Comments on Gallnut Temple

After reading a work carefully, there must be a lot to share, so you need to go back and write it. So how should I write it? The following is my review of the five-year-old temple, which I carefully arranged, hoping to help you.

Five-year-old Temple Review 1 I first came into contact with the five-year-old temple a year ago. At that time, the sound of McDull caused quite a stir in China. Once I happened to talk about this topic with a good friend who majored in Korean, and she strongly recommended the five-year-old temple to me.

I'm ashamed to say it, but I used to be confused about the connections and differences between animation, animation and comics. I have always stubbornly believed that these are just childish films for children, so I stopped watching all cartoons and cartoons since junior high school. But "Five-year-old Temple" brought me a great shock. Like most of the audience, I was moved by it and shed a lot of tears.

The second time I watched it with my classmates, I didn't feel too sad about the story, but I was even more amazed at the beauty of the external picture and background music of the film. I was puzzled by this situation myself and watched it again with full suspicion. This time, in the dead of night, I was alone, lying quietly in bed watching, and I had some new feelings in my heart.

Suddenly, I feel that the movie with this theme is suitable for a person to watch quietly, and I have a deeper understanding and sentiment, because only lonely people can truly feel loneliness and sadness.

As the song "Growing Loneliness" sings, as we grow up, we become more and more lonely, and the process of growth is actually nothing more than the process of filling loneliness. In order to solve loneliness, we will constantly try to make new friends; In order to relieve loneliness, we will enrich our lives as much as possible. Music, reading, sports, work and study will be the choices of most people. However, has anyone ever thought of filling loneliness with love?

There is no doubt that maternal love is the central theme of the whole movie. The story revolves around the two brothers and sisters looking for their mothers, and they show their maternal love incisively and vividly. When the boiled potatoes that Jishun happily took back were snatched away by naughty brothers, the kind-hearted fat aunt brought a big bowl to Jishun and looked at the kind smile of the fat aunt. Who doesn't want to have maternal love? When Jishun hurt the naughty boy to protect his sister, and the naughty boy's mother came to the theory, who wouldn't have thought of the same situation as Jishun when he was young?

Motherly love is not only reflected in people, but even the Buddhist gods seem to be feminine and attached with the color of maternal love. The close-ups of the red lips and slender fingers of the Buddha in the film and a series of shots of Guanyin's kind face have to be reminiscent of his mother. Therefore, the desire and pursuit of maternal love has become a cotton wool to fill the loneliness of Jishun's brother and sister. It is maternal love that enriches their lives-although it is still sad most of the time.

The Jishun brothers and sisters are lonely, but they love to connect them, rely on each other and help each other. Jane has gentle and tolerant love, and Ji Shun has innocent and pure love. Love is the cotton wool that fills their loneliness.

Although Jane knew the reality of her mother's death, it was impossible to find it again, but out of love for her brother, she could not bear to tell, but accompanied her brother to wander around. They are supported by countless kind-hearted "fat aunts". In this process, Jane played not only the role of sister Jishun, but also the role of mother. The tolerance and love revealed in her body are the embodiment of maternal characteristics. On the way to find her mother, Jane taught her brother to sing and told him the story of her mother. When eating, he always makes sure that his brother is full first. But what impressed me most was the story of two brothers and sisters crossing the river. Unable to cross the river alone, Kenichi, who was blind, walked slowly with the help of his younger brother, but after seeing the little white dog, his younger brother excitedly left his sister in the middle of the river and ran across the river first. Jane who missed was afraid and anxious, but instead of being angry, she crossed the river by feeling the stones alone. Although she unfortunately fell into the cold river, Jane who went ashore still didn't show the meaning of blame, and she was still worried about her brother in the tree.

Although Ji Shun is naughty, he is a kind and naive child, and his heart is full of love for the world. Based on this kind of love, he can always find ways to get rid of loneliness at different times. Before being taken in by the monk, although the two brothers and sisters had no fixed place and no food and clothing, the naughty Jishun always made his sister happy. In his eyes, the sea and breeze, maple leaves and reeds can all be their pistachios, accompanied by laughter all the way. The acceptance of the little white dog is also the embodiment of Ji Shun's love. After being taken in by the monk, the abandoned temple is of course boring for such a small child, but Jishun and Xiaobaigou have fun every day, hanging the monk's shoes on the tree and stealing the monk's clothes for the sheep to wear. This series of practical jokes also brought vitality to the temple. When I first arrived in Ulsan, Jishun loved all kinds of small animals more. He jumped on them to catch them and play with them. In the remaining days, he was very happy to find small animals and make a snowman. I believe that when the audience saw the snowman in front of Jishun's feathering door, they were all moved: Jishun had few clothes left, but the snowman was covered by his coat and scarf.

By extension, it can be said that every character in the film is actually filling the inevitable loneliness with love. The young monk treats all the naughty behaviors of Jishun with kindness. In the snowstorm, out of concern for Jishun, he insisted on going all out. The little white dog is lonely, preferring to stay at the gate of Jishun in the cold wind, and his love for his master fills his loneliness. Living in this beautiful society, should we also learn to find our own lonely filler in time?

Missing the Five-year-old Temple 2 When the boy stood under the big tree at night and burst into tears, the undercurrent of sadness was generate, a lonely and helpless soul living in his heart. The wish of five years old is his mother. The monk told him that the eye of the soul can see the breeze and what the naked eye can't see. So, he pinned his desire to see his mother on the eyes of his soul, and set foot on another temple and began his journey of studying.

Expectation is like a breeze, bringing hope, but it will never appear. The boy has never forgotten his mother's wish, but after going up the mountain, he can get less and less expectations. His friends in the mountains are only monks, but monks need to recite scriptures and Buddha, and they have no time to take care of themselves most of the time. He hopes someone can play that happy skiing scene with him. Later, the monk went to the market, but the snow closed the mountain forever, and the boy's expectations began to compromise. He felt that the monk was angry and gave him trouble, so he didn't come back after so many nights. He expected the monk to come back. Finally, the boy didn't even have food. He sat in front of avalokitesvara, calling devoutly, expecting to give him food, play with him and meet his mother. This is the saddest scene.

The angel in heaven, when all expectations are gathered together, can't be satisfied. The illusory spiritual food makes him sit in front of the bodhisattva until his death. This may be understood by some people as happiness or the sublimation of the soul, but in my opinion, this is a naked deception, a deception of one's own mentality, because the actual situation has been unable to meet one's expectations, and I have been helpless and struggling, which is pathetic. How many people live in such a world now, as the weak in social structure and the strong in self-spirit, but in fact, the more they try to be brave, the more humble they are. There, it is an arrogant world, a world that no one recognizes and struggles on its own. It is sensitive and fragile and does not need self-hypnosis all the time.

Needs, expectations, hopes, desires, Maslow's basic survival needs, expectations for spiritual transition, hopes for struggle needs, and endless desires. Is there a standard for judging good or bad? When the basic needs of food, clothing, housing and transportation are not met, people will sympathize with you. When you are full of expectations for life, people will appreciate your self-motivation. When you are full of hope for life, people will be infected by your emotions. When you have a lot of desires, people will discourage or envy you. Everyone has a different degree from need to satisfaction.

People are happiest between pursuit and satisfaction. However, everyone needs a foundation and a way to achieve expectations. For illusory and nonexistent objects, they can only be realized by spirit. For a beautiful fantasy, the more cruel the reality is, the more desolate the spirit will be, because the more sympathy we have for ourselves. Finally, what we enrich is actually just a kind of self-comfort, whether it is utopia or ivory tower. So the millions of people in Qian Qian in this world have more expectations but don't try to realize them. Most of them feel sorry for themselves mentally, and then gradually tell themselves that they have nothing to expect, and they can achieve the effect of self-satisfaction if they don't strive for it.

Win or * * * enjoy, this is Han Han's answer to the question of the third party. In fact, there is a third option, which is to escape. When the basic situation is established, human nature will choose a comfortable posture and live a basically satisfied life. If you are too dissatisfied with the reality and unable to change it, you can only entertain yourself by imagination. The so-called escape is probably because your acceptance is relatively low. In the era of open human nature, our pursuit of our own desires has become naked, but the spiritual home has never been a barbaric and primitive desire. It needs the modification of human nature to become an ally recognized by society. And we, in the pace of society, seem to have lost our innocent expectations, gradually polluted into desires and become more and more confused.

When I saw the name, I thought it should be the story of a child who began to live in a temple at the age of five. Five years old is a very white start.

The whole animation has always given me a cheerful feeling. Ji Shun always keeps his mouth shut, and the whole story is almost his lines. Why, such a little boy who loves to play, talk and sing? Many children are like this, but Ji Shun is very lively. I feel that he has no tutor. Yes, he has no parents, only his blind sister, who took him to his mother, but her sister is only a teenager.

Children are naive. Ji Shun said that he wanted to learn how to open the eyes of the soul so that he could teach his sister to find her mother in the world. From then on, Jishun can be a child with a mother, loved by others and not afraid of being bullied by other children. But the mother who is no longer in this world has never realized that her mother and he are not in the same world in Ji Shun's life.

At last, I also had the illusion that Jishun would go to her mother, at least Jishun would know what her mother was like. Finally, Ji Shun wants to start studying. Began to follow her husband into the mountains to practice. What a happy time it was, the snow in the jungle, the thrush singing like sugar, and the little people hunting in the snowfield. Before the snowstorm came, Jishun's world was bright.

The snowstorm still came. This is a lonely world. Loneliness is something that has existed since childhood. Without companions, we will no longer have a sense of security and identity, and the whole cognitive world may collapse. Even if it is an ominous house, I want to break into it, hoping to meet something. There was still silence, and only a bodhisattva like her mother looked at herself kindly. Ji Shun can finally calm down and talk to the Bodhisattva. In the lonely world, Ji Shun finally opened the eyes of his soul, and he entered heaven with the Bodhisattva.

This is my unexpected ending. I thought five years old was just the beginning, but I didn't want to. Five years old is the end.

The unexpected ending has always been my yearning destination. When the prophecy is really interpreted like this, it is endless and free, but the result is so disappointing. Lonely Jishun, is this his best destination?

Each of us is lonely in this world. Learn from Jishun's short life, climb trees to catch birds, go fishing in the river, throw leaves downstream, race with rabbits, sing with birds, resist wind and snow, and whisper to Bodhisattva when I am most afraid. Maybe we can't see that the ice will melt one day.

The meaning of life itself, no matter how long it is, no matter when it ends, live every day carefully, and loneliness is also an angel.

Reflection on the Five-year-old Temple 4 The setting of the protagonist in the film itself is very bleak: the elder sister is blind and takes her younger brother alone; My brother has never met his parents, and he doesn't know that his mother is dead. Brother and sister have no relatives, they will be bullied and can only live alone and wander. It's miserable anyway.

After that, they were lucky enough to be adopted by monks in the temple and had a good time, but their desire for their parents was particularly strong after all. Sometimes I think that if my sister honestly tells my brother and mother that they are gone, maybe they can grow up safely in the temple and live step by step until they are old. But my sister kindly concealed it, leaving a glimmer of hope for my brother. I came from my contemporaries, but I don't know if my children are particularly stubborn about identity, but the only thing that is clear is that I really hope my mother can always be by my side. Alas, I really don't want to recall the feeling of seeing my mother away when I was a child. Thought of here, my voice is on fire. My brother said that the fat aunt who gave him potatoes was his mother. He seriously said that the fat aunt was not fat at all and was particularly beautiful. That's it. Smell the smell of mother's dirty clothes, I feel particularly kind and secure.

The final expression of the film may be to make my brother's departure have a satisfactory return: my brother really influenced the Bodhisattva, my brother really went to heaven, really saw my mother, and also let my blind sister see her mother.

People who have ideas in their hearts will definitely ask with a grain of salt: Is this true? Can you really end your thoughts by sincerely chanting Buddha?

On the Zhong Nanshan Mountain that day, a female layman came from the foot of the mountain. She was very young, but she has been unhappy ever since. One day, after chatting with a young monk, she was like a soldier with a bloody trough, resurrected in situ and full of energy. And all this is because of a little monk's words: I sincerely recite the compassion bodhisattva every day, and all my wishes come true. From then on, she pestered the little monk every day, mysteriously. In the future, after the layman went down the mountain, I asked the young monk: What happened to her? Why do you seem to be suddenly possessed? The young monk said: I am trapped by love.

It turns out that this female householder is obsessed with her ex-boyfriend and wants to get back together at any cost because she really loves her. I went up the mountain for fun, hoping to get rid of it. At that time, the young monk gave her a divination and told her clearly that your boyfriend had another lover. I didn't expect the female householder not to give up, and kept asking if it is really effective to recite the compassion bodhisattva every day. Unable to persuade her to put it down, the young monk nodded and agreed.

In this way, the laity couldn't get rid of it and fell into another pit. And her ex-boyfriend has been closely guessed by me. She just went down the mountain before going up the mountain, and she has been in contact with him for some time, so she really can't feel the same with the female layman. A few years later, I don't know whether the female layman was relieved or insincere and didn't touch the Buddha. Her ex-boyfriend and girlfriend are getting married.

In the film, my brother once said to the monk: Why do you always face the wall? If this is a practice, then your home also has walls. Master has always warned us that eating is eating and playing is playing. But the reality often tells us to make full use of time and recite words in the toilet. We have been engaged in formalism for too long, and it is normal to be confused and confused. Ah, compassion and compassion, Guanyin Bodhisattva. I think it's good to ascend to heaven after death and reincarnate in the afterlife, but they all have to go through this life. I haven't lived well enough to accumulate blessings for myself, and I may not be able to get rid of it when I die. Just sincerely face up to the present, just grit your teeth and move on, and see if there will be a more helpless situation than death?

Five-year-old Temple 5' s comments on this film are beautiful in style and smooth in lines, showing the naive and poor life experiences of two children and the tragic ending of a five-year-old child. In the end, there will be a paradise for self-deception, but if you die, you will die. I think it is important to commemorate this poor child with this temple. Kind of ironic.

I don't know what the purpose of this movie is, but it is to preach how a child walks to the Buddha or steps into the fate of death. Is his ending accidental or inevitable? Maybe many people will think this is a beautiful story. A five-year-old child, so pure in heart and so strong in willpower. Finally, in loneliness and despair, hunger and helplessness, he fantasized that he had seen his long-awaited mother and lost it peacefully. At the end of the film, there is a bodhisattva. I think it's pathetic. Who will save the child's life? In snowy winter, no one can resist the sudden anger of nature, and accidents are everywhere. What we can really do is to beat the wooden fish and pray for the so-called gods. No, indeed, many times, when we can't do anything, we can only pray for blessing. That's right. After all, a person with strong willpower must have his own beliefs and spiritual pillars, but it may not be a Buddha, or it may just be a sentence from someone who really brings warmth and help to himself.

There is a bodhisattva at the end of the film. I feel very angry. This is the so-called cultivation. Did the child's death bring us happiness and peace? Who will save the child's life and really make him warm and laugh? Don't deceive yourself. The so-called accomplishment is to take a five-year-old child to an uninhabited mountain top and watch the sunrise and sunset in the cold winter. What is this? Have you ever considered your child's life scientifically? If you don't chant Buddhist scripture all day before leaving your child, you should teach your child how to live independently and tell him how to live a better life, how to keep warm, how to find food and how to exercise even without a mother. Only by staying strong can his mother be gratified, not fantasized. After all, people are flesh and blood. Maybe people really need Buddha as a spiritual pillar at some time, but that kind of meaning can't guide life and survival.

If this is a drama, or if the child really survives in the end, I will think it is a good story, just like butterfly lovers, which eventually becomes a butterfly. Even though I know it's just a fantasy, I will carry forward a beautiful wish after all, and what kind of positive energy is this movie going to tell people? I think it was a tragedy in the end, not because of the child's death, but because the reader didn't know what the real cause of death was. I can only say that I have to reflect on it.

The story of "Five-year-old Temple" is very simple, that is, a blind sister took a naughty but pure and kind brother to find her mother, and then she was arranged by fate to live in a temple. My brother followed a master to another temple to study, in order to learn that my sister could see with her soul's eyes. However, because the master was unfortunately in a coma for a long time on his way home in the heavy snow, he woke up and found his brother sitting in front of the Buddha. My brother is naughty and ignorant, but naive and kind ... and the mother of a bad child treats her children as treasures and others' children as grass ... My brother's pranks make people feel anxious, but a less advanced mage will feel embarrassed, but a profound mage can take it lightly and encourage him to express his exuberant energy in the right way ... These are very common but very real things. It also reminds me of Makoto Shinkai's movies. The scenery in his anime movies is beautiful and there are many realistic scenes. In the process of putting drinks in the vending machine, the key fell to the ground. Almost exactly the same scene as the real grocery store ... These details are very common, but they can make people feel substituted, and it is easy to put their feelings into it, which in turn resonates with the work. I think this is the reason why Japanese anime and Korean dramas can touch people's hearts. ...

It is not the best choice to be on high ground or be grounded. Art comes from life and is higher than life. Works of art should be tall and high in style, but they should also have ordinary pictures and grounded lenses, so that viewers can feel brought in. . Otherwise, the play will only take a few minutes. ...