China calligraphy celebrity brush calligraphy works?

Brush calligraphy is a font writing form of China's calligraphy, which is very distinctive and contains rich historical and cultural connotations. The calligraphy works created by famous calligraphers in China are very beautiful. The following is what I arranged.

Pictures of calligraphy works written by calligraphy celebrities with brush.

Brush is a unique writing and painting tool, which has different feather writing styles between ancient Han nationality and western nationality. Although pencils, ballpoint pens, pens, etc. In today's world, the writing brush is irreplaceable. It is said that the writing brush was created by Meng Tian, so Houdian, Hengshui County, Hebei Province has been called the hometown of writing brush so far. On the third day of the third lunar month, the creation of writing brush was celebrated by drinking to commemorate Meng Tian, just like the China New Year. Since the Yuan Dynasty, the "Hu Bi" produced in Huzhou, Zhejiang Province has become the most famous brush variety in China with the characteristics of "sharp, neat, round and healthy". Brush has different names in past dynasties. During the Spring and Autumn Period and the Warring States Period, princes were heroes. At this time, countries have different names for writing brushes. Wu * * * today Jiangsu * * is called "law", and Chu * * * today Hubei * * * is called "inserting * * * bamboo * *". Bai Juyi called the pen a "millicone", and the poem "Send Micro" said: "The eyes are as sharp as a cone."

Celebrity writing brush calligraphy works

Lake brush is free and durable, and is known as "the cleverness of brushwork is the best in the world". Hu Bi's origin is Shanlian Town, Wuxing District, Huzhou City, Zhejiang Province. Taicang Brush is located in Taicang Village, pingle town City, Jin Meng. Taicang Village is named after the location of the ancient royal granary, with a total population of 1 100, with Pan accounting for more than 95%. The history of Taicang brush-making is well documented, which began in the Qianlong period of Qing Dynasty and reached its peak in the late Qing Dynasty and the Republic of China. At that time, there were dozens of brush makers in Taicang Village, among whom Pan Youwen, Pan Yunsheng and Pan Taisheng were very famous, and these names became their own names. Xi 'an has two brush shops specializing in Taicang brushes. Taicang writing brush is characterized by sharp nib, fullness and roundness, strong ink absorption, soft but not soft to use, smooth and flexible. At that time, Taicang brush was sold to Shaanxi, Shanxi, Gansu, Inner Mongolia and other provinces and regions, and enjoyed a long-standing reputation in the northern region. Among them, the small pen is the most famous, and it has become an indispensable bookkeeping tool for businesses. Taicang brush was also favored by the official department of the Qing court and became a pen for writing daily official documents. Most of the Mao writers in Taicang Village are Pan Shi, and at their peak, they were called "South Lake and North Pan".

Application mode of brush

The nib of a brush is mainly composed of a nib and a pair of bristles. The so-called brush tip refers to a cluster of long and pointed parts in the center of the brush tip, and the so-called mane refers to some short hairs wrapped around the brush tip. In the process of writing, pen and assistant play different roles unscathed. Brush stroke is the most elastic place in brush stroke, which determines the direction and strength of brush stroke, so there is a saying that "brush stroke dominates bones and muscles" However, the brushwork with bones and muscles but no flesh and blood is not beautiful. Therefore, calligraphers of past dynasties did not use only one * * and one * * but must use one. Secondary fur controls the thickness of strokes. The more contact the secondary hair has with the paper, the fuller the strokes will be. Therefore, there is also a saying that "the deputy is flesh and blood." In the process of calligraphy, calligraphers always coordinate the use of pen tips and auxiliary brushes according to their own aesthetics. People who attach importance to bones and muscles and take thinness as beauty use less hair; And those who emphasize both bones and muscles and flesh and blood, and take fullness as beauty, must use it more.

The tip of a brush can be roughly divided into three parts according to its position: the tip * * * front part * * *, the middle part of the abdomen * * *, and the joint between the root and the pen holder * * *. Then the part from the pen tip to the pen belly is divided into three equal parts, the part near the pen tip is called a minute pen, the part from the pen belly to the pen tip is called a minute pen, and the part from the middle part to the pen tip is called a minute pen.

Obviously, when writing with one stroke, the strokes appear slender. For example, calligraphers Chu Suiliang and Xue Ji in the early Tang Dynasty often used this method. Song Huizong's "Thin Gold Book" is also a prominent example; Written in dichotomy, the strokes are round and handsome. For example, Liu Gongquan in the late Tang Dynasty and Zhao Mengshun in the Yuan Dynasty used the dichotomy. Writing with three-point pen, the strokes appear plump and vigorous. For example, Yan Zhenqing in the middle Tang Dynasty and Su Dongpo in the Song Dynasty.

Generally speaking, writing with three-point pen is the limit of using pen. The ancients said that "the pen is not waist-high". Such as "waist" pen, first, it is easy to appear "ink pig", and the nib can not bounce back when it is lifted; Second, it is easy to cause the pen tip to open and close; Third, the service life of the pen is greatly shortened. For beginners, there are often two extremes: first, they dare not scatter words, and write with a pen tip alone, making words look delicate and weak; The second is to spread it out at will, or even write with the root of a pen, and the words appear bloated and warty. Therefore, beginners should first pay attention to the correct pen posture.