Which font does the basic font of artistic characters belong to?

Chinese artistic characters include Song style, bold style and variant art characters.

(1) Song style. Song style is divided into Old Song Dynasty, Imitation Song Dynasty and Long Song Dynasty. The Old Song Dynasty was developed on the basis of the engraving fonts of the Northern Song Dynasty. It has the characteristics of square shape, horizontal thin and straight thick, strokes like a knife, points like melon seeds, and strokes like a sweep. Style: Elegant and neat, serious and generous. Mainly used for announcements, regulations and some solemn writing content. Imitation Song is a font that imitates Song Dynasty blackboard calligraphy. The body of the imitation Song font is slightly longer, even in thickness, with a pause in the rising and falling strokes, a horizontal stroke tilted to the upper right, and a longer sword edge. Its style is: tall and beautiful. Mainly suitable for annotations, instructions, subtitles and hard-pen calligraphy. The Chang Song Dynasty was formed by combining the characteristics of the Old Song Dynasty and the imitation Song Dynasty. The character body of the Long Song style is longer than that of the Old Song style, and the horizontal and vertical thicknesses are similar. It has a style that is not only solemn and generous, but also lively and beautiful. Mainly suitable for slogans, conference venues, books and magazines, product decoration, blackboard newspapers, etc.

(2) Black body. Black body can be divided into black body and long tan. Hei type is named after "the font is thicker and the square is black". The characteristics of black body are: consistent thickness horizontally and vertically, square head and square tail. So it is also called "cube". The style is powerful, simple and generous, and fascinating. Mainly suitable for titles, slogans, etc. In addition, it should be noted that boldface fonts have a rigorous structure and simple strokes, making them the most suitable font for beginners to practice artistic calligraphy. Although the horizontal and vertical widths of boldface characters are the same, it cannot be absolute. It depends on the number of horizontal and vertical strokes of the characters and cannot be the same. Chinese characters generally have more horizontal strokes and fewer vertical strokes. Some words with too many strokes will feel crowded when writing and cannot be written; while words with few strokes will feel hollow even if the same width is used. Therefore, appropriate adjustments should be made between length and short, horizontal and vertical, thick and thin strokes, to achieve an overall uniform and coordinated effect. In addition, when writing boldface characters, the two ends of the strokes and the sharp end should be appropriately enhanced to make them appear thicker and more powerful.