Appreciation of Chongyang

Wan Li Anluo, hometown is autumn old phoenix tree.

Yanqi crescent moon is full of rivers and lakes, and it is not lonely in the sunset.

Fallen leaves have no intention of standing still, and yellow flowers are more westerly without owners.

How much do you know about Gan Kun's resentment? Longshan the day before yesterday was like a dream. The poem "Double Ninth Festival" was written by Wen Tianxiang during his imprisonment in the Yuan Dynasty after his arrest. The whole poem has no festive joy and happiness, no youth and vigorous vigor, no pride and lofty expectations of officials. Maybe you can see the shadow of the west wind and horses, but that's just the past tense. It is more dignified, self-motivated, reminiscing and reflecting, but despite this, the whole poem never gives people a sense of depression and frustration. On the contrary, it makes people learn from their mistakes and make people angry. Wen Tianxiang's "Double Ninth Festival" is far more than Double Ninth Festival. It implies the poet's wish: hope to see the sun again, regain the sun, and even hope to come back to life and make a comeback!

"Wan Li fell with the two temples, and his hometown was the old phoenix tree in autumn." It is realism and landscape writing. "Wan Li" refers to the geographical distance, "wandering" refers to himself, and "Wan Li wandering" is actually a portrayal of a person imprisoned in the prison of the Yuan Dynasty. "Two Temples" is a description of his own image in the process of being imprisoned, and it is also a realistic portrayal of his time and situation. "Wan Li's temples are all collapsed", and the image of a prisoner who has been imprisoned for a long time in a prison far away from home is vividly on the paper.

"Wu Tong" is one of the sights that can be seen outside the prison. Seeing this ancient Wu Tong reminds the poet of his hometown. This is writing scenes and touching scenes. There are often many images and meanings in China's ancient poems, including noble character, loneliness and sadness, feelings of parting and so on. I'm afraid the Chinese parasol tree written by the poet here has some meanings. "Old phoenix tree in autumn in my hometown" is the nostalgia for my hometown and old country aroused by the poet's autumn scenery. It is also the poet who uses the phoenix tree to encourage himself and inspire himself, hoping that he can eventually become a useful pillar of the phoenix.

"Yanqi crescent moon is full of rivers and lakes, and Yan is not empty in the sunset lane." It is the poet's yearning and lyricism. Poets wish they could fly freely between heaven and earth like geese or swallows. As we all know, geese are migratory birds, and they fly south in autumn, so autumn is called goose day. Flying south in wild geese is exactly what Wen Tianxiang wants. Swallows will go back to their nests at night and enjoy a happy family life. What a wonderful sight. However, although these are simple, they are beyond Wen Tianxiang's power. Here, the poet arranges them at the mandibular joint, and the strict confrontation shows formal beauty, which not only has the function of connecting the preceding with the following, but also has the intention of transformation. This sentence focuses on revealing the truth. The poet compares himself to a wild goose in the south and a homing swallow, hoping to be free again in the end.

"Why do the fallen leaves set the water, and the yellow flowers are even more westernized?" The neat antithesis of the neckline is the core and soul of this poem. Without this sentence, the whole poem will inevitably fall into the stereotype. With this sentence, the whole poem comes alive: outstanding, unique, elegant and noble. Fallen leaves are almost invulnerable to yellow flowers, to ownerless, to running water and to westerly winds. Spring water is a kind of helplessness, not to mention falling leaves. Going with the flow and letting nature take its course is what everyone is doing, and no one can say for sure.

Of course, the current represents the general trend, and river of no return is unstoppable. Whoever wants to stop the rolling historical trend can only bring self-destruction. As a fallen leaf that is difficult to protect itself, it is even more impossible for any force to have any influence. If a fallen leaf tries to block the running water, it is overreaching. This is the metaphor of Wen Tianxiang in prison. Running water means that the Yuan Dynasty overthrew the Song Dynasty and entered a new historical era. Wen Tianxiang was very sober at this time. At that time, the whole country had fallen, including the then emperor and empress dowager. It is impossible and ridiculous for him to stop this trend by himself. So he used "harmony" and "ding" to enter the poem. "He Xin" can be understood as "having this heart" and "having this concern"

The "Yellow Flower" in "Yellow Flower Without a Master" refers to chrysanthemums, namely Huang Ju and Qiuju. "ownerless" of course means that there is no owner, it is wild and naturally grows.

Chrysanthemum viewing on Chongyang (the ninth day of the ninth lunar month) is one of the folk customs in China. In history, there are countless poems about chrysanthemums and yellow flowers written by literati. Of course, they have their own advantages and disadvantages, which are difficult to distinguish and have different meanings. There are pure hymns, morbid moans, deep affection and murderous look. Huang Chao's "Chrysanthemum" in history: "When this flower blooms on September 8th in Qiu Lai, all the flowers will be killed. Tianxiang penetrates Chang' an and the city is full of golden flowers. " There is a chilling feeling, or Yuan Zhen's "Chrysanthemum": "Autumn shrubs are like Taoist priests, and the more they are surrounded, the more inclined they are. It's not that chrysanthemums are favored among flowers, but that this flower is even more flowerless. "Relatively simple and peaceful.

Wen Tianxiang also wrote yellow flowers and chrysanthemums. Of course, he also values the noble character of chrysanthemum. At this point, he and Yuan Zhen have * * * in common, but Wen Tianxiang emphasized "ownerless" and "ownerless" made Wen Tianxiang even more proud, because the emperor surrendered, which in turn persuaded him to surrender. It is totally unreasonable to say that Wen Tianxiang was loyal to the small court in the Song Dynasty.

Therefore, Wen Tianxiang's explanation of his behavior with "ownerless" is also a refutation and counterattack against his "foolish loyalty" throughout the ages. He is telling the world that his anti-Yuan action is conscious and automatic, not directed by others. He did this for the ideal in his heart, for the righteous cause of the nation and for the inheritance of Chinese civilization.

He wants to comfort future generations, and the ownerless yellow flower stands tall and never gives up. The cold west wind is nothing at all. The cold west wind can only sigh and be helpless. Therefore, Wen Tianxiang used the word "Geng" to let future generations know that the ownerless yellow flower is the "Geng" above the west wind. The profound meaning here can only be understood by listening attentively.

"He knows how annoying he is. Longshan was like a dream the day before yesterday. " This sentence is a review and reflection, and it is the end.

"Longshan" is the birthplace of the Chinese nation, also known as "Fangshan". Fangshan refers to the area between the two mountains at the southern foot of Songshan Mountain in Zhongyue, where the Xia people lived and multiplied, and also the birthplace of the first dynasty Xia Yuguo in Xia Dynasty and China-Dengfeng, Henan. Xia Hou moved from the northern foot of Fangshan Mountain to the shore of Shui Ying at the eastern foot of Fangshan Mountain, namely Xiayi, the summer capital, and Yuzhou, Henan Province. Fangshan Shui Ying is the birthplace of Chinese nation, Chinese nation and Chinese civilization. Of course, the "Longshan" here in Wen Tianxiang also has its own hidden pain.

References:

1, Himalayan Chongyang