Bai Mei is priceless.

When Li Kuchan, a great contemporary painter, died and went west, my teacher Xu Linlu was traveling in Shandong. Hearing the bad news, Lao Xu immediately boarded the bus and went straight to Beijing. When I arrived at the Kuchan mourning hall, the white-haired old man couldn't afford to kneel and cried for a long time. He and Ku Lao are disciples of Master Qi Baishi, brothers and sisters, as close as a concubine. Brothers and sisters were all around Mr. Baishi when they were children. One is the right-hand man and the other is the right-hand man. When they were poor, they broke a biscuit in half to satisfy their hunger. Art is more like-minded, crazy when painting, two people draw a knife paper overnight, 100, hearty. At the moment, the bitter Zen has gone, and Lao Xu regrets that he failed to keep up. The crying was really heartbreaking, and several young people pulled him up mentally. Through the tears splashed by the old man, I can feel the deep affection of the two painters who have shared weal and woe for half their lives, and feel how precious this friendship filled with profound cultural atmosphere is.

The next day, Lao Xu came to my house and said, "Jingting, Brother Kuchan left?" Then I cried again, this time at home, in front of my wife and I. Lao Xu lost his master elder brother, that kind of desperate sadness, that kind of true feelings, I will never forget.

(3) On that day, my wife made the teacher's favorite cake and made some good food and wine, but the teacher couldn't eat it. We insisted that he take a rest and take a nap. Who knows, Lao Xu just lay down and got up again, shouting "Bring rice paper". At that time, my economy was not well off. Where can I keep rice paper? I rummaged through the closet and found two inferior four-foot rice paper and two broken writing brushes. Lao Xu grabbed a pen and swept it over four feet of rice paper. He is not painting, he is just trying to cut the boundary between yin and yang. He is a pen heart, drawing plum blossoms with tears in his eyes. I only heard the rustling of rice paper, which penetrated the back of the paper with strength and emotion. The brush pointed at the diagonal line, just like a sword waved by Lao Xu. He poured his grief over his brother on paper, and the plum blossoms were tears! The teacher didn't say a word when drawing branches. It's time to nod. He said four words: "Pull out the nail in the mud". Although Meirui was pulled out, he could not extricate himself from his emotions.

(4) Bai Meihua on this four-foot rice paper, wet and dark, dripping ink, thin and oblique, vertical and horizontal strokes. Brute and ink are bold and domineering, which is not only rare in the world, but even Lao Xu himself can never draw a second one. Just as people can't be born twice, this masterpiece can't be cloned, copied or even copied. At that time, that afternoon, Lao Xu's writing speed of total annihilation, and the way he found to vent his feelings after great grief, will never be repeated.

(5) that day, Lao Xu took a pen and watched Bai Mei for a long time. I dare not go outdoors. My heart itches, I want this painting, but I dare not say it. After pondering for a long time, Lao Xu said, "Here, stamp it at my house and give it to you." I gasped with my mouth open and didn't know what to say.

Bai Mei became my family heirloom. Only in the dead of night will my wife and I carefully unfold this painting to enjoy it. I dare not take it to the paint shop for mounting, for fear of damage. After careful consideration, this painting by Lao Xu illustrates a truth: in the field of Chinese painting, the brushwork of Song, Zhu, Lan and Mei is full of emotion and ink, and repetition is inevitable. The most precious thing is not boredom, nor is it a pen-and-ink game of literati, but something created at a special time, with a strong emotion ending with a pen, which combines life and artistic experience. Because of this, God is here, and Lao Xu's Delia is here. There is always anger when you open a book, and that feeling is often that you only look at plum blossoms. Those ingenious pens, even the painter himself did not expect.

⑦ I remember that the old man Baishi gave a painting and wrote a sentence, Xu is a good descendant, so we should cherish it. Lao Xu didn't write these words on this Bai Mei, but I will treasure them. Because Bai Mei is priceless.

(with deletion)

1. This paper mainly uses five scenes to write human narrative. Please summarize the first four scenarios in turn. (Answer each scene in 5 words)

Scene 1: _ _ _ _ _ _ _ Scene 2: _ _ _ _ _ _ _ _ _ _ _ Scene 1: _ _ _ _ _ _ _ _ Scene 2: _ _ _ _ _ _ Scene 3.

Scenario 3: _ _ _ _ _ _ Scenario 4: _ _ _ _ _ _ _ _

Scene 5: Enjoy Bai Mei late at night.

2. Combined with the content of the article, explain why the author thinks that "Bai Mei is priceless". A:

The description and discussion in this article are full of emotion. Please take the relevant content in the third paragraph as an example to make a simple appreciation. (No more than 150 words)

20 12 Chinese test questions for Beijing senior high school entrance examination

[Reference answer]

1. Scene 1: mourning in the mourning hall, old scene 2: mourning at home, old scene 3: painting plum blossoms, scene 4: Bai Mei giving a lover.

2. Example: Because the painting "Bridled Eyebrows" is a work of Lao Xu to express his feelings, and it is a witness to the deep friendship between him and his brother; It is a unique treasure with high artistic value created by Lao Xu through his life and artistic experience. So the author thinks that "Bai Mei is priceless".

3. Example 1: The third paragraph describes the process of Lao Xu's painting in My Home, and describes Lao Xu's unrestrained appearance when painting with the actions of "grasping", "sweeping" and "waving"; With the argument of "but he can't extricate himself from his emotions", he expressed Lao Xu's complicated feelings that he was still immersed in grief after painting, which made me both moved and worried. These descriptions and discussions are full of emotion, showing the profound friendship between the two painters and touching.

Example 2: This article is rich in emotion, description and discussion. The third paragraph is described by the action and language of "just lying down and getting up again, shouting' take rice paper'", which shows Lao Xu's eagerness to mourn his brother with paintings; With the argument that "where he paints is to break through the boundary between Yin and Yang", this paper points out the shock that Lao Xu brought to me when he painted.