Who knows the songs of the Red Army? [At least nine songs]

The singing of fighting spirit will always accompany the history of our army.

Our army attached great importance to the role of revolutionary struggle songs in the early days. In the resolution of Gutian Conference (1929 65438+February), it was stipulated that "the political departments are responsible for collecting and compiling ballads expressing the people's various revolutionary emotional struggles, and the military and political departments are responsible for supervision and investigation."

There are more than 200 battle songs produced during the Second Revolutionary Civil War, which are still sung and published in books. These battle songs completely reflect the battle course of the Chinese Red Army of Workers and Peasants in this period. Including 1927, the battle song "August 1st Uprising" produced during the founding of our army, as well as the battle songs in various historical stages, such as the joining forces of Jinggangshan, the establishment of revolutionary base areas, the five counter-campaigns against "encirclement and suppression" and the Long March, which continued until 1936+05438+08, the victory of the first, second and fourth armies of the Red Army. The lyrics of these works are vivid and simple, and most of them are composed of tunes of folk songs, ancient songs or other Chinese and foreign songs, which are catchy and easy to spread. Among them, there are battle songs that closely combine a certain battle with military operations, such as Song of Re-occupying Zunyi, Song of Victory in Crossing the River, Song of Cavalry Fighting, and so on. In particular, the song "Three Disciplines and Eight Notices" is one of the iconic songs of our army produced during the Red Army period, which embodies the purpose, mission, discipline, morality and fighting spirit of our army.

During the period of War of Resistance against Japanese Aggression, the creation and singing of war songs were unprecedentedly high. Now there are more than 1000 anti-Japanese war songs in one book, which has played a great role in mobilizing, uniting and inspiring the whole nation in the war of resistance. March of the Volunteers, which appeared in 1935, became the strongest voice of the times calling for and inspiring the Chinese nation to resist Japan and save the nation. Today, March of the Volunteers has endowed the Chinese nation with the spirit of the times of being prepared for danger in times of peace and striving for self-improvement and has become our national anthem. At the same time, the national salvation March appeared in 1936, the sword March appeared in 1937 after the July 7th Incident, went to Taihang Mountain, went to the enemy's rear and guerrilla song appeared in 1938.

Our national anthem and military songs were both born in the period of War of Resistance against Japanese Aggression. 1939 The birth of the Eighth Route Army's military songs, the Eighth Route Army's March songs and the New Fourth Army's military songs marked the vigorous development of our army's military songs and battle songs. 1In July, 988, the Central Military Commission issued an order, officially confirming the March of the Eighth Route Army as the military song of the China People's Liberation Army. This shows that the traditional military songs born in the era of millet plus rifle also have the fighting spirit of condensing the essence of our army.

During the Third Revolutionary Civil War, the creation of war songs developed rapidly. The battle songs produced in this period are not only fresh in the memory of old comrades, but also the soldiers who grew up under the five-star red flag, who grew up singing the battle songs born in the war. For example, Battle March, Fight when you say it, Fight well, I carry a gun for the people, and have an enemy annihilation contest. Together with the war songs of previous historical periods, it has been well inherited in the era of peaceful construction, and has played a special role in improving and consolidating the combat effectiveness of the troops, cultivating the fighting spirit of the officers and men, and carrying out national defense education for the whole people.

After the founding of New China, at every historical stage, many excellent works reflecting the fighting spirit emerged in our army. For example, the battle song of the volunteers, which was born in 1950, has long been recognized by history as the symbolic musical image of the volunteers. I am a soldier, which was produced in the same year, is a representative song which was produced in the transition from the war years to the peace construction period. Songs that embody the fighting spirit of this period show the fighting life of our army's multi-services and arms to carry out large-scale training, and eulogize the sacred mission of defending the motherland and the iron and blood fighting will of officers and men. Such as March of the People's Navy, Eagle of Mao Zedong, I Love My Motherland, Why Being a Soldier is Glorious, March, Song of Coastal Soldiers, People's Army Loyalty to the Party, Riding a Horse with a Gun, Waiting for Sailing, Sailors Returning to the Coast, Hero Car Driver, etc., are widely spread inside and outside the military. These works are not only circulated in military camps, but also familiar to the broad masses of the people.

The expansion of the theme and genre of songs in this period embodies the fighting spirit, promotes the innovation of form and style, and adds its artistic charm. For example, the chorus "Heroes Crossing the Dadu River" and the solo "Singing Erlang Mountain" reflect the fighting spirit of our army marching into the southwest frontier, giving people a refreshing feeling in music selection and form and style. "How delightful!" It is the first masterpiece that reflects the feelings of recruits when compulsory military service is implemented. "As tall as two boys" shows the fighting spirit of two high-altitude artillery fighting against enemy planes and the virtue of mutual humility in the face of honor. "The Return of the Condor" is a queue song with a good combination of situational and characterization, which has been circulated for more than 40 years and is often sung and covered. The important works in this period include the Long March song "The Red Army is not afraid of expedition". This group of works not only vividly shows the difficult course in the Long March, but also each song embodies a very personalized fighting spirit.

When history enters a new period of reform and opening up, the song creation and singing activities that embody the fighting spirit of our army have made new development. Its main features are new theme concept, new lyric language and new formal style. The lexical style, the embodiment of ideological values and artistic temperament of the song Soldier is an innovative example of creating queue songs in the form of the integration of lead singer and chorus. 1234 song, army rhythm, I follow the motherland 12 1 etc. They all started with the password of marching in procession, extended the meaning from different angles, and sang high morale. The history of being a soldier, the men in the barracks and so on. From today's very realistic social value orientation, it opens the first sound of the integration of jump-in-line songs and pop songs.

We are also delighted to see that from the eight songs of "Military Virtue" to the military songs with various themes and genres that have emerged since the new period, they have consciously integrated into the main theme of the fighting spirit. Such as Night in a Military Port, Little White Poplar, Dream of Rocket Soldiers, Soldiers from East, West, North and South, Heaven and Peace and Prosperity. , embodies the fighting spirit of military life at all levels.

You are not a hero until you reach the Great Wall —— Duan Yaping, a Red Army song [Northern Music] on the way to the Long March

Understanding of the nationality and times of the music "Long March Songs-The Red Army is not afraid of expedition" [Journal of Teaching and Management (Theoretical Edition)] Li Li

The influence of religious policies in the Long March of the Red Army on China's religious work [Journal of Nanjing Institute of Technology (Social Science Edition)] Xiang Li

The strategic response of the revolutionary struggle in eastern Fujian to the fifth anti-encirclement campaign and the Long March of the Central Red Army and its strategic support for the revolutionary struggle in eastern Fujian and its support for the fifth anti-encirclement campaign of the Central Red Army. "Journey" and the Long March [Teaching of Party History] Xiong Liu

The situation and reasons why the Central Red Army assembled in the viceroy and set off for the Long March [relics from the south] Peng

On the Slogan of the Long March —— Talking about the Slogan of the Long March

Resist the enemy in Wuqi [Fujian Party History Monthly] Frye

Unforgettable Red Soviet Area Ninghua [Fujian Party History Monthly] Wang Qinghua

The Red Army spread the spirit of kindling to inspire future generations (generation conclusion) [Guizhou today] Liu Zhixue and Yu Furen

Ideological Revolution of Yan 'an Colleges and Universities in Wang Mingqin during the Anti-Japanese War

Geographical environment and the Long March of the Red Army [Journal of Capital Normal University (Social Science Edition)] Ma Peiying

Changting: the hometown of the Red Army and the starting point of the Long March [Fujian Party History Monthly] Huang Xiurong

Carry forward the spirit of Everbright Long March [Tianjin People's Congress] Bao Yang

The strategic response of the revolutionary struggle in eastern Fujian to the fifth anti-encirclement campaign and the Long March of the Central Red Army and its strategic support for the revolutionary struggle in eastern Fujian and its support for the fifth anti-encirclement campaign of the Central Red Army. "Journey" and the Long March [Teaching of Party History] Xiong Liu