Cannes slogan

Li Shutong's Farewell is adopted at the beginning and the end of Let the Bullets Fly, but I think the artistic conception at the beginning and the end is completely different. Who will say goodbye at the beginning? I think this is a true portrayal of Jiang Wen's heart. Mountains and rivers flow, and intimate friends are hard to find. To those friends who have common interests and contributions to the film industry in China. Maybe it's for Zhang Yimou. Old Mouzi once had Alive, Red Sorghum and Red Lantern Hanging High. May be sent to Chen Kaige, the unfortunate man who was knocked down by steamed bread and left sequela, and still can't stand firm. Unfortunately, there are Yellow Land, Farewell My Concubine, Romantic Moon, and Jing Ke Stabbed the King of Qin, which are truly China movies with China characteristics. I think this is their movie dream, to let the world know about China and let the children know about the past. Today, Jiang Wen is the only one who has struggled tenaciously for the China film industry with China characteristics, which is very pitiful. .

To paraphrase Huang Shiro, he said that Pockmarked Zhang was no ordinary county magistrate. And pockmarked Zhang is by no means an ordinary gangster. Pockmarked Zhang said to Ma De and his party at the back, My name is Zhang Muzhi. I am the commander of the pistol team, fighting General Songpo in the south and north. I belong to the regular army, but despite my ambition, I finally became a fugitive. What a clever metaphor. The general needs to imprison his soul in the body of a robber. Let the Bullets Fly is an autobiographical film by Jiang Wen. Then the role played by Jiang Wen is naturally himself. In the conversation between Pockmarked Zhang and Ma De, we can see how helpless Jiang Wen is. Who is Zhang? I think this is a comparison between Jiang Wen and Yuan (a famous director in China, whose masterpiece is China's classic film Street Angel), and also a tribute to Yuan, a great director of the older generation. I am also a regular director who graduated from the Central Academy of Drama. What the director has to do is to truly convey his ideas to every audience. However, the film censorship system in China left me completely helpless. I can only hide like a robber. Sadly, my biggest enemy turned out to be to cultivate my China film system. I can only try my best to fool the censor first, and then convey my ideas to the audience in a subtle way. . . How many people can understand me?

{Huang Shiro's bully refers to China's film censorship system, so there is no need to be so polite. Huang Shiro, the yellow wolf, or maybe the weasel, is closely related to the bad smell anyway. The "tall and hard" at the Hongmen banquet should mean that the audit system is as smelly and hard as a stone in the toilet. Unfortunately, I have only seen it once, but I don't remember much, otherwise many lines will become more meaningful.

The Crazy Gang played by Ge You refers to commercial movies. Therefore, the image of Ma De and his gang can be said to be ruthless, and all he thinks about is money. He is passive to Nuo Nuo and kowtows to Huang dung beetles. As long as you have money, nothing matters, your wife is dead, and you don't care whether you oppress the people. So he finally found the best place to belong. Die in the grave of money. Mudd's death is more like Jiang Wen's sigh about the future of China's movies. China's movies will eventually die out in business, and there will be no real movies in China.

And Jiang Wen's symbol in the film is the art film. From his conversation with Xiao Liu (in fact, Xiao Liu represents his second work "The Devil Comes") about Mozart, he has always hinted that he likes and advocates art, and at the same time he lamented that China has no fertile soil for art, so he told Xiao Liu that he would send Xiao Liu abroad to study in the future, because there is more fertile land there, which is more suitable for art to take root. On May 2 1 2000, Devil's Arrival won the grand prize of the jury of the 53rd Cannes International Film Festival. In 2002, he won the Best Foreign Language Film Award in Japan's "Daily Film Award". However, for Jiang Wen, being banned from broadcasting in China is painful and sad. In this way, The Devil Comes has become a movie with flowers in the garden and incense outside.

I have only seen this film once, so I may not remember it clearly. Intercept what I remember and express what Jiang Wen really wants to say.

Jiang Wen: "How to make money by making movies?"

Ge You: "In order to please the film censors, we will shoot whatever he tells us to do. We cheated him of his money first. Then cheat money from the audience after the filming, and then cheat money from the audience. Then divide it with China Film 37. "

Jiang Wen: "So our director is like a beggar, kneeling to make a movie?"

Ge You: "Making a movie is almost like a beggar. If you want to make money, you can only kneel. "

"Jiang Wen slammed the official logo on the table:" I have artistic accomplishment. "

[Ge You smiles: "Don't be ridiculous, art can't be eaten."

Jiang Wen then threw a pistol: "I have talent."

Ge You smiled more happily: "Don't be confused, talents are useless. You can't play with them. If you want to eat, you can only kneel. "

Jiang Wen: "I don't believe this. I have to stand and earn money. "

Ge You: "If you don't make money from the poor, whose money are you going to make?"

Jiang Wen: "Which is the best, which is the best. I will make his money, which shows Jiang Wen's determination to fight against film censorship. "

Ge You: "I can't go to the hongmen banquet. Going to the dung beetle will ban your movie again. "

Jiang Wen: "Who set up the Hongmen Banquet?" :L # y+p $ s‘？ 3 |

Ge You: "Xiang Yu"

Jiang Wen: "Who won in the end?"

Ge You: "Liu Bang."

Here Jiang Wen compares himself to Liu Bang and compares the auditing system to Xiang Yu. He firmly believes that he can fool the audit again.

"Without beauty and money, what do you want?" ,

As a gangster, gangster was named by China film system to play Jiang Wen. Jiang Wen himself never admitted that he was a bandit. I can't find the robber spirit in the gangster he plays. Some people are just angry. Hemp bandits are Jiang Wen's self-mockery. Let me be a bandit. But I don't do what bandits should do. I make movies not only to make money, but also to convey my thoughts. Money is not important to me. I don't want to make money from the Lebanese people. I rob investors, I rob China movies. So there was a scene where bandits gave money to ordinary people and yellow excrement sticks robbed money. Insulting China's film system, China commercial films are the real robbers. . .

Then, I said at the beginning that Let the Bullets Fly is an autobiographical film by Jiang Wen. Then simply divide "Let the Bullets Fly" into four pieces, representing the four works directed by Jiang Wen.

At the beginning of the movie, Ge You and his wife were singing while eating hot pot, and they were immersed in a happy atmosphere. Jiang Wen led his brothers on a roll, from grabbing the train to going to Goose City, everything was done neatly. Just like Jiang Wen 1994' s debut "Sunny Days", he made Jiang Wen an instant hit, shocked the world and won honor and aura. From then on, a China director named Jiang Wen appeared in the world film industry, and a talented and cutting-edge director was born in China. This passage gives people the feeling of flowing water, and the rhythm is very relaxed, smooth and pleasant. . .

Since Jiang Wen took office, the struggle with Huang dung beetles began. The film entered the heaviest paragraph in the whole story. Carina Lau is dead, and Liu Ye Jr. is dead. Do you think Xiao Liu died unjustly, and The Devil Comes also died unjustly? Just now I mentioned that Xiao Liu actually represents Jiang Wen's second work, The Devil Comes. After Sunny Days was a great success, Jiang Wen spent six years creating an amazing work, The Devil Comes. The reason why Zhang Mo is called Little Six is that The Devil Comes is the painstaking work of Jiang Wen for six years. There is no doubt that it is also the best of Jiang Wen's existing works, and it may also be the film that Jiang Wen put the most effort into. From Jiang Wen's calling Xiaoliu his son, we can see that Jiang Wen attaches great importance to evil arrival, but this son is also the biggest blow to Jiang Wen. It was banned for insulting mother's beautiful face, and even more frightening was that Jiang Wen was banned from directing. A director is deprived of the right to direct a film, just like a doctor without a scalpel and a blacksmith's hammer confiscated. But "The Devil Comes" made Jiang Wen shine in various foreign film festivals. Ironically, catheter was banned in China, but it laid the foundation of a master abroad. What are crocodile tears? People tell you that your movie is really good, and it must be a classic. But unfortunately, he can't show it. The banning of "The Devil Comes" is also the fuse of the struggle between Jiang Wen and China on film censorship. Facing the tombstone set by the gesture, Jiang Wen made up his mind to say, "Xiao Liu, I will definitely avenge you. . . '

After seven years of hard work, Jiang Wen released his third classic, The Sun Also Rises, which showed Jiang Wen's courage to the greatest extent. At the same time, it also expressed Jiang Wen's indignation at the film censorship system. The Sun Also Rises is a serious work of Jiang Wen and film censorship. The more you don't let me shoot, the more I want to shoot. So Jiang Wen took great pains to wrap up the thoughts he wanted to express at that time. Jiang Wen finally won the battle with the film censorship, and Jiang Wen cheated the film censorship with his own talent. Unfortunately, Jiang Wen's film lost the case, because he not only cheated the film censorship system, but also left the audience in a deep fog. Because the packaging was too deep and obscure, it became the label of The Sun Also Rises. In the movie Let Bullets Fly, the symbol of Shao Bing, the second child, is The Sun Also Rises. "The Second Child" is the second film in Jiang Wen that was sacrificed because of film censorship. Shao Bing's death also heralds the end of the third film. Ge You's death represents the end of the business part. What's next? Next is the beginning of the real Jiang Wen movie "Let the Bullets Fly".

When the film entered the fourth stage, it began to become crazy, and the crazy Jiang Wen completely broke out in anger at the film censorship. Jiang Wen seems to be telling every audience, have you seen it? I'm back. This is the real Jiang Wen. Jiang Wen came out of that era. Banners, slogans and shouts all embody the breath of that era. Jiang Wen once again expressed his patriotic feelings at the end of the film. Expressed his deepest desire. There will always be many people who say that Jiang is a conspiracy. How can a narrow-minded person really understand Jiang Wen? Personality, like music and movies, has no national boundaries and no language barriers. A person's shortcomings should be corrected, not covered up. At the end of the film, the thoughts expressed by Jiang Wen in The Devil Comes are conveyed again. Jiang Wen scattered money all over the street, but no one dared to rob it. When the night passed, the ground was spotless, as if it had been washed by a heavy rain. People want money, but they dare not take it because they are afraid. When yellow dung beetles's carriage ran across the street, silver rained back into yellow dung beetles's pocket. Because of fear, we dare not fight for it, dare not imagine it, and imagine a better tomorrow. The second time Jiang Wen gave a gun, he scattered it all over the street. Guns symbolize power here. Similarly, ordinary people can only get it secretly in the dark. The next day, Huang Shirang drove a carriage to collect the gun and was killed by Pockmarked Zhang. However, when Pockmarked Zhang waved his arms in the street and called on everyone to attack Huang dung beetles, although people had guns, no one responded. They still choose to be wise and wait and see. And isn't this the China people in Jiang Wen's The Devil Comes? Timid, cowardly and full of servility. When Jiang Wen cut off body double's head in the square, people were truly endowed with humanity. This is what Jiang Wen has always wanted to express: the sorrow of history, the sorrow of human nature, lamenting his misfortune and angering him.

What Jiang Wen really yearns for here is that he knows very well that he can't fight against China's film censorship on his own. He is eager for the help and strength of the people. In Jiang Wen's thought, people are the real masters of society. As long as everyone can bravely stand up for what they want and contribute to those unfair systems, even if it is a small contribution. We can destroy one Kaiping watchtower after another. We can get the best, what we really want. As viewers and fans, we hope that every classic can be presented on the screen.

I think this should be the film review you want? O（∩_∩）O ~