Bandit slogan

Li Shutong's Farewell is adopted at the beginning and the end of Let the Bullets Fly, but I think the artistic conception at the beginning and the end is completely different. Who will say goodbye at the beginning? I think this is a true portrayal of Jiang Wen's heart. Mountains and rivers flow, and intimate friends are hard to find. To those friends who share my interests and contribute to the film industry in China. Maybe it's for Zhang Yimou. I once had Alive, Red Sorghum and Red Lantern Hanging High. May be sent to Chen Kaige, the unfortunate man who was knocked down by steamed bread and left sequela, and still can't stand firm. It's a pity that there are China films with China characteristics, such as Yellow Land, Farewell My Concubine, Romantic Moon and Jing Ke Stabbing the King of Qin. I think this is their movie dream, to let the world know about China and let the children know about the past. Today, Jiang Wen is the only one who has struggled tenaciously for the China film industry with China characteristics, which is very pitiful. .

Huang Shilang said that Pockmarked Zhang is not an ordinary county magistrate. And pockmarked Zhang is by no means an ordinary gangster. Pockmarked Zhang said to a group behind his back, my name is Zhang. I am the captain of the pistol team who fought against General Songpo. I belong to the regular army, but despite my ambition, I finally became a fugitive. What a clever metaphor. A general needs to imprison his soul in the body of a robber. Let the Bullets Fly is an autobiographical film by Jiang Wen. Then the role played by Jiang Wen is naturally himself. From the conversation between Pockmarked Zhang and a group, we can see how helpless Jiang Wen is. Who is Zhang? I think it is Jiang Wen's comparison with Yuan (a famous director in China's early period, whose masterpiece is China's classic film Street Angel), and it is also a tribute to Yuan, a great director of the older generation. I am also a regular director who graduated from the Central Academy of Drama. What the director has to do is to truly convey his ideas to every audience. However, the film censorship system in China left me completely helpless. I can only hide like a bandit. Sadly, my biggest enemy turned out to be to cultivate my China film system. I can only try my best to fool the censor first, and then convey my ideas to the audience in a subtle way. . . How many people can understand me?

{Bully Huang Shiro refers to the film censorship system in China, so there is no need to be so polite. Huang Shiro, yellow shit wolf, or maybe a weasel, are closely related to stink anyway. The "tall and hard" at the Hongmen banquet should mean that the audit system is as smelly and hard as a stone in the toilet. Unfortunately, I have only seen it once, but I don't remember much, otherwise many lines will become more meaningful.

Ge You's crazy gang refers to commercial movies. So Mudd's image can be said to be heartless, thinking about money. He followed Nuo Nuo and kowtowed to the dung beetle. As long as you have money, nothing matters, even if your wife dies, or if you oppress the people. So he finally found the best place to belong. Die in the grave of money. The death of Maddie Gang is more like Jiang Wen's sigh about the future of China's films. China's movies will eventually die out in business, and there will be no real movies in China.

The symbol of Jiang Wen in the film is the art film. From his conversation with Xiao Liu (in fact, Xiao Liu represents his second work "The Devil Comes") about Mozart, he has always hinted that he likes and advocates art, and at the same time lamented that China has no fertile soil for art, so he told Xiao Liu to send Xiao Liu Qu to study abroad in the future, because there is more fertile land there, which is more suitable for art to take root. On May 2 1 2000, The Devil Comes won the jury prize of the 53rd Cannes International Film Festival. In 2002, he won the Best Foreign Language Film Award in Japan's "Daily Film Award". However, it is painful and sad that Jiang Wen is banned in China. In this way, The Devil Comes has become a movie with flowers in the garden and incense outside.

I have only seen this film once, so I may not remember it clearly. Intercept what I remember and express what Jiang Wen really wants to say.

Jiang Wen: "How to make money by making movies?"

Ge You: "In order to please the film censorship, we will shoot whatever he asks us to shoot. We cheated him of his money first. Then after filming, cheat the audience of money, cheat the audience of money. Then divide it with China Film 37. "

Jiang Wen: "So our director is like a beggar, kneeling to make a movie?"

Ge You: "Making movies is similar to begging. To make money, you can only kneel. "

"Jiang Wen slammed the official logo on the table:" I have artistic accomplishment. "

[Ge You smiled: "Don't be ridiculous, art can't be eaten."

Jiang Wen then threw a pistol: "I have a gift."

Ge You smiled more happily: "Don't mess around, talents are useless. You can't play with them. If you want to eat, you can only kneel. "

Jiang Wen: "I don't believe this. I have to stand and earn money. "

Ge You: "If you don't make money from the poor, whose money are you going to make?"

Jiang Wen: "Which is the best, which is the best. I will earn his money, which shows Jiang Wen's determination to fight against film censorship. "

Ge You: "I can't go to the hongmen banquet. Going to Huang dung beetles will block your movie again. "

Jiang Wen: "Who set up the Hongmen Banquet?" :L# y+ p$ s '？ 3 |

Ge You: "Xiang Yu"

Jiang Wen: "Who won in the end?"

Ge You: "Liu Bang."

Here Jiang Wen compares himself to Liu Bang and compares the auditing system to Xiang Yu. He firmly believes that he can fool the audit again.

"No beauty, no money, what do you want?" ,

As a gangster, the gangster was named Jiang Wen by China film system. Jiang Wen himself never admitted that he was a bandit. I can't find the bandit spirit in the gang he plays. Some people are just angry. Hemp bandits are Jiang Wen's self-mockery. Let me be a bandit. But I don't do what bandits should do. I make movies not only to make money, but also to convey my thoughts. Money is not important to me. I don't want to make money from the Lebanese people. I rob investors, I rob China movies. So there was a scene where bandits gave money to the people and Huang dung beetles robbed the money. Insulting China's film system, China's commercial films are the real bandits. . .

Then, I said from the beginning that Let the Bullets Fly is an autobiographical film by Jiang Wen. Then simply divide "Let the Bullets Fly" into four pieces, representing the four works directed by Jiang Wen.

At the beginning of the movie, Ge You and his wife were eating hot pot and singing, immersed in a happy atmosphere. Jiang Wen led his brothers on a roll, from grabbing the train to going to Goose City, everything was done neatly. Just like 1994, Jiang Wen's debut, Sunny Days, made Jiang Wen an instant hit, shocked the world and won honor and aura. From then on, a China director named Jiang Wen appeared in the world film industry, and a talented and cutting-edge director was born in China. This passage gives people the feeling of flowing water, with a very relaxed, smooth and cheerful rhythm. . .

Since Jiang Wen took office, the struggle against the dung beetle has started. The film entered the heaviest paragraph of the whole article. Carina Lau is dead, and Liu Ye Jr. is dead. Do you think Xiao Liu's death and Here comes the Devil died? Xiao Liu mentioned just now actually represents Jiang Wen's second work, The Devil Comes. After the success of Sunny Days, it took Jiang Wen six years to create an amazing work, The Devil Comes. Zhang Mo is called Xiaoliu because The Devil Comes is the painstaking work of Jiang Wen for six years. Undoubtedly, it is also the best film in Jiang Wen's existing works, and it may also be the film that Jiang Wen devoted the most effort to. From Jiang Wen's calling Xiao Liu his son, we can know that Jiang Wen attached great importance to the arrival of the devil, but this son also suffered the biggest blow to Jiang Wen. Because of insulting mother's beautiful face, Jiang Wen was banned. A director is deprived of the right to direct a film, just as a doctor has no scalpel and a blacksmith's hammer is confiscated. But "The Devil Comes" made Jiang Wen shine in various foreign film festivals. Ironically, catheters were banned in China, but they laid the foundation of masters abroad. What are crocodile tears? People tell you that your movie is really good, and it must be a classic. But unfortunately, he can't show it. The banning of "The Devil Comes" is also the fuse of the struggle between Jiang Wen and China on film censorship. Facing the tombstone made by that gesture, Jiang Wen made up his mind to say, "Xiao Liu, I want to avenge you. . . '

After seven years of hard work, Jiang Wen released his third classic, The Sun Also Rises, which showed Jiang Wen's courage to the greatest extent. At the same time, it also expressed Jiang Wen's indignation at the film censorship system. The Sun Also Rises is a serious work of Jiang Wen and film censorship. The more you don't let me shoot, the more I want to shoot. So Jiang Wen took great pains to wrap up what he wanted to express at that time. Jiang Wen finally won the battle with the film censorship, and Jiang Wen cheated the film censorship with his own talent. But it's a pity that Jiang Wen's film lost, because he not only cheated the film censorship system, but also left the audience in a deep fog. Because the packaging is too deep and obscure, it has become the label of The Sun Also Rises. In the movie Let Bullets Fly, the symbol of Shao Bing, the second child, is The Sun Also Rises. The second child represents Jiang Wen's second film that was sacrificed because of film censorship. Shao Bing's death also heralds the end of the third film. Ge You's death represents the end of the business sector. What's next? Next is the beginning of the real Jiang Wen movie "Let the Bullets Fly".

When the film entered the fourth stage, it began to become crazy, and the crazy Jiang Wen completely broke out in anger at the film censorship. Jiang Wen seems to be telling every audience, have you seen it? I'm back. This is the real Jiang Wen. Jiang Wen came out of that era. Banners, slogans and shouts all condensed the breath of that era. Jiang Wen once again expressed his patriotic feelings at the end of the film. Expressed his deepest desire. There will always be many people who say that Jiang is a conspiracy. How can a narrow-minded person really understand Jiang Wen? Personality, like music and movies, has no national boundaries and no language barriers. A person's shortcomings should be corrected, not covered up. At the end of the film, Jiang Wen's thoughts expressed in The Devil Comes are conveyed again. Jiang Wen scattered money all over the street, but no one dared to rob it. When the night passed, the ground was spotless, as if it had been washed by a heavy rain. People want money, but they dare not take it, for fear. When yellow dung beetles's carriage ran across the street, silver rained back into yellow dung beetles's pocket. Because of fear, I dare not fight for it, dare not imagine it, and imagine a better tomorrow. The second time Jiang Wen gave the gun, he scattered it all over the street. Guns symbolize power here. Similarly, ordinary people can only get it secretly in the dark. The next day, Huang Shirang drove a carriage to collect the gun and was killed by Zhang Mazi. However, when Pockmarked Zhang waved his arm in the street and called on everyone to attack the dung beetle, although people had guns in their hands, no one responded. They still chose wisdom and wait and see. And isn't this the China people in Jiang Wen's The Devil Comes? Timid, cowardly and full of servility. When Jiang Wen cut off body double's head in the square, people were truly endowed with humanity. This is what Jiang Wen has always wanted to express: the sorrow of history, the sorrow of human nature, lamenting his misfortune and angering him.

Here, what Jiang Wen really yearns for is that he knows very well that he can't fight against China's film censorship by himself. He is eager for the help and strength of the people. In Jiang Wen's thought, people are the real masters of society. As long as everyone can bravely stand up for what they want and contribute to those unfair systems, even if it is a small one. We can destroy one Kaiping watchtower after another. We can get the best, what we really want. As viewers and fans, we hope that every classic can be presented on the screen.

I think this should be the film review you want? O(∩_∩)O~