The new national style poetry creation genre

Contemporary, premium, popular and market-oriented

The order of the four cannot be reversed.

Only by adapting to the times can we become high-quality products (poems that are divorced from the life of the times can only be "fake" or "counterfeit" and cannot be high-quality products).

Only high-quality works can be popularized (the pursuit of popularization not only cannot lower the threshold of creation, but also improves the quality of works. Only by creating works that strive for excellence will they be accepted by the public readers and become famous works that will be passed down through the ages. ).

Only through popularization can marketization be possible (market and money have always been taboos for poets, but marketization is the inevitable way out for contemporary poetry. Contemporary society is a market economy society, as long as poetry can be popularized by the people If you accept it, the poet can naturally obtain corresponding market returns). 1. The social background for the emergence of the new national style

Popularization of education: The popularization of compulsory education has enabled farmers, workers, vendors and other lower-class civilians to also receive cultural education (know more than 5,000 characters), so they have the ability to master poetry Possibility of creative skills;

Media platforms: Traditional media such as television, newspapers, and magazines have promoted the exchange of social information and broadened the horizons and knowledge of the general public. The emergence of online media has given the grassroots A platform for daily learning and open communication;

Open society: An open and diversified society provides a broad background space for the selection and creation of new national style.

2. The artistic requirements of the new national style

The past serves the present. It neither sticks to imitating the past nor insists on innovation.

The rhythm is rigorous, the language is fluent, and the connotation is profound. We strive to be "cute with one eye and playable with ten eyes" and "read with taste by laymen, and with knowledge by experts".

3. Why does the new national style adopt strict traditional poetry forms? Traditional poetry is the most popular form of poetry among the Chinese nation.

Chinese civilization is the only remaining self-originating civilization in the world, and Chinese characters are also the only remaining self-originating scripts in the world. This is destined to make Chinese and Chinese characters unique (such as monosyllables, four tones, square characters, etc. ). The artistic forms of traditional poetry (such as Qiyan, Pingqi, antithesis, etc.) are perfect forms extracted based on the characteristics of Chinese language and Chinese characters. Therefore, poems created using traditional poetry forms are more catchy, easier to remember, and more in line with the aesthetic taste of most Chinese people. The New National Style Movement pursues the popularization of poetry, so it can only adopt strict traditional poetry forms.

4. Traditional poetry is too difficult. If the new national style adopts the new poetry form, will it be easier to popularize?

The so-called popularization means public appreciation, not public creation. A "poet" who wants to create works that the public loves but is unwilling to study the basic skills of poetry creation will only make "pear-shaped" jokes.

5. Does the "New National Style Movement" adopt the traditional poetry form, which means the negation of "new poetry"?

There is a mythical animal in the West called "dragon", which the Chinese translate as "dragon". In fact, "dragon" and the Chinese "dragon" are not the same kind at all.

There is a literary form in the West called "poem", which the Chinese translate as "poetry". In fact, "poem" is also very different from Chinese "poetry".

The birth of new poetry has a very special historical background. In essence, it is just the study and imitation of "poem". Therefore, although "new poetry" and "poetry" in the traditional Chinese sense have the same name, they are essentially different. The "New National Style Movement" strives to revive Chinese poetry, but it does not completely deny the imported "new poetry". In fact, Gao Zhanxiang and Kong Linzi, the founders of the New National Style Movement, also wrote new poems themselves. Any literary style can learn from each other. Promoting one kind and overthrowing the other is by no means a correct academic attitude.

6. Does contemporary society need poetry?

Poetry is the ancestor of literature and the root of art. If we still need literature and art, then poetry has value.

From a macro perspective, revival poetry can promote the country’s traditional culture, promote the construction of spiritual civilization, and build national self-confidence. In short, learning poetry can not only improve aesthetic taste, conversational style, and writing ability, but also purify the soul and sublimate the souls of authors and readers.

7. Does poetry have potential market value?

First of all, we must establish a correct creative atmosphere (that is, the new national style) and polish excellent works. Only then can we realize market value. Because poetry is short, easy to memorize, and has rich aftertaste, this literary genre is very suitable for the fast-paced life of contemporary society. At present, we believe that poetry can be marketed in at least the following ways:

A. Create a best-selling book on poetry and make poetry a portable reading material for contemporary readers;

B. Hold poetry lectures, teach artistic techniques, and talk about outstanding works;

C. Combining animation with animation makes poetry become popular animation;

D. Combining it with music (opera) makes poetry become popular lyrics (drama);

E. Combining it with text messages makes poetry become popular Become a popular text message;

F. Combine with calligraphy and painting to make poetry an artistic decoration for various occasions;

G. Combine with business cards and inscriptions, tailor-made for units and individuals Create personalized poetry;

H. Combine it with film and television programs, cross talk sketches, and other cultural entertainment; (Currently, most of the poetry works in various film and television programs lack standards and make people laugh.)

I. Print poems on various daily necessities such as tea cups, pencil boxes, and calendars to let poems penetrate into every aspect of life.

J. Combined with advertising, poetry has become a required course for copywriters;

………………

There are countless business opportunities that can be realized through poetry , but the poetry market is still a virgin land and needs to be gradually cultivated and explored.

8. Will the new national style advocate the marketization of poetry, lead to the vulgarization of poetry and even Chinese studies?

Any talent or skill must have its own market. Otherwise, this talent will be just a "dragon-slaying skill" and has no value. Ancient China was an imperial society, so the ancients "learned literature and martial arts, and their goods went to the imperial family." Contemporary China is a civilian society, so we should direct the poetry market to the general public.

Marketing poetry means allowing the people and readers to test the quality of poetry works. Marketization is the best way to improve the level of poetry creation. On the contrary, if it cannot be marketized, the quality of poetry must be decided by senior officials and "authorities". Some poets who were not originally high-ranking officials or "authoritative" could only rely on forming cliques and flattering each other to establish their "authority" and status. This directly led to the low quality of their works and the corruption of the poetry world. Many "poets" refuse marketization because they need to protect their own interests in a small circle and dare not accept the test of mass readers. The frogs in the well refuse to face the ocean because they can't stand the rough waves!

Of course, the marketization of poetry should also have a certain bottom line. Popularity is not vulgar, nor is it kitsch, nor is it mercenary. This point also needs to be consciously grasped by poets when creating. Selections from Gao Zhanxiang's works

Mastering Spring

There is no chance in the world, and you don't need to ask the gods for your future.

Hold the thread of time in your palm and pull spring before your eyes.

Wisdom and Courage

Courage is like the gas pedal, wisdom is like the steering wheel.

He who is brave but has no wisdom will be crippled by the collision!

A white-eyed wolf

Kindness in life is tied to your heart, don’t be a ruthless white-eyed wolf.

If the world becomes a world of wolves, you will tear me apart and kill all the casualties.

Rumors

Keeping the right path in your heart will lead you to danger.

Rumors are like evil spirits. If you don’t believe them, they will disappear.

Grass in the cracks

Why seek fertile soil? You can survive in a crack.

Look at the changes in the cliff and keep a firm grasp on the roots.

Ode to the Cow

Although you have infinite power, blind dates are just grassroots.

The ocean is near the shallow ravine, and the deserted village is silently guarded.

The wind blows as I walk, and the sun dims as I work.

On a snowy night, I entered Chaimen carrying charcoal.

Spaceship

How can it be difficult to capture the moon with clouds when lightning and thunder break through the sky?

When you stand in the sky, you only feel that the mountains and rivers are small, but when you look at it, you realize that the universe is wide.

Terrace

A hoe is placed on the iron shoulder, and the plowing goes straight to the top of the hill.

The terraced fields are like a road to heaven, and the infinite fragrance intoxicates the Eight Immortals.

Go home often and take a look

The spring scenery vaguely exists in the past, so why only rush forward in the future.

The flowers finally bear fruit after they wither, and the tree never forgets its roots when it reaches its height.

Walking around the bustling city with such beautiful scenery, who would have thought that the frost and snow would leave a poor family?

On the day when you should practice filial piety in life, don’t wait for others to remember your old kindness.

The Way of Family Harmony

We depend on each other for help throughout life, so don’t worry too much about gains and losses.

Be happy when you can be happy, and be confused where you should be.

It is never a wise woman to talk, and it is not necessarily a foolish man to pretend to be deaf.

A pot of fine wine will make the whole family drunk, so don’t compete with others.

Selected Works by Zhao Que

Valentine's Day

Sitting alone under the west window, the coffee is half cold.

The sweet things in life are just like chewing gum.

The young son of a scavenging woman

Why bother my grandma under the proud brick shed.

Tear open the yellow cardboard and cut out a small machine gun.

Tutu screamed in a low voice and looked angry.

I met someone upstairs and took a long look at my chest.

Pang Lianzi·There is a doll

The spring grass is green, there is a small stream, and there is a doll grazing cows. My parents are going to the city and will take me to live in a high-rise building next year.

Hoe weeds, dance with the sickle, and stretch out in front of the sun. The friends went swimming, and grandpa praised me as the most diligent.

The soup is boiled, the meat is braised, the full moon rises above the treetops, my uncle returns to his hometown to harvest rice, and his cousin carries his schoolbag.

Moving the bench, putting up window grilles, the days are getting shorter and longer. A letter came from mom and dad saying that she won’t be going home during the Spring Festival this year.

Reduced word magnolia · At the subway station

The light boxes are wandering around, and the sea of ??people floats and sinks at the south exit. The blazing light, a touch of dust is cold to the touch.

Silent footsteps, imagine a heartbeat dancing on the street. Traffic flows, and the night stretches into a black lens.

Selected Works of Kong Linzi

Reflections on New Year's Eve

The vicissitudes of life have made me forget my joys and sorrows several times, and the firecrackers have made me cripple one year old.

Since you have already cultivated the fruits of good deeds in another life, why should you steal the golden elixir to live forever?

The weather will be warmer after the wind and frost are gone, and the road will be wider when the fireworks are gone.

I won’t talk about fame and fortune tonight, but I will silently wish you peace.

Reflections after the Wenchuan disaster

The remains of the ruins are disappearing, and the wind and rain are playing an elegy.

It is difficult to welcome the new years with tears, but with the ambition to rebuild the old mountains and rivers.

The flood discharge has made great achievements in fighting the epidemic, but there are many trivial matters to resume school and work.

After the disaster, all people will realize that life is limited and should not be wasted.

Selected Works by Ma Ren

Questions for My Little Girl at One Year Old

Now is my daughter’s full year, and it is still too late for her to be able to learn to speak.

The cake is served with red candles burning, but I don’t know how to blow it.

Face Project

The emerald sycamore trees are cut in one color, and thousands of acres of yellow flowers are planted along the roadside.

The front is a poverty alleviation county, and inspections often come through here.

Selected works of Chen Zuyin

Viral advertisements

Due to the turmoil to create momentum, they came back uninvited.

The full screen icon is displayed and the window is opened at any time.

Often talking lies and occasionally showing off money.

If you chatter, you will be bored, so how can you be a bad guest? The New Guofeng Traditional Culture Promotion Association was registered and established in Hong Kong in 2008. The organization is a public welfare organization with the mission of reviving traditional culture.

President: Wen Huaisha

General Counsel: Gao Zhanxiang

Chairman: Kong Linzi

Executive Vice President: Lin Jing Lan

New Guofeng Documentation Room

The New Guofeng Documentation Room is the window of the "New Guofeng Editorial Department", the organizer of the National Youth and Children's Writers Network, and is divided into "media reports" and " "Picture and Text Exhibition Hall" is divided into two parts.

Among them, "Media Reports" contains the original reports about the New Guofeng Editorial Department from the People's Daily, Guangming Daily, China Culture News and other media; the "Picture and Text Exhibition Hall" contains the famous writer Wei Wei and famous lyricists held by the New Guofeng Editorial Department. Pictures of various activities attended by Qiao Yu, former member of the Central Commission for Discipline Inspection, General Yue Xuanyi, editor-in-chief of New Guofeng, and other related graphic and text materials. The New Guofeng Editorial Department is managed by the Chinese Writers Association, sponsored by the China Xiao Jun Research Association, the China Liberated Areas Literature Research Association (the first president is the famous writer Wei Wei, directly affiliated to the Chinese Academy of Social Sciences), and the Chinese Music and Literature Society of the Ministry of Culture (the president is the famous A national authoritative literary editing organization co-organized by lyricist Qiao Yu. Its sponsor, "China Xiao Jun Research Association", is a national first-level literary group declared by the Chinese Writers Association, approved by the Central Propaganda Department, and officially registered by the Ministry of Civil Affairs. It is a famous revolutionary writer in my country, a pioneer of anti-Japanese war literature, and a loyal disciple of Mr. Lu Xun. Named after Comrade Xiao Jun. Zhang Yumao, member of the Standing Committee of the National People's Congress and vice chairman of the Central Committee of the China Democratic League, is the president of the China Xiao Jun Research Association, and former Navy political commissar Li Yaowen is the consultant of the China Xiao Jun Research Association.

New Guofeng (China Society Academic Group)

In May 2008, Wang Zesheng, a member of China Society, defined "New Guofeng" as a traditional Chinese vocabulary. "New national style", as the name suggests, is relative to the national style. National style is the essence of the Book of Songs. Folk songs of the Zhou Dynasty reflect the real life of the working people and the people's ideals of striving for a better life. They are the source of my country's realist poetry. Therefore, the new national style comes from specific concepts in traditional culture and is compatible to a certain extent. It can generally refer to the style of articles - the traceability phenomenon of literature, the innovative trend of Chinese studies, the return of traditional culture, etc. The objective existence of humanities and the scope of the concept of new national style have greatly broken through the limitations of the narrow poetry themes and genres in the traditional sense. The new national style is a "great classic of literature" that is creating a new form of Chinese classical literature with new content in the contemporary era.

The main conclusion of the "atavism" of traditional Chinese culture and classical literature formed by the new national style is a direct product of the continuity of the development of Chinese civilization. The main part of Chinese civilization is Han culture, the materialized classical civilization. The realist characteristics of national style have given inspiration and strength to literary reformers of all ages. As early as May 4, 2007, the China Society Academic Group—Wang Zesheng and Jiang Hongyan—published the famous programmatic document on Ci and Fu, the Declaration of the Chinese Ci and Fu Reform Movement, thus erupting the Ci and Fu reform movement and creating a glorious path for the Chinese Society of Ci and Fu. In mid-September 2007, China News Service diplomat Mr. Jiang Hongyan attended the World Chinese Poetry Conference in Beijing and drafted three important documents: "Outline of the Sinology System", "Declaration of Parallel Prose Reform", and "Declaration of the Innovation Movement of Chinese Poetry" drafted by Sun Never Set. Submitted to the Presidium of the General Assembly. At this point, the academic outlines of the disciplines of contemporary Chinese poetry and new ancient literature have taken shape. The leap from the innovation of Ci and Fu to the field of classical poetry is an inevitable literary law. Thus, this has prepared one of the most important theoretical sources for the "New National Style Theory".

The new national style is the signal of China, this ancient oriental country, in the cultural field. The new national style is the "road to revival" of classical poetry. However, after classical poetry accepts the elements of modern civilization, it is just like It is a product of the times with polygenetic characteristics that straddles the boundaries between East and West, classical and modern. The new national style not only advocates the ancient style and new charm, but is also based on the ancient style and transcends the ancient style, creating a new national style, a new context, and a new poetic spirit in the new era. The new national style is a literary ideal. The theory of "source" and "flow" in the "New Ancient Chinese Movement". Life is the source of all literature, and it is also the most vivid source of poetry and poetry. Therefore, the theoretical essence of the "New National Style Movement" is the inheritance and innovation of Chinese classical literature, and it is a great leap forward in literary productivity. In this regard, the fu master Liang Sibo once supported the reform of Ci and Fu, and the famous poet Qian Mingqiang also talked about the reform of Ci and Fu. Poems and poems have been connected since ancient times. Recently, China News Agency once again issued the "Declaration of New National Style". This is another practical source of the new national style thought. New Guofeng.com

A Chinese studies and literature website that advocates ancient styles and new charms.

New Guofeng Huaxia Net

The website takes "carry forward the culture of the motherland, inherit the Chinese spirit, and promote the great rejuvenation of the Chinese nation" as its slogan, and is closely related to the New Guofeng Poetry School and the New Guofeng There is no relationship between the school and the New Guofeng Traditional Culture Promotion Association. "New Country Style" Poetry Magazine

The name of the new poetry magazine, which was founded before the 1990s. It is managed by the Chinese Writers Association and its editorial office is located in Beijing. "World Chinese Poets Creation Award", this award is organized by the World Chinese Poets Promotion Association, the Chinese New Poetry Research Association, the Chinese Poetry Development Research Association, and the New Guofeng Editorial Department to organize famous Chinese poets, poetry critics, and lyricists from recent years. The selected masterpieces from Chinese poetry are authoritative in the Chinese poetry circle. "New Country Style" Poetry Magazine is a popular literary and art publication edited by Ding Kairan and inscribed by He Jingzhi and Xu Fang.

Attached:

He Huoren is a researcher in literature research at the Academy of Social Sciences and the president of "New Chinese Style Poetry Magazine".

The China Mao Zedong Poetry Research Association sponsors the poetry magazine "New National Style", and Yan Shi serves as the honorary deputy editor.

Book name, "New National Style Poetry Journal"

Author: Liu Zhang

Publisher: China International Broadcasting Publishing House

Category: Literature

Publication date: 2004-04-01

Publication date: 2004-04-01

Submission date: 2007-04-06

Formulation: 32

Number of pages: 190 pages

"New Country Style" magazine

New Country Style, popular poetry magazine "New Country Style" "Wind" magazine (mainly publishes new poems).

Author: Editor-in-chief Ding Kairan

Publisher: China Radio and Television Press

Category: Literature

Formulation: 24

Number of pages: 116 pages

Wang Enyu retired in January 1998. He co-founded and served as the editor-in-chief of the popular poetry magazine "New Country Style" and the president of the "Chinese New Poetry Research Association". Wang Enyu is the first generation of working-class poet in New China and the former chief editor of the Literature and Art Department of Workers Daily. Born in Mengjin County, Henan Province on April 27, 1937. He published his first work in 1951. He graduated from Shaanxi Xianyang Machinery Manufacturing School in 1956 and was assigned to work as a technician and assistant engineer at Beijing No. 1 Machine Tool Factory. In January 1979, he entered the Workers' Daily 》Worked as an editor in the Literature and Art Department. He joined the Chinese Writers Association in 1980 and the Communist Party of China in October 1993. He attended the Fifth Congress of Chinese Writers in 1996 and died of illness on the evening of February 6, 2006. He was 69 years old. age. He has successively published influential poetry collections such as "The Voice of Beijing", "Selected Poems of Wang Enyu", "Love Flute", "Moonlight Kisses the Window Screen", "Love Turns Rain into New Green" and "Heart Spring Collection". Three of his poems, "To the Motherland", "I am a Contemporary of New China" and "Descendants of the Martyrs", were selected into "Staying with History: New Selected Poems of Contemporary China" edited by the outstanding poet Ke Yan and the famous poet Hu Jia. Comrade Wang Enyu's "Memorial Seminar" was jointly organized by the editorial department of "New National Style" magazine, the Chinese New Poetry Research Association, and the Beijing Writers Association, and was hosted by executive editor and famous poet Ding Gaoran. Comrade Wang Enyu was one of the first batch of working-class poets to write industrial poems and create works on industrial themes in New China. He eulogized the working class and the achievements of socialist industrial construction throughout his life, and made outstanding contributions to the literature and art cause of the working class in New China. Name: "New Chinese Style Music Album"

Produced by: Beijing Nanhai Audio and Video Publishing House

MAER Production: German STOCKFISH Recording Company

Chief Planner: Liu Zepeng

Producer: Liu Zepeng

Director: Liu Beixian

Producer: Liu Hongtao

Producer: Wei Quntian Xinxin

Artistic Director: Huang Xiaoqiu

"National Style": a great classic of Chinese music and literature. New Chinese Style: Beautiful new Chinese music that spans the boundaries between East and West, classical and modern. For the first time in history, the melodies of the 30 most widely recited folk songs and 30 popular songs in China are collected together. For the first time in history, an orchestra, a pop band, and special instruments provide a comprehensive and innovative interpretation of Chinese classic music.

For the first time in history, China's top musicians and German recording companies have gathered together to devote themselves to it. Every song is the favorite of music fans, and every song is the most treasured music treasure! This set of records not only transcends classical pop music, but also makes the integration of music from various regions more colorful. (Famous music critic Dai Fang).

Album Collection

The four albums of the album contain 60 classic Chinese music. Album I "In That Distant Place" and Album II "Jasmine" perfectly combine classic Chinese folk songs with the essence of music from around the world; Album III "The Moon Represents My Heart" and Album IV "Unforgettable Tonight" boldly innovate cross-strait and three places The catchy melody of a popular song.

Music style

Beautiful, fresh, romantic and joyful. The melodies and rhythms of classic songs are both familiar and innovative, and the fashionable arrangements create unique rhythms. The string instruments are romantic and elegant, as beautiful as the sounds of nature; the wind instruments occasionally sound, filled with youthful dreams; the rhythm of the percussion instruments is lively and joyful; the rhythm of the guitar touches the heartstrings; and the special musical instruments create a unique style.