A poem that hates being born and being human.

Song of Eternal Sorrow is the representative work of Bai Juyi, a poet in the middle Tang Dynasty, but it has been debated for a long time in academic circles. It is centered on themes and ideas, which has aroused extensive discussions and different opinions. But there are also many important theories, such as love theory, anecdote theory, satire theory, sentimental theory, dual multi-theme theory, unowned theme theory, universal theme theory and so on. In recent years, Mr. Zhang Zhongyu has published a series of articles on the theme of "Song of Eternal Sorrow" in academic journals such as Literary Review and Journal of Peking University, and recently published "A Study of Bai Juyi's Song of Eternal Sorrow".

Further put forward "euphemistic theme". This paper attempts to make a brief comment on various viewpoints on the basis of further interpretation and textual research of Chang Geng Zi, mainly discussing Mr. Zhang Zhongyu's euphemism, and then providing some new evidences and viewpoints on the theme of love, with a view to contributing to the further study of the theme of Chang Geng Zi. The interpretation of the theme of Song of Eternal Sorrow has been continuous since ancient times, which has caused many controversies. Bai Juyi himself should be the first person to participate in this matter. He said in the poem "fifteen volumes of clumsy poems have yuan, nine miles and twenty yuan at the end": "A song of everlasting regret has style, and ten violins are close in sound." [3] It is pointed out that the theme of poetry is related to the customs of men and women, which became the source of the later "love theme theory".

At the same time, Chen Hong, who was with Bai Juyi, said in Song of Eternal Sorrow: "Because of Song of Eternal Sorrow, Lotte not only thinks about his own business, but also wants to punish those special things, stifle those messy steps and hang down in the future." In 420 1 year, that is to say, Bai Juyi wanted to use Li Yang's story to punish the "special incident" that led to the disaster and block the root of the disaster, so as to play a warning role in the future. It should be said that this is the earliest source of fable, and it has also become one of the main debates about the theme of fable among contemporary scholars. There are seven clouds in Huang Tao's Collection of Huang Yuxi in the late Tang Dynasty.

It can be seen that in the late Tang Dynasty, many people, like Li Kan, denounced Bai Juyi's poems as "obscene words" and regretted that they could not be treated with them. Huang Tao reversed Bai Juyi's conviction, which reflects that people in the late Tang Dynasty criticized Song of Eternal Sorrow with Confucian political ethics, and always asked the writer to pierce the password of time, which is ironic. Although it is considered that it lacks the social and political function of "satirizing prison rules", it affirms the artistry of poetry. But if the car is like water, it must be a cloud.