Four-character idioms commonly used in painting and calligraphy

1. The four commonly used words in calligraphy are Fu Zi: Baifu Juzhen, Fushou Kangning, Ruiqi Yingmen, Hongxi Gathering, Blessing the Soul, Congratulations on Making a Fortune, Wugu Fengdeng, Fu Qi Nanshan, Fushou Shuangquan, Fushou Rice Cake, Fushui Shuangxiu, Demen Qing Ji, Shengqi Pianfu and Tan Zhi Xiang Ying.

Birthday wishes: long life without borders, centenary eyebrows, rejuvenation, longevity like Nanyue, chitose Zhi Tao, singing crane and dancing phoenix, good intentions and wealth, Magu full of wine, Tianbao Jiuru, easy to live long, Nanshan tribute, year-old, Fuhai Shoushan, seven products of honor, year of success, wishes: happy family. Happy words of housewarming: From then on, happiness is perfect, with thousands of steps every day, the fish jumps over the dragon gate. The first star is Luo, brilliant, reaching the peak, rich and glorious, and the title of Big Wild Goose Pagoda. Drinking into the heart, Yuncheng legal person, wishing, diving over the dragon gate, and virtue: with good things, looking forward to the dragon, pure and clean, accumulating love into happiness, the best good. Harmonious society, bamboo reports peace, words of exhortation to learn: read thousands of books, work hard, be diligent, plant the moon in Yun Geng, reward diligence in heaven, open books are beneficial, never tire of learning, smell chickens dancing and nourish the soul: generosity, respect and self-frustration, caution and calmness, contentment, patience, generosity, and enjoy yourself. It is said that the heart is full of pearls and jade, and the perfect combination of pearls and jade, and the language of welcoming the Spring is: Spring returns to the earth, three suns open Thailand, all kinds of love, there are only a handful of plum blossoms, and the whole world is celebrating, all things are bright, all things are colorful, the spring is swaying, the sound of spring is noisy, the green is quiet and the spring is deep, and the scenery language is: singing and dancing, weeping curtains of high willows, full of charm of pine and bamboo, and returning home to hundreds of rivers. Flower and bamboo feelings, career language: meet Sichuan and accept the sea, gather wealth and make money, prosper great cause, show great ambitions and make a fortune. Entrepreneurial language: old horse, high aspirations, Pengcheng Wan Li, talented people, high aspirations, strong physique, embracing rivers, hidden in a deep spring, opening language: opening ceremony, lofty aspirations, unparalleled pottery. It has a long history, Jiahui industry and commerce, thousands of businessmen gathered, Ye Jun opened, Ye Junhong opened, a model of the same industry, the sun is shining, the east wind is everywhere, the neighbors are virtuous, just shocked the quartet, the opening is auspicious, and rich.

2. What are the four-character idioms about "calligraphy and painting"?

Pronunciation: [Heng so qi ā n j ū n]

Interpretation: sweep: sweep, sweep. Sweep away a large number of enemy troops like sweeping the floor for a while.

Source: Tang Du Fu's "Drunk Songs": "Ci originated from the Three Gorges and swept a thousand troops alone."

2. Swallowtail of silkworm head

Pronunciation: [cán tóu yàn wíI]

Interpretation: Describe the dignified strokes and light strokes of calligraphy.

Source: Ji's "Xuanhe Painting Spectrum Yan Zhenqing" "Only loyal to heaven and knowing the world, so the spirit is seen in the table of calligraphy, unique and inclusive. ..... After the popularization of science, it is to seek the end of its shape, which is called the silkworm head dovetail, and it is just. "

Step 3 be alert

Pronunciation: [rù mù sān fēn]

Interpretation: According to legend, Wang Xizhi wrote on the board, and when the carpenter carved, he found that the handwriting penetrated into the board for three minutes. Describe the extraordinary brushwork of calligraphy. Nowadays, the problem of metaphor analysis is very profound.

Source: Huai Guan's "Broken Book": "Jin Emperor sacrificed in the northern suburbs; I wish you a better version; Workers cut it; The pencil is inserted into the wood. "

4, the pen walks the dragon snake

Pronunciation: [bǐ zǒu lóng shé]

Interpretation: Describing calligraphy as vivid and imposing.

Source: Song Gordon's "Send to Taiyuan": "Breast beauty; Walking in the fence. "

5. If you are agile,

Pronunciation: [ji m: o ru ò j: ng ló ng]

Interpretation: correction: vigorous. It is often used to describe the powerful strokes of calligraphy or beautiful dance.

Source: "Biography of Jin Shu Wang Xizhi": "The commentator calls it a pen gesture; Thoughts float like clouds; If you are agile, you will be surprised. "

6. Force through the back of the paper

Pronunciation: [l ò u zh ǐ bè i]

Interpretation: Pass: Pass. Describe the vigorous calligraphy, and the brush strokes almost penetrate the back of the paper. It also describes poetry as profound in concept and concise in language.

Source: Yi "Ou Bei Shi Hua": "(Lu You Shi) was written first; Forced through the back of the paper. "

7. Dragon and Phoenix Dance

Pronunciation: [w incarnation]

Interpretation: Originally, it described the grandeur of mountains, and later it also described the boldness and agility of calligraphy.

Source: Shi Biao Zhong Shou Bei: "Tianmu Mountain; When the water comes out; Dragon and phoenix dance; Extracted from Lin 'an. "

8. For example, draw sand with an awl

Pronunciation: [rúZhu Huàshā]

Interpretation: It's like drawing in the sand with an awl. Describe the unified brushwork of calligraphy without showing its edge.

Source: Song's "Continued Book Score and Pen Use": "Using a pen ... is like drawing sand with a cone ... to hide the front evenly."

9. Falling clouds

Pronunciation: [Luo zhǐyún yān]

Interpretation: pen and ink fall on paper, like clouds and smoke. Describe calligraphy or poetry as superb, mysterious and changeable.

10 flying in pairs

Pronunciation: [Ló ng Shé fí i Dê ng]

Interpretation: Like a dragon flying a snake. Describe the vigorous and powerful calligraphy.

Source: Stone "Xijiangyue Pingshantang" words: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."

3. A complete collection of four-character idioms in calligraphy, namely, waving dragon snake, Yan Gu, iron-painted silver hook, penetrating the paper back, waving dragon snake bǐ zǒu lóng shé Interpretation: Describe the calligraphy is very beautiful and skilled Yan Gu yán jīn Interpretation: Yan: a calligrapher in the Tang Dynasty; Liu: Liu Gongquan, a calligrapher in the Tang Dynasty.

Yan Liu's and Yan Liu's calligraphy are both powerful, but their styles are different. Also known as excellent calligraphy.

Iron-painted silver hook tiēHuàyín gù Interpretation: Describe that calligraphy is strong and soft, penetrating the back of paper. Interpretation: Describe that calligraphy is strong and powerful, and the nib almost penetrates the back of paper. It also describes poetry as profound in concept and concise in language.

Easy, huzìrú Interpretation: Describe drawing, writing, writing and writing at will.

4. The four-character idioms in calligraphy works are total annihilation, dragon and snake writing, silkworm head tuxedo, rich tendons and strength, iron-painted silver hook, fairy pearls, profound tranquility, vivid charm, bold and unrestrained, rough and simple, unique personality, bright and chic, natural and interesting, just after one's heart, close to the heart, beautiful and natural. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, error-prone, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, tall and strong, vigorous and powerful, compact in structure, and charming in flying. China's calligraphy is an ancient art, which develops with the development of Chinese civilization.

In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history. Calligraphy, as an artistic creation, is deeply mysterious.

From Oracle Bone Inscriptions to Da Zhuan, Xiao Zhuan and Li Shu, to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script and running script were basically formed, and calligraphy always exuded the charm of ancient art. Hui Feng and Chang refers to the soft wind, which makes people feel warm and comfortable.

Dragon and phoenix dance originally described majestic mountains, and later described calligraphy as powerful and flexible. The sweeping army described poetry, calligraphy and other magnificent and verve brushstrokes, while the dragon and snake described calligraphy as vivid and magnificent. Silkworm head swallowtail describes calligraphy as dignified and light. Abundant strength is used to describe the solid and full font structure and powerful brushwork. It is often used to describe the vigorous brushwork of calligraphy, or to describe the vigorous brushwork, graceful dancing and penetrating the back of the paper. A stroke can almost penetrate the back of the paper. The incisive description of calligraphy has great pen power. Nowadays, the problem of metaphor analysis is very profound. Iron-painted silver hooks depict the softness of calligraphy. Fairy dew pearls describe the elegance and roundness of calligraphy. The vigorous and powerful calligraphy describes the vigorous and powerful calligraphy.

5. How can we have a good four-word to describe calligraphy? Calligraphy: full of pen power: pen and ink are used very freely and fully. It describes calligraphy and poetry. \x0d's works are all dragons and snakes. It describes the vigorous and free brushwork of calligraphy. It also writes for conductors. \x0d first wrote Huang Ting: Huang Ting, a Taoist classic. Jin people have the idiom "just right" in Huang Ting Jing, which was later used to describe doing things just right. \x0d Spring insects and autumn snakes: It refers to the trajectory of spring insects and autumn snakes with poor calligraphy. \x0d: The sword has been drawn and the bow has been drawn. It describes a tense situation and is explosive. Later, it also refers to vigorous and powerful calligraphy. \x0d is an example: give a general explanation. Later it was called "illustrate the style of a book". See "Examples". \x0d Power penetrates the back of the paper: The original meaning of calligraphy is vigorous and powerful, and now it is also used to describe vivid, profound and powerful poetry. \x0d flies like a dragon and flies like a phoenix. At first, it was described as bold and magnificent. Now it is described as lively and powerful. X0d Flying Dragon and Snake: Describe the vigorous and vivid calligraphy style. Su Shi's poem "Xijiang Yuepingshan Hall" says: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." \x0d Luan Piao Feng Bo: Luan: a legendary phoenix-like bird. At first, it described calligraphy as unique and unrestrained. This also means that the couple who are studying are separated. \x0d Luan Xiangfeng: \ X0d penetrating three points: The original description of calligraphy is relatively strong (it is said that Wang Xizhi of Jin Dynasty wrote on the board, and the ink color infiltrated into the board), but now the analysis, description and discussion are more profound and powerful. \x0d iron painting silver hook: painting method: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.

6. What are the four-character idioms in calligraphy works, such as total annihilation, snake in the pen, swallow-tailed suit with silkworm head, abundant tendons and strength, iron-painted silver hook, fairy pearls, profound tranquility, vivid charm, uninhibited, rough and simple, unique, bright and chic, natural and interesting, just after one's heart, compact in the middle, excellent and elegant. Steep and sparse, thunderous, Rowen Tiger Shock, vigorous, vigorous, flexible and clumsy, round and smooth, full of bones and muscles, self-interested, error-prone, moderate, beautiful and sparse, tight and steep, leaning on the side, elegant and handsome, tall and strong, vigorous and powerful, compact in structure, and charming in flying.

China's calligraphy is an ancient art, which develops with the development of Chinese civilization. In the world, there are only a handful of nationalities with calligraphy art, and China's calligraphy has a long history.

Calligraphy, as an artistic creation, is deeply mysterious. From Oracle Bone Inscriptions, inscriptions on bronze to Da Zhuan, Xiao Zhuan and Li Shu, to the Eastern Han Dynasty and Wei and Jin Dynasties, cursive script, regular script and running script were basically formed, and calligraphy always exudes the charm of ancient art.

Huifeng and often soft wind make people feel warm and comfortable.

Dragon and phoenix dance originally described majestic mountains, and later described calligraphy as powerful and flexible.

The sweeping army described poetry and calligraphy as magnificent and ambitious.

A long snake with a brush describes calligraphy as vivid and imposing.

The swallowtail butterfly described calligraphy as dignified and light.

Abundance means that the font structure is solid and full, and the brushwork is powerful.

"Delicate as a dragon" is often used to describe the vigorous brushwork or graceful dancing of calligraphy.

Describe the power of calligraphy through the power of the back of the paper, and the strokes directly penetrate the back of the paper.

The incisive description of calligraphy has great pen power. Now, many metaphors are very profound.

Tie Hua Yin Gou describes the softness of calligraphy.

Fairy dew pearls describe calligraphy as elegant and mellow

Vigorous and powerful description of the strength and strength of calligraphy.