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What works did Guo Moruo publish after the founding of the People's Republic of China?
Guo Moruo's "prolific" poems after the founding of the People's Republic of China are the immediate products of his enthusiastic concern about China's achievements in socialist construction, class struggle and various "movements" and his observation of international affairs. From the movement to defend world peace in the 195s, the Korean War, the "three evils" and the "five evils", the promulgation of the general line in the transitional period, the opening of the Yangtze River Bridge, the completion of the Ming Tombs Reservoir, the proposal of the policy of "letting a hundred flowers blossom", the Great Leap Forward movement, the steel smelting movement and the people's commune movement, to the literacy movement, the prevention and control of cotton aphids, the elimination of "four pests" and so on, he was absorbed in the pen.
In p>1958, in order to publicize the policy of "letting a hundred flowers blossom" put forward by Mao Zedong, Guo Moruo spent 1 days, selected 1 kinds of flowers as the topic, and wrote 11 poems, which were collected as "Let a Hundred Flowers Bloom", which was published by People's Daily at the rate of one poem almost every day for nearly three months. This group of poems was obtained by the poet's painstaking efforts, and in the "introduction" written when the first three short poems were published, he asked readers to "give me some details of exotic flowers and plants in various places". The poem "Let a Hundred Flowers Bloom" is structurally expressed as a formula of "image description-a political concept", that is, from the description of a certain feature in the form and texture of flowers to the explanation of political propositions. From the daffodils' living only by a spoonful of water and a few stones', it was linked to the slogan of "save as much as possible" put forward by the general line at that time, saying that it was a "promoter" of "live sparingly, live fast, live well and live much more". ..... "Let a Hundred Flowers Bloom" can be said to be a precedent from the folk songs of the' Great Leap Forward' to the simple object-chanting poems that were popular in the 196s and 197s. "
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