How does the strange script shark ignite the reputation of the show?

"Xu Lang, I am Su Zhen." Su Su, who had just been released from the darkroom, seemed to be going crazy. She looked at the guests participating in the script and backed away cautiously. After a few steps, full of tears, "You are no longer my betrothed." After saying this word by word, he walked towards the stage alone. In this episode of the variety show "Strange Script Shark", proudly produced by iQiyi Video and co-produced by Molecule Entertainment, the sincere interpretation of the show's NPC moved thousands of people, and it became a favorite scene of the show director Yu Hangying.

As the founder of Molecule Games Entertainment, although this production company has continuously released high-quality variety shows in recent years, the project that allowed the boss to return to personally serve as a producer was the last time or four. The world's first game variety show "The King's Attack" is as pioneering as it was two years ago. But standing at the intersection of the development trend of script killing and the transformation and development of variety shows, what is the most important creative feature of this program for domestic variety shows? Can its changes and explorations change the tide of this type of variety show in the future?

Breaking the boundaries of traditional script killing to meet users’ dual “immersion” needs

Compared with other outdoor reality shows, script killing has a higher demand for storylines and scenarios. It will be more than the past when the outdoors was just used as a story location or environment. Especially the costumes in the first episode will have more traditional cultural significance for various details. It is obvious that the restoration of clothing with too strong commercial aura or fake and empty clothing cannot really satisfy the aesthetic interest of the majority of the audience. In terms of mastering cultural visual effects, "Strange Script Shark" seems to have spent a lot of thought on it.

On the one hand, the program incorporates various gameplay features of script killing into the shooting concept of outdoor variety shows to a large extent, whether it is "timeline" arrangement on the screen, or It reveals the "topography" and "location" of the entire ancient town through high-definition aerial photography, allowing the audience to go beyond simply watching the show in the past and truly immerse themselves in it, achieving intellectual reasoning and immersive experience. two-way requirements.

On the other hand, many scenes in the program look back to the original theater pavilions, pavilions and pavilions, displaying the beautiful ancient style brick by brick. A wave of green reflects on the wall. In the Kunqu opera building, there are not only garden scenery, but also people in the scenery. The wind blows from the water palace, and the lingering sound echoes around the beams. The graceful and elegant area forms the background color in "Qingcheng's Lost Dream". Coupled with game props such as old-fashioned radios, promotional poster tapes, and old versions of 2 cents, the overall script is very in line with the times.

Creative gestures are more important

In summarizing, Wei Daxun mentioned the limits of love, "We still need specific methods, and you still have to be a gentleman who loves money." Ran Gaoming also said from the perspective of culture and art From the perspective of Wang Yuan, "We hope to use scripts as a medium to allow everyone to understand Chinese culture like Kunqu Opera"; Wang Yuan expressed his agreement, "Chinese culture needs to be passed on"... Although the program revolves around the story of the murderer and the murderer. , but there are many dramatic designs with a focus on history and humanities, which make this kind of touching feeling linger. The audience's empathy has practical support, and it is precisely the longevity of this program that can be re-evaluated by users after the event.

Abandoning the complicated logical judgment and level-breaking games, "Strange Script Shark" pursues a more thoughtful and immersive story presentation that is more intimate. In the end, Susu left the theater step by step, and the whole place was quiet, focusing on the most touching little things. The show was also looking for a climax with positive values. As Yu Hangying mentioned in the writing notes shared during the broadcast, "The ever-changing life path of love and resentment behind the script-killing role-playing game gave the program support from everyone and brought sufficient focus to the writing. "Although the director made up the story of love, hatred and hatred in the script, it is our responsibility to carry forward the lasting charm of Kunqu opera." Aiming at an audience that is mainly young people, "Strange Script Shark" not only seeks people's support, but also fulfills its own responsibilities. This is probably why the program has such a good reputation.