to practice songs, he often spends his own money to go to KTV studio in Taiyuan to practice songs. He sang for four or five hours, only one song in the afternoon, one song for thirty or forty times, and practiced repeatedly. So the staff of KTV practice room are watching from the crack of the door, hiding outside and listening. The person in charge was moved by his spirit and immediately said that he would come to practice songs for free in the future. Fortunately, God rewards hard work. His original ecological folk songs were praised by experts and liked by the audience, and were called "Shanxi Tengger singer Singer" by the audience who loved him.

Wu Lingyun advocated "the art of relaxation". The actor played easily and the audience watched easily. Shanxi's Jin Opera, Bangzi Opera and Pu Opera. They are expensive, which will not only affect the artistic life of actors, but also make the audience feel very tired, instead of enjoying the art very easily and comfortably.

Wu Lingyun has always emphasized that "art comes from the people and returns to the people". As a literary and art worker, he spends more than 200 days a year leading Taiyuan Jinju Opera Troupe to perform for urban and rural people. This made him not only bring joy to the masses, but also further accumulate materials and increase his experience and cultivation. For example, when performing in the countryside, he met weddings, funerals and weddings. Every time, he will stand by, observe and study carefully, and vividly integrate the folk art he has learned into the performance of Shaanxi Opera. He often said that an actor should not act in order to win a prize, but should repay the audience with his winning works. He said so and did the same.

Wu Lingyun believes that the process of an actor's performance is actually a kind of re-creation, so we should not only pay attention to singing skills, but also understand the lyrics before singing. Drama should be improved, and actors should also improve their own quality. Actors should pay special attention to their own image when they go out, and leave a good impression on the audience regardless of eating, wearing, living and traveling. If an actor doesn't love himself, let alone the people love you. The reason why the ratings of good TV dramas will not drop is because the level of TV dramas has improved, attracting viewers one by one. Chinese opera should also keep pace with the times and add some popular elements to attract more young audiences. If this is always the case, the audience will be aesthetically tired. We should take advantage of the east wind of building a strong cultural province in Shanxi, constantly improve ourselves, and build our brand of Shanxi Opera on this fertile soil in Shanxi.

In the prosperous and impetuous contemporary society, Wu Lingyun has always been persistent, confused and beautiful. Today, it is really commendable that he can calm down and concentrate on his art. Supposedly, he met many opportunities and famous teachers who became famous overnight by electric shock, but he was more loyal to himself, defended the art of Jin Opera, took filial piety as the head, followed his father's footsteps as his lifelong pursuit, inherited and carried forward the intangible cultural heritage of Jin Opera, and his actions were admirable.

Wu Lingyun, who has never been confused, has lived up to the expectations of his parents and teachers. He not only increased his experience and accomplishment in the performance, but also gradually formed his own feelings and experiences in the vicissitudes of life. He said that art needs to be accumulated, including the accumulation of time, and the sense of stage is a feeling from art to life. Now he has found his new artistic orientation, which is to develop himself on the basis of inheriting the national traditions of the older generation of performing artists, absorb the strengths of many families, use them for our own use, break a new path and sing himself.

I hope to use all my heart, my feelings, my sexual consciousness and my efforts to create a magnificent heroic dream for myself in the name of Wu Lingyun, so that the realm of life can be transformed into a kunpeng in the drama world and I can enjoy it once. ...