Help me find an argumentative essay about the history of Ningbo with about 1500 words.

As a native of Jiangnan, I have long been familiar with the landscape and urban pattern of Jiangnan. So this trip to Ningbo, I didn't feel special, but my trip to Fenghua unconsciously touched a certain cultural nerve and gave off some thoughts. Fenghua's signboard is the former residence of the Chiang family in Xikou, and tourists all go for this name. Although I have admired this for a long time, I am also wary. I have seen many landscapes such as celebrities' former residences, but few of them have kept their original appearance and developed well. Most of them have lost their original characteristics and sense of history and become shopping squares or holiday places. Although I was psychologically prepared to know what such a scenic spot might look like, what kind of layout, what kind of pattern, and how to treat the guests, when I really got there, the scene in front of me still made me feel a little unhappy and sorry. Many buildings in Jiang's former residence were rebuilt on the original site, and the furnishings inside were all fakes, in other words, "fake antiques." This situation exists in many places. Everyone is helpless. After too many wars and turmoil, most of the old buildings can't be completely preserved. No matter what kind of mood future generations want to rebuild, they all trace back to history, which is more or less certain. But the biggest problem is that this kind of tracing often evolves into a modern interpretation of the remains, which is more or less superstitious and fatalistic, neither fish nor fowl, and it is inevitable that people will laugh and cry. In Chiang Kai-shek's Fenghe Mansion, we heard the tour guide explain the architectural layout like this: a corner of the house layout is missing, which indicates that Chiang Kai-shek can only live in seclusion in the future. In this way, tourists naturally laugh and don't enter. And I, speechless, chose to let the tour guide go. It is boring and vulgar to explain architecture and the history behind it from this angle. Behind this explanation is actually the weakness of historical and cultural development. In today's scenic spot development, commerce is popular, among which catering and shopping are the most important. For ordinary gardens and landscapes, the above-mentioned ways to stimulate consumption are undoubtedly the fastest and most effective, but for some scenic spots with special historical and cultural backgrounds, we need better ideas and methods. Due to geographical reasons, there are not many natural landscapes with tourism value in Ningbo. Even the scenery of Fenghua Xikou should not be the top grade in Jiangnan. Ningbo is characterized by its historical and cultural landscapes, such as Tianyi Pavilion and Jiang's former residence. Such a landscape can only shine if it is placed in a specific historical and cultural atmosphere. Therefore, managing such landscapes is different from managing natural landscapes. The management of historical and cultural landscape lies in the correct interpretation of history, the creation of artistic conception and the transmission of culture. Chiang Kai-shek's former residence is indeed a place with a long history. Miaogaotai is the decision-making place after Chiang Kai-shek resigned, which can be said to have influenced the development process of China, and small houses and other places also have their special significance. Such a rich historical background can be fully demonstrated by just a few photos and the display of "fake antiques"? To tell the truth, the only thing that impressed me about Chiang's former residence was not a room in Feng Hao or a small building, but a passage written by Jiang Jingguo hanging on the wall when he said goodbye to his hometown in Xikou. It was so touching that I wanted to cry. I think people come here to know the truth of that period of history. If we can sort out the context of that period of history as clearly as possible in this special and relatively real environment and explain it to tourists correctly, we will achieve extraordinary results, instead of the unchangeable furnishings and Mr. Feng Shui nonsense we see now. The historical and cultural significance of Tianyi Pavilion is even greater. Mr. Yu Yu Qiu described it in detail in the article Rainy Day, so I won't repeat it here. However, at present, it seems that Tianyi Pavilion has not shown people the true colors of the library, but has become irrelevant affairs such as gardens and the so-called "Mahjong Museum", which inevitably makes people feel inexplicably funny. Now we see that people still manage a large number of historical and cultural relics represented by Tianyi Pavilion and Jiang's former residence by managing ordinary gardens and landscapes, which is a great pity. It is an important mission for the protection and development of historical and cultural landscape to make correct annotations for the lost history and let the correct annotations tell people the real history now.