How to hang banner calligraphy and painting after mounting

Mounted paintings and calligraphy (axes, banners) have hanging ropes, so just hang them straight.

Either way, hanging for a long time, due to the dry indoor air, calligraphy and painting works generally appear ripple (rolling) phenomenon, which needs to be rolled up and stored for a period of time, and then hung in the right season, which will solve some ripple problems. It looks flat and beautiful.

China's paintings and calligraphy are mainly made of silk or rice paper. Its material is thin, soft, durable and easily broken. In ancient times, in order to facilitate preservation and appreciation, people used hemp paper, cloth and silk to mount several layers on the back of paintings and calligraphy, which was called "mounting".

Then gradually beautify, surrounded by thin silk fabrics such as silk, silk, etc., with one or more layers of paper mounted on the back, and add necessary decorations to make the original work more firm and easy to stretch and hang to meet people's viewing requirements. Therefore, mounting is a painting and calligraphy mounting technology developed with the development of traditional painting and calligraphy art.

Extended data:

China's mounting technique came into being with the history of China's painting and calligraphy. According to the historical data preserved today, mounting technology appeared as early as 1500 years ago, and there are detailed written records on the production of mounting paste, anti-corrosion, selection of mounting paper, decontamination, restoration and yellowing of ancient paintings and calligraphy.

In the Ming Dynasty, Zhou Jia wrote Decorative Records, and in the Qing Dynasty, he learned to have a corner on Tuesday. These two works are specialized works that systematically discuss China's mounting.

Mounting, also known as "decoration", "mounting pool" and "mounting back", is a unique technology to beautify and protect calligraphy and painting and inscriptions in China. Mounting is also an art, as the saying goes, three-point painting and seven-point mounting shows the importance of mounting. Once the painting and calligraphy works are mounted, they have the feeling of Mo Miao and become a complete work, which is pleasing to the eye.

The method is to mount the back of the painting and calligraphy works with paper holders, then wrap them with silk, silk and paper, then support them, and then install the shaft or layout. According to the shape, the finished product can be divided into roll, shaft, album and film.

The mounted calligraphy and paintings and inscriptions are convenient for collection and decoration. A Record of Mounting in the Ming Dynasty, A Corner by Tu Xixue in the Qing Dynasty, An Introduction to Painting and Calligraphy Mounting in China by Feng in Modern Times and Painting and Calligraphy Mounting in China by Du Zixiong; They are all specialized works that systematically discuss painting and calligraphy mounting.

With the development of modern science and technology, China calligraphy and painting market appears machine mounting, that is, mounting by high-temperature setting and chemical film pasting. The process of making paste is omitted, and the working efficiency is greatly improved. However, the calligraphy and painting mounted by machine is not easy to uncover, renovate and repair, so the calligraphy and painting with collection value should be carefully mounted with traditional paste as much as possible.

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